A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, ... See full summary »
Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly ... See full summary »
After getting out of prison, Johnny Clay masterminds a complex race-track heist, but his scheme is complicated by the intervention of the wife of a teller (George Peatty) in on the scheme, the boyfriend of the wife, airport regulations, and a small dog. Written by
Andrew Hyatt <email@example.com>
This was the first film on which Stanley Kubrick worked with a cinematographer. Lucien Ballard was hired because Kubrick was officially working on a film union production for the first time, which meant he could not be both director and cinematographer, as he had done in the past. The two often did not agree on camera and lighting matters. See more »
When Mike leaves for the bus station, for the flower box, the street outside his apartment is wet. When he arrives a few minutes later at the bus station, the street in front of it is dry. See more »
At exactly 3:45 on that Saturday afternoon in the last week of September, Marvin Unger was, perhaps, the only one among the hundred thousand people at the track who felt no thrill at the running of the fifth race. He was totally disinterested in horse racing and held a lifelong contempt for gambling. Nevertheless, he had a $5 win bet on every horse in the fifth race. He knew, of course, that this rather unique system of betting would more than likely result in a loss, but he didn't...
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Stanley Kunbrick was still in his twenties when he made this film, yet his confidence and self-assurance are all over it. It is a well-written story, co-written by Kubrick (based on a novel called "A Clean Break"), about a meticulously planned horetrack heist told from the point of view of the several people who were in on the plot. Most of these guys weren't professional criminals, but otherwise honest men who were down on their luck and needed a break. They turned to this audacious plan in desperation, thinking they could do some real good in their lives with their share of the money. I won't give away the ending of course, but keep in mind this is a Kubrick film. That's all I say about that.
Standouts include Sterling Hayden as the ringleader, Marie Windsor as a snide, manipulative woman, Elisha Cook as her milquetoasty husband, Timothy Carey, as creepy as ever, and Kola Kwariani, the thinking man's Tor Johnson, as a chess expert/hired thug.
Speaking of chess, this is the first movie I've ever seen with a scene taking place in a chess parlor. Being from a provincial New England town, and not being a chess afficionado, I never knew such places existed.
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