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10 Cloverfield Lane (2016)

PG-13 | | Drama, Horror, Mystery | 11 March 2016 (USA)
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After getting in a car accident, a woman is held in a shelter with two men, who claim the outside world is affected by a widespread chemical attack.

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Cast

Complete credited cast:
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Driver
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Woman
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Ben (voice)
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Voice on Radio (voice)
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Radio Broadcaster (voice)
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Storyline

After a car accident, Michelle awakens to find herself in a mysterious bunker with two men named Howard and Emmett. Howard offers her a pair of crutches to help her remain mobile with her leg injury sustained from the car crash and tells her to "get good on those" before leaving the bunker. She has been given the information that there has been an alien attack and the outside world is poisoned. However, Howard and Emmett's intentions soon become questionable and Michelle is faced with a question: Is it better in here or out there? Written by Paramount Pictures

Plot Summary | Plot Synopsis

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Monsters come in many forms


Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including frightening sequences of threat with some violence, and brief language | See all certifications »

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Release Date:

11 March 2016 (USA)  »

Also Known As:

Valencia  »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$24,702,752 (USA) (11 March 2016)

Gross:

$71,897,215 (USA) (20 May 2016)
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2.35 : 1
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Did You Know?

Trivia

During one scene, John Goodman's character is watching Pretty in Pink (1986). In that movie, Molly Ringwald's character has a hobby of making dresses. This is a subtle allusion to Mary Elizabeth Winstead's character in this movie, as she also dreams of being a fashion designer. See more »

Goofs

In the beginning, while Michelle is driving and on the phone with Ben, she is hearing on speaker phone. On her phone though, the speaker icon is not lit up meaning that the phone would not be on speaker. Michelle's phone does have Bluetooth active, and since most modern cars do have Bluetooth connectivity through the audio system, it is entirely possible she is indeed using that system while on the phone with Ben. See more »

Quotes

Howard: I'm sorry, but no one's looking for you.
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Connections

References Sixteen Candles (1984) See more »

Soundtracks

I Think We're Alone Now
Written by Ritchie Cordell
Performed by Tommy James & The Shondells
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
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Frequently Asked Questions

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User Reviews

 
Great claustrophobic story with fine performances... and a twist
9 March 2016 | by (Australia) – See all my reviews

Full disclosure: The year is 2007. A trailer hits cinema screens advertising a mysterious film named "Cloverfield." Nobody knows what it's about, except that it's riding on the wave of the found footage genre, and that it seems to depict a giant monster attack on New York. Speculation immediately breaks out all over the internet, but nowhere more fiercely than on the IMDb forums, with many folks being caught up in the genius viral marketing. I myself was one of those people, along with my wife. Yes, we met on IMDb's Cloverfield forum. She moved from the US to Australia a few years after, we got married, and we've lived together happily ever since.

Yes, that is the power of film; it can bring people together in the most unlikely ways possible.

So, it's with some excitement that we were blindsided by the brief and vague advertising campaign for 10 Cloverfield Lane. Does it have any connections to the original Cloverfield? What's JJ Abrams playing at here, exactly? Without giving too much away, it's not a direct sequel, but rather a sequel in tone. I'm assuming Abrams is going for an anthology style series here, with each entry being a different story tied together by their themes and science-fiction setting. It's clearly a marketing thing, but if that means we'll get more films like this, I'm certainly okay with it.

10 Cloverfield Lane eschews its predecessor's found-footage trappings, and immerses us in a classic style bottle thriller. The setting is limited and claustrophobic, and the cast small, but the story and tension will grab you and not let up until the end. The nature of the mystery means your opinion will hang very precariously on whether you like that ending, and I suspect it will be divisive. There's not a great deal of resolution, and if I'm correct in assuming this will be an anthology series from now on, I doubt we'll ever get any. But that's fine, because I don't think the story that would follow the film really needs to be told.

What matters are the performances. John Goodman is the real draw card here. He gives a stunning turn that is delightful, sympathetic and absolutely terrifying in equal doses. He's had so many great roles in the past, but he is unforgettable here. Mary Elizabeth Winstead is also very likable as the resourceful protagonist. Perhaps a little too resourceful at times, but for the most part we're with her happily throughout.

The film looks fantastic despite the cramped environs, with great use of color and shadow and some interesting cinematography. There are some nice designs and special effects toward the end of the film, even if they may be considered a little derivative. The score is tense and effective, and keeps you on the edge of your seat.

The script is great with very little flab, and if you like these kinds of stories which lock characters together in tight, paranoid spaces then you'll find a lot to enjoy here. Just don't go in expecting Cloverfield 2, because this is not it. It's its own beast, and has a brave ending that you'll either love or hate.


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