Exclusive: In recent weeks, intrigue has been building in the UK industry about the local remake of French hit Call My Agent! (Dix Pour Cent in France), but cast and plot details have been a tightly guarded secret.
Today, four days before the series gets underway in central London, we can reveal key intel about the Bron Studios and Headline Pictures adaptation, which heralds from BAFTA-winner John Morton (W1A).
Starring will be Tony-nominated actress Lydia Leonard (Absentia) as Rebecca, in a role loosely based on Camille Cottin’s character Andréa Martel; Jack Davenport (Pirates Of The Caribbean) will play Jonathan, in a role loosely based on character Mathias Barneville; Maggie Steed (Chewing Gum) will be Stella; Prasanna Puwanarajah (Patrick Melrose) plays Dan; and newcomers Harry Trevaldwyn (The King) will be Ollie and Hiftu Quasem (Killing Eve) will play Misha.
Also starring will be Fola Evans-Akingbola (Siren), Rebecca Humphries (Trigonometry...
Today, four days before the series gets underway in central London, we can reveal key intel about the Bron Studios and Headline Pictures adaptation, which heralds from BAFTA-winner John Morton (W1A).
Starring will be Tony-nominated actress Lydia Leonard (Absentia) as Rebecca, in a role loosely based on Camille Cottin’s character Andréa Martel; Jack Davenport (Pirates Of The Caribbean) will play Jonathan, in a role loosely based on character Mathias Barneville; Maggie Steed (Chewing Gum) will be Stella; Prasanna Puwanarajah (Patrick Melrose) plays Dan; and newcomers Harry Trevaldwyn (The King) will be Ollie and Hiftu Quasem (Killing Eve) will play Misha.
Also starring will be Fola Evans-Akingbola (Siren), Rebecca Humphries (Trigonometry...
- 5/6/2021
- by Andreas Wiseman and Nellie Andreeva
- Deadline Film + TV
The Harry Hill Movie has been given a UK and Ireland release date of December 20, 2013.
The film stars Hill alongside Julie Walters, Simon Bird, Matt Lucas, Sheridan Smith, Marc Wootton, Julian Barratt and Jim Broadbent.
> Harry Hill, Julie Walters film 'The Harry Hill Movie' - on-set pictures
"I can't wait for everyone to see my movie in December," Hill said.
"It's full of all the traditional festive family fun - evil twins, brains with legs, giant hamsters and chickens with guns."
The film centres around Hill and his Nan (Walters) who go off on a road trip to Blackpool when they discover that their hamster is seriously ill.
The Harry Hill Movie is directed by Steve Bendelack from a script by Hill, Jon Foster and James Lamont.
Director of photography is Baz Irvine and the film is produced by Robert Jones and Lucky Features and distributed by Entertainment Film Distributors.
The film stars Hill alongside Julie Walters, Simon Bird, Matt Lucas, Sheridan Smith, Marc Wootton, Julian Barratt and Jim Broadbent.
> Harry Hill, Julie Walters film 'The Harry Hill Movie' - on-set pictures
"I can't wait for everyone to see my movie in December," Hill said.
"It's full of all the traditional festive family fun - evil twins, brains with legs, giant hamsters and chickens with guns."
The film centres around Hill and his Nan (Walters) who go off on a road trip to Blackpool when they discover that their hamster is seriously ill.
The Harry Hill Movie is directed by Steve Bendelack from a script by Hill, Jon Foster and James Lamont.
Director of photography is Baz Irvine and the film is produced by Robert Jones and Lucky Features and distributed by Entertainment Film Distributors.
- 10/16/2013
- Digital Spy
The Harry Hill Movie has been given a UK and Ireland release date of December 20, 2013.
The film stars Hill alongside Julie Walters, Simon Bird, Matt Lucas, Sheridan Smith, Marc Wootton, Julian Barratt and Jim Broadbent.
> Harry Hill, Julie Walters film 'The Harry Hill Movie' - on-set pictures
"I can't wait for everyone to see my movie in December," Hill said.
"It's full of all the traditional festive family fun - evil twins, brains with legs, giant hamsters and chickens with guns."
The film centres around Hill and his Nan (Walters) who go off on a road trip to Blackpool when they discover that their hamster is seriously ill.
The Harry Hill Movie is directed by Steve Bendelack from a script by Hill, Jon Foster and James Lamont.
Director of photography is Baz Irvine and the film is produced by Robert Jones and Lucky Features and distributed by Entertainment Film Distributors.
The film stars Hill alongside Julie Walters, Simon Bird, Matt Lucas, Sheridan Smith, Marc Wootton, Julian Barratt and Jim Broadbent.
> Harry Hill, Julie Walters film 'The Harry Hill Movie' - on-set pictures
"I can't wait for everyone to see my movie in December," Hill said.
"It's full of all the traditional festive family fun - evil twins, brains with legs, giant hamsters and chickens with guns."
The film centres around Hill and his Nan (Walters) who go off on a road trip to Blackpool when they discover that their hamster is seriously ill.
The Harry Hill Movie is directed by Steve Bendelack from a script by Hill, Jon Foster and James Lamont.
Director of photography is Baz Irvine and the film is produced by Robert Jones and Lucky Features and distributed by Entertainment Film Distributors.
- 10/16/2013
- Digital Spy
This review was written for the theatrical release of "Mr. Bean's Holiday."LONDON -- Calling his new film "Mr. Bean's Holiday" sets the bar awfully high for the latest adventures of Rowan Atkinson's bumbling comic creation. It inevitably invites comparison with Jacques Tati's priceless 1953 farce "Mr. Hulot's Holiday." Unlike the French classic, however, the new picture has plenty of chuckles but few outright laughs as Bean wins a raffle ticket for a vacation in the south of France but loses his way and causes minor havoc roaming the countryside.
Atkinson remains an expert clown, and there are sufficient numbers of gags to ensure that Bean fans worldwide will be kept fairly happy. It's difficult to see the film doing blockbuster business, but it inevitably will have a long DVD shelf life.
The screenplay by British TV writer Hamish McColl and Bean regular Robin Driscoll wastes little time in getting the fussy hero with his ever-present digital movie camera onto the Eurostar headed for Paris. Unable to speak the language and not willing to learn, he is equally incapable of even the basic tourist sign language. He can't order food in a restaurant, find the right train or make a phone call.
As a result, there's little by way of satire, and the jokes depend on Bean's stupidity. This involves such things as ingesting langoustine whole and pitching fresh oysters into his napkin that he then tips into a woman's handbag.
At the Gare de Lyon, Bean's determination to record his trip on video involves a genial fellow, Emil (Karel Roden), who happens to be a Russian film director on his way to the Festival de Cannes. Accidentally leaving Emil stuck on the platform, Bean hooks up with the director's resourceful son Stepan (Max Baldry) as the train heads south.
Bean contrives to miss the train himself at another stop but somehow finds Stepan again, little knowing that the boy's father has reported him kidnapped. It doesn't help matters that Bean has lost his wallet, tickets and passport.
Along the way, Bean encounters a group of filmmakers including egomaniac Carson Clay (Willem Dafoe) and a friendly young actress, Sabine (Emma de Caunes). Soon they all find themselves heading for Cannes and a climax at the premiere of Clay's pretentious new film to which Bean makes an unexpected contribution.
Atkinson is given several set pieces in which director Steve Bendelack, a British TV veteran, pretty much lets him get on with it. These include the lengthy restaurant sequence that is squishy enough to please youngsters; an empty-road scene that draws from "North by Northwest" and "Lawrence of Arabia" without turning into anything especially amusing; and a clever bit in which Bean manages to stride straight out from the top of the Palais des Festivals in Cannes to the beach without missing a step.
Cinematographer Baz Irvine and production designer Michael Carlin make sure the film has plenty of color and movement, helped by Howard Goodall's jaunty score.
Baldry and de Caunes are appealing as Bean's foils, though Dafoe appears to think he's in a pantomime and hams up a storm. Atkinson reportedly says this is Bean's last outing. While the film is amusing, it is disappointing that Atkinson appears content to play it safe. It would have been fun to see him aim higher.
MR. BEAN'S HOLIDAY
Universal Pictures
StudioCanal presents a Working Title production in association with Tiger Aspect Pictures
Credits:
Director: Steve Bendelack
Screenwriters: Hamish McColl & Robin Driscoll
Story: Simon McBurney
Producers: Peter Bennett-Jones, Tim Bevan, Eric Fellner
Executive producers: Simon McBurney & Richard Curtis
Director of photography: Baz Irvine
Production designer: Michael Carlin
Editor: Tony Cranstoun
Costume designer: Pierre-Yves Gayraud
Composer: Howard Goodall
Cast:
Bean: Rowan Atkinson
Stepan: Max Baldry
Sabine: Emma de Caunes
Carson Clay: Willem Dafoe
Emil: Karel Roden
Maitre d': Jean Rochefort
Running time -- 88 minutes
MPAA rating: PG...
Atkinson remains an expert clown, and there are sufficient numbers of gags to ensure that Bean fans worldwide will be kept fairly happy. It's difficult to see the film doing blockbuster business, but it inevitably will have a long DVD shelf life.
The screenplay by British TV writer Hamish McColl and Bean regular Robin Driscoll wastes little time in getting the fussy hero with his ever-present digital movie camera onto the Eurostar headed for Paris. Unable to speak the language and not willing to learn, he is equally incapable of even the basic tourist sign language. He can't order food in a restaurant, find the right train or make a phone call.
As a result, there's little by way of satire, and the jokes depend on Bean's stupidity. This involves such things as ingesting langoustine whole and pitching fresh oysters into his napkin that he then tips into a woman's handbag.
At the Gare de Lyon, Bean's determination to record his trip on video involves a genial fellow, Emil (Karel Roden), who happens to be a Russian film director on his way to the Festival de Cannes. Accidentally leaving Emil stuck on the platform, Bean hooks up with the director's resourceful son Stepan (Max Baldry) as the train heads south.
Bean contrives to miss the train himself at another stop but somehow finds Stepan again, little knowing that the boy's father has reported him kidnapped. It doesn't help matters that Bean has lost his wallet, tickets and passport.
Along the way, Bean encounters a group of filmmakers including egomaniac Carson Clay (Willem Dafoe) and a friendly young actress, Sabine (Emma de Caunes). Soon they all find themselves heading for Cannes and a climax at the premiere of Clay's pretentious new film to which Bean makes an unexpected contribution.
Atkinson is given several set pieces in which director Steve Bendelack, a British TV veteran, pretty much lets him get on with it. These include the lengthy restaurant sequence that is squishy enough to please youngsters; an empty-road scene that draws from "North by Northwest" and "Lawrence of Arabia" without turning into anything especially amusing; and a clever bit in which Bean manages to stride straight out from the top of the Palais des Festivals in Cannes to the beach without missing a step.
Cinematographer Baz Irvine and production designer Michael Carlin make sure the film has plenty of color and movement, helped by Howard Goodall's jaunty score.
Baldry and de Caunes are appealing as Bean's foils, though Dafoe appears to think he's in a pantomime and hams up a storm. Atkinson reportedly says this is Bean's last outing. While the film is amusing, it is disappointing that Atkinson appears content to play it safe. It would have been fun to see him aim higher.
MR. BEAN'S HOLIDAY
Universal Pictures
StudioCanal presents a Working Title production in association with Tiger Aspect Pictures
Credits:
Director: Steve Bendelack
Screenwriters: Hamish McColl & Robin Driscoll
Story: Simon McBurney
Producers: Peter Bennett-Jones, Tim Bevan, Eric Fellner
Executive producers: Simon McBurney & Richard Curtis
Director of photography: Baz Irvine
Production designer: Michael Carlin
Editor: Tony Cranstoun
Costume designer: Pierre-Yves Gayraud
Composer: Howard Goodall
Cast:
Bean: Rowan Atkinson
Stepan: Max Baldry
Sabine: Emma de Caunes
Carson Clay: Willem Dafoe
Emil: Karel Roden
Maitre d': Jean Rochefort
Running time -- 88 minutes
MPAA rating: PG...
- 3/27/2007
- The Hollywood Reporter - Movie News
LONDON -- Calling his new film Mr. Bean's Holiday sets the bar awfully high for the latest adventures of Rowan Atkinson's bumbling comic creation. It inevitably invites comparison with Jacques Tati's priceless 1953 farce "Mr. Hulot's Holiday." Unlike the French classic, however, the new picture has plenty of chuckles but few outright laughs as Bean wins a raffle ticket for a vacation in the south of France but loses his way and causes minor havoc roaming the countryside.
Atkinson remains an expert clown, and there are sufficient numbers of gags to ensure that Bean fans worldwide will be kept fairly happy. It's difficult to see the film doing blockbuster business, but it inevitably will have a long DVD shelf life.
The screenplay by British TV writer Hamish McColl and Bean regular Robin Driscoll wastes little time in getting the fussy hero with his ever-present digital movie camera onto the Eurostar headed for Paris. Unable to speak the language and not willing to learn, he is equally incapable of even the basic tourist sign language. He can't order food in a restaurant, find the right train or make a phone call.
As a result, there's little by way of satire, and the jokes depend on Bean's stupidity. This involves such things as ingesting langoustine whole and pitching fresh oysters into his napkin that he then tips into a woman's handbag.
At the Gare de Lyon, Bean's determination to record his trip on video involves a genial fellow, Emil (Karel Roden), who happens to be a Russian film director on his way to the Festival de Cannes. Accidentally leaving Emil stuck on the platform, Bean hooks up with the director's resourceful son Stepan (Max Baldry) as the train heads south.
Bean contrives to miss the train himself at another stop but somehow finds Stepan again, little knowing that the boy's father has reported him kidnapped. It doesn't help matters that Bean has lost his wallet, tickets and passport.
Along the way, Bean encounters a group of filmmakers including egomaniac Carson Clay (Willem Dafoe) and a friendly young actress, Sabine (Emma de Caunes). Soon they all find themselves heading for Cannes and a climax at the premiere of Clay's pretentious new film to which Bean makes an unexpected contribution.
Atkinson is given several set pieces in which director Steve Bendelack, a British TV veteran, pretty much lets him get on with it. These include the lengthy restaurant sequence that is squishy enough to please youngsters; an empty-road scene that draws from North by Northwest and Lawrence of Arabia without turning into anything especially amusing; and a clever bit in which Bean manages to stride straight out from the top of the Palais des Festivals in Cannes to the beach without missing a step.
Cinematographer Baz Irvine and production designer Michael Carlin make sure the film has plenty of color and movement, helped by Howard Goodall's jaunty score.
Baldry and de Caunes are appealing as Bean's foils, though Dafoe appears to think he's in a pantomime and hams up a storm. Atkinson reportedly says this is Bean's last outing. While the film is amusing, it is disappointing that Atkinson appears content to play it safe. It would have been fun to see him aim higher.
MR. BEAN'S HOLIDAY
Universal Pictures
StudioCanal presents a Working Title production in association with Tiger Aspect Pictures
Credits:
Director: Steve Bendelack
Screenwriters: Hamish McColl & Robin Driscoll
Story: Simon McBurney
Producers: Peter Bennett-Jones, Tim Bevan, Eric Fellner
Executive producers: Simon McBurney & Richard Curtis
Director of photography: Baz Irvine
Production designer: Michael Carlin
Editor: Tony Cranstoun
Costume designer: Pierre-Yves Gayraud
Composer: Howard Goodall
Cast:
Bean: Rowan Atkinson
Stepan: Max Baldry
Sabine: Emma de Caunes
Carson Clay: Willem Dafoe
Emil: Karel Roden
Maitre d': Jean Rochefort
Running time -- 88 minutes
MPAA rating: PG...
Atkinson remains an expert clown, and there are sufficient numbers of gags to ensure that Bean fans worldwide will be kept fairly happy. It's difficult to see the film doing blockbuster business, but it inevitably will have a long DVD shelf life.
The screenplay by British TV writer Hamish McColl and Bean regular Robin Driscoll wastes little time in getting the fussy hero with his ever-present digital movie camera onto the Eurostar headed for Paris. Unable to speak the language and not willing to learn, he is equally incapable of even the basic tourist sign language. He can't order food in a restaurant, find the right train or make a phone call.
As a result, there's little by way of satire, and the jokes depend on Bean's stupidity. This involves such things as ingesting langoustine whole and pitching fresh oysters into his napkin that he then tips into a woman's handbag.
At the Gare de Lyon, Bean's determination to record his trip on video involves a genial fellow, Emil (Karel Roden), who happens to be a Russian film director on his way to the Festival de Cannes. Accidentally leaving Emil stuck on the platform, Bean hooks up with the director's resourceful son Stepan (Max Baldry) as the train heads south.
Bean contrives to miss the train himself at another stop but somehow finds Stepan again, little knowing that the boy's father has reported him kidnapped. It doesn't help matters that Bean has lost his wallet, tickets and passport.
Along the way, Bean encounters a group of filmmakers including egomaniac Carson Clay (Willem Dafoe) and a friendly young actress, Sabine (Emma de Caunes). Soon they all find themselves heading for Cannes and a climax at the premiere of Clay's pretentious new film to which Bean makes an unexpected contribution.
Atkinson is given several set pieces in which director Steve Bendelack, a British TV veteran, pretty much lets him get on with it. These include the lengthy restaurant sequence that is squishy enough to please youngsters; an empty-road scene that draws from North by Northwest and Lawrence of Arabia without turning into anything especially amusing; and a clever bit in which Bean manages to stride straight out from the top of the Palais des Festivals in Cannes to the beach without missing a step.
Cinematographer Baz Irvine and production designer Michael Carlin make sure the film has plenty of color and movement, helped by Howard Goodall's jaunty score.
Baldry and de Caunes are appealing as Bean's foils, though Dafoe appears to think he's in a pantomime and hams up a storm. Atkinson reportedly says this is Bean's last outing. While the film is amusing, it is disappointing that Atkinson appears content to play it safe. It would have been fun to see him aim higher.
MR. BEAN'S HOLIDAY
Universal Pictures
StudioCanal presents a Working Title production in association with Tiger Aspect Pictures
Credits:
Director: Steve Bendelack
Screenwriters: Hamish McColl & Robin Driscoll
Story: Simon McBurney
Producers: Peter Bennett-Jones, Tim Bevan, Eric Fellner
Executive producers: Simon McBurney & Richard Curtis
Director of photography: Baz Irvine
Production designer: Michael Carlin
Editor: Tony Cranstoun
Costume designer: Pierre-Yves Gayraud
Composer: Howard Goodall
Cast:
Bean: Rowan Atkinson
Stepan: Max Baldry
Sabine: Emma de Caunes
Carson Clay: Willem Dafoe
Emil: Karel Roden
Maitre d': Jean Rochefort
Running time -- 88 minutes
MPAA rating: PG...
- 3/27/2007
- The Hollywood Reporter - Movie News
LOCARNO -- Be careful what you wish for is a maxim explored smartly by photographer and publisher Rankin and his co-director Chris Cottam in their well measured little fable The Lives of the Saints, set on the criminal streets of northeast London.
When a swift-moving courier known as the Roadrunner (Daon Broni), who delivers everything from drugs to lottery tickets, stumbles over an unwashed and wide-eyed youngster (Sam MacLintock) in the park, the lives of several people start to change in the most unexpected way: Yhey begin to get what they want.
Mixing elements of the supernatural with street crime and aspects of religion, the film, debuting in competition at the Locarno International Film Festival, delivers a tidy punch and with the right support it could find an appreciative mainstream audience.
The Roadrunner, whose relentless need to be on the move is given gentle pause by his encounter with the child, drops him off at the home of Othello (David Leon), a slick young man who is prince to the local crime king Mr. Karva (James Cosmo).
While his live-in girlfriend Tina (Emma Pierson) sees the strange boy as just a kid, Othello interprets the youngster's oblique mutterings as words of prophecy. In writing down the unrelated letters the boy utters, he sees the names of the winners of horse and dog races, and is soon making a fortune in gambling.
The boy's gaze appears to entrance a chosen few including a waitress, Christella (Gillian Kearney), and the local priest, Father Daniel Marc Warren). By appearing to unleash their secret desires, the boy seems to prove that he is a benign oracle or, as some believe, an angel.
But with his riches, Othello grows independent of Karva, a colorful brute of a man, who views his own declining fortune with alarm. He seeks the child in order to return life to what he sees as its natural order, with him as its glowering ruler. So he employs Othello's dim sidekick, Emilio (Bronson Webb), to do his dirty work. Karva and Emilio have hidden wishes too, however, and when the child grants them, the results complicate all their lives.
Rankin and Cottam employ Tony Grisoni's economical screenplay to great effect and the acting is outstanding. MacLintock is well cast as the wondrously calm boy with the haunting eyes and Cosmo makes a lively impression as the larger-than-life crime king. The film's humor is sly and inventive as the granted wishes take darkly comic and ultimately deadly turns.
Director of photography Baz Irvine, production designer Mark Digby and editor Chris Gill deserve praise for their contributions to an entertaining film that pleases with its look and pace as much as its content.
THE LIVES OF THE SAINTS
Dazed Film & TV
Credits:
Directors: Rankin, Chris Cottam
Writer: Tony Grisoni
Producer: Laura Hastings-Smith
Executive producer: Augusto Romano
Director of photography: Baz Irvine
Production designer: Mark Digby
Music: Rob Lane
Editor: Chris Gill.
Cast: Othello: David Leon
The child: Sam MacLintock
Roadrunner: Daon Broni
Mr. Karva: James Cosmo
Tina: Emma Pierson
Emilio: Bronson Webb
Christella: Gillian Kearney
Father Daniel: Marc Warren
Mark Digby: James Holmes
Mad Turk: Peter Rnic
Drunk/Michali: Paddy Fletcher
Granny: Stella Quilley
Maqsood Junior: Raj Ghatak
Maqsood Senior: Reny Senta
No MPAA rating
Running time -- 100 minutes...
When a swift-moving courier known as the Roadrunner (Daon Broni), who delivers everything from drugs to lottery tickets, stumbles over an unwashed and wide-eyed youngster (Sam MacLintock) in the park, the lives of several people start to change in the most unexpected way: Yhey begin to get what they want.
Mixing elements of the supernatural with street crime and aspects of religion, the film, debuting in competition at the Locarno International Film Festival, delivers a tidy punch and with the right support it could find an appreciative mainstream audience.
The Roadrunner, whose relentless need to be on the move is given gentle pause by his encounter with the child, drops him off at the home of Othello (David Leon), a slick young man who is prince to the local crime king Mr. Karva (James Cosmo).
While his live-in girlfriend Tina (Emma Pierson) sees the strange boy as just a kid, Othello interprets the youngster's oblique mutterings as words of prophecy. In writing down the unrelated letters the boy utters, he sees the names of the winners of horse and dog races, and is soon making a fortune in gambling.
The boy's gaze appears to entrance a chosen few including a waitress, Christella (Gillian Kearney), and the local priest, Father Daniel Marc Warren). By appearing to unleash their secret desires, the boy seems to prove that he is a benign oracle or, as some believe, an angel.
But with his riches, Othello grows independent of Karva, a colorful brute of a man, who views his own declining fortune with alarm. He seeks the child in order to return life to what he sees as its natural order, with him as its glowering ruler. So he employs Othello's dim sidekick, Emilio (Bronson Webb), to do his dirty work. Karva and Emilio have hidden wishes too, however, and when the child grants them, the results complicate all their lives.
Rankin and Cottam employ Tony Grisoni's economical screenplay to great effect and the acting is outstanding. MacLintock is well cast as the wondrously calm boy with the haunting eyes and Cosmo makes a lively impression as the larger-than-life crime king. The film's humor is sly and inventive as the granted wishes take darkly comic and ultimately deadly turns.
Director of photography Baz Irvine, production designer Mark Digby and editor Chris Gill deserve praise for their contributions to an entertaining film that pleases with its look and pace as much as its content.
THE LIVES OF THE SAINTS
Dazed Film & TV
Credits:
Directors: Rankin, Chris Cottam
Writer: Tony Grisoni
Producer: Laura Hastings-Smith
Executive producer: Augusto Romano
Director of photography: Baz Irvine
Production designer: Mark Digby
Music: Rob Lane
Editor: Chris Gill.
Cast: Othello: David Leon
The child: Sam MacLintock
Roadrunner: Daon Broni
Mr. Karva: James Cosmo
Tina: Emma Pierson
Emilio: Bronson Webb
Christella: Gillian Kearney
Father Daniel: Marc Warren
Mark Digby: James Holmes
Mad Turk: Peter Rnic
Drunk/Michali: Paddy Fletcher
Granny: Stella Quilley
Maqsood Junior: Raj Ghatak
Maqsood Senior: Reny Senta
No MPAA rating
Running time -- 100 minutes...
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