In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by
In the first scene, when the intruder first breaks into Edward Blake's apartment, Blake throws a mug toward the intruder. The mug shatters on the door, on the number above the peephole. The door number is clearly seen as 3001, but as the mug shatters, it ricochets off to the right, and casts a shadow over the number, obscuring the "1" deeply in shadow. This leaves a very well-lit "300." This may very well be an editing effect to give a nod to director Zack Snyder's earlier movie 300 (2006). See more »
When the coffin is brought to the graveside there is no vault or frame to place it on prior to lowering it into the hole. See more »
[reading from journal]
Rorschach's Journal. October 12th, 1985: Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face. The streets are extended gutters and the gutters are full of blood and when the drains finally scab over, all the vermin will drown. The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout "Save us!"... and I'll whisper "no."
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The opening credits themselves often cast shadows in the frame that correspond with the flashes from photographer's bulbs. See more »
Watchmen turned out to be an engrossing film, one definitely worth seeing. I have to say, I wasn't enthusiastic about watching it at first. It's based on the great graphic novel by Alan Moore. It's widely considered to be the best graphic novel ever. Films adapted form great literary works usually don't turn out well. The film also didn't have a big budget. More money was thrown at making Iron Man (2008) and The Dark Knight (2008), for example. This doesn't matter though because Watchmen surpasses all comic book films in terms of professionalism. Zack Snyder is a good action director. Just watch 300 (2007) for proof. With Watchmen he demonstrated that he is just a good director overall. He works well with actors. The acting in the film is almost universally excellent. Everyone gets to shine. Even Malin Akerman had her moments. Not one character feels like a throwaway. All this is further complimented by the good choices in costumes. No one can deny that the heroes in Watchmen look cool. The CGI is excellent too. Be it Doctor Manhattan or Nite Owl's airship, everything looks just right. Snyder staged some truly impressive dramatic scenes. The use of music is inspired. The score by Tyler Bates is obviously fitting, but the choices in songs may surprise some people. I, however, think that the songs are just right. It was good to hear Bob Dylan's "The Times They Are a-Changing" at the beginning and Leonard Cohen's "First We Take Manhattan" at the end. What made me like the film even more is its cinematography by Larry Fong. The look of each decade was captured perfectly. The 1980s are somewhat dark in the film's alternate reality though. Nuclear war seems close, and society is sick. To all this is added the sweet look that's also present in the graphic novel. There are many images in Watchmen that are memorable, even unforgettable. There are so many interesting details that I couldn't wait to watch the film more than once to pick up what I missed on first viewing. Thankfully, Snyder didn't change the politics and observations of the graphic novel for the film. Some parts are missing but the endeavour is still a thought-provoking two-and-a-half hours. Plus, it has a clear narrative. This is a comic book film for mature audiences. It stands above other comic book films because it's smart and because it tackles some of the most important issues, even mankind's existence. Watchmen was expertly made, there is a lot to like about it. I respect it and I like it more than any other superhero motion picture. It gets a high recommendation from me.
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