In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by
During the opening credits, when Ozymandias is outside Studio 54, actors representing the following people appear: The Village People (on the right), and David Bowie/Ziggy Stardust leaning on the car with Mick Jagger from The Rolling Stones. (Ozymandias reaches for Bowie to shake his hand after he turns from the cameras.) See more »
The director's cut, and the source novel, show how people know that Doctor Manhattan has gone to Mars, and eliminates "continuity errors" regarding his and Laurie's poses there. See more »
Your mind goes to dark places and you wonder why I keep the worst from you.
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The company logos are black-on-yellow, with text set in Futura Condensed, the font used for titles throughout the graphic novel and film. See more »
I have a serious problem with this film. I have seen it a half-dozen times, taken it apart, put it back together, tried to find something wrong with it and I cannot. I am coming to the reluctant conclusion it may be one of the greatest films ever made, likely a top-10, right up there with Citizen Kane, Alien, Godfather, you know the drill. The story is dazzling, action-packed, politically aware, and brilliant. As good or better than Sin City. The actors, many of whom (sigh) I am not familiar with are brilliant. Jackie Earle Haley practically picks the film up bodily and carries it. The direction is not merely good it is perfect. Even the sound track seems to move the story along. (And I am no fan of Zack Synder outside of this film. MAN OF STEEL was a sellout to the "action" crowd, creating chaos out of order. Ditto Sucker Punch). But art is like that. Sometimes it surprises you. Many critics have said that Social Network is the new Citizen Kane. But they confabulate. This film could actually be.
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