In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by
Traditionally, CGI characters such as Doctor Manhattan would require two shoots for every scene the character appears. First, the scene would be filmed with a placeholder instead of the CGI character. Then the character's movements would be recorded on a "motion capture" stage to provide a reference in creating the CGI character. Given the amount of screen time Doctor Manhattan has, this would have been an expensive process. Instead, Billy Crudup simultaneously provided Manhattan's placeholder and motion capture on set. Crudup wore a specially-designed motion capture suit and face markers, and was constantly filmed by at least two cameras, one for all-over movement and another trained on his face to follow his expressions. This way, his on-set performance as the placeholder could be used directly in creating the CGI character. To provide the effect of Doctor Manhattan's eerie glow, Crudup's suit was studded with 2500 blue lights, so that he could act as an "exotic lighting instrument". Therefore Manhattan's glow follows his movements more closely than an on-set light could, and illuminates his surroundings in a more convincing manner than a computer effect would. See more »
In the main titles, Nite Owl stands up and his head completely covers the "1940" on the sign behind him.
In all subsequent shots of the photograph of "Minutemen 1940" the banner hangs unobstructed above his head. See more »
It is 1985, Richard Nixon is serving his fifth term as US president and the world stands on the brink of destruction as the world's two superpowers vie for nuclear supremacy. The only thing stopping the USSR from launching a doomsday attack is America's Dr Manhattan a being with enough power to destroy planets and much else besides.
Wow! I was lucky enough to watch this at a preview screening in London last night and came to the film with little knowledge about what to expect. Having seen the posters around the place and perhaps catching one or two of the trailers I was expecting something akin to another "X-Men" movie (which frankly I've never found particularly interesting). However, it was a very pleasant surprise to find that Zack Snyder has served up something entirely fresh and quite dazzling. Watchmen takes the well-worn superhero format and turns it on its head. As you would expect from a movie of this genre you get a tale of attempted world domination by evil baddies, good guys wearing latex costumes, fistfuls of action and spectacular special effects. What you would not expect is to have this interwoven with eye-watering violence (a scene where one particularly nasty bad guy gets a meat cleaver brought down on his forehead being one example), full frontal male nudity (albeit computer generated) and rampant satire. The US political system, military posturing and blind patriotism are all given a bit of a roasting by David Hayter and Alex Tse's script. Add to this a host of compelling performances, notably Jackie Earle Haley as Rorschach and Patrick Wilson as Nite Owl, and you have an exceptional cinematic experience.
Watchmen is no ordinary superhero movie and likely to manage the difficult feat of satisfying both the fan-boys and the uninitiated punters (like myself). Its success means it must be highly likely that there will be a sequel if not several. Catch this early if you can and be one of the first to witness that rarefied thing in cinema something beautiful, exciting and original.
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