A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, ... See full summary »
Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly ... See full summary »
After getting out of prison, Johnny Clay masterminds a complex race-track heist, but his scheme is complicated by the intervention of the wife of a teller (George Peatty) in on the scheme, the boyfriend of the wife, airport regulations, and a small dog. Written by
Andrew Hyatt <email@example.com>
Film debut of Rodney Dangerfield. NOTE: He appears as an extra in the racetrack fight scene. When the fight is shown the first time he is at the end of the bar. A clearer shot of him doing a characteristic double take occurs when two cops come out of the door to the stairwell to the safe room with Sterling Hayden next to it, watching the fight/distraction develop. See more »
When Mike leaves for the bus station, for the flower box, the street outside his apartment is wet. When he arrives a few minutes later at the bus station, the street in front of it is dry. See more »
At exactly 3:45 on that Saturday afternoon in the last week of September, Marvin Unger was, perhaps, the only one among the hundred thousand people at the track who felt no thrill at the running of the fifth race. He was totally disinterested in horse racing and held a lifelong contempt for gambling. Nevertheless, he had a $5 win bet on every horse in the fifth race. He knew, of course, that this rather unique system of betting would more than likely result in a loss, but he didn't...
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Nowadays, every dang films from studios are being beef up to epic size length. To be honest, I find this very dull and pointless and too many filler scenes, which aren't necessary at all. The Killing is great example of keep it short and sweet with no fat on it. It's just straight to the point and no complicated plot twists over plot twists over plot twists like modern hesist film. Kubrick's direction is very brilliant in this film.
It's very straightfoward, even if it's in nonlinear sequences, which is very unique for its time. Nowadays, too many films are use nonlinear sequences to add gimmicky appeal to the audiences, which is waste of time. Sterling Hayden is wonderful as Johnny Clay, who is the mastermind of the hesist plan. He should have get nomination for Academy Awards because no one can play that character like Hayden. It is seldom to watch nice and taut film that is clocked approximately 90 minutes.
This film have all basic elements of film noir, which is one of my favorite genre. You can see Kubrick's signatures began to show in this film, i.e. 3 ways enemies. Kubrick is the star of The Killing, that's for sure. The directors who want to make a hesist film should learn from The Killing because it's outstanding film. One of the best hesist film of all time.
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