A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After getting out of prison, Johnny Clay masterminds a complex race-track heist, but his scheme is complicated by the intervention of the wife of a teller (George Peatty) in on the scheme, the boyfriend of the wife, airport regulations, and a small dog. Written by
Andrew Hyatt <email@example.com>
The bird in the cage (after George has shot Shelley and is about to fall down) is obviously stuffed. In the next shot on the ground, it's a living bird. See more »
At exactly 3:45 on that Saturday afternoon in the last week of September, Marvin Unger was, perhaps, the only one among the hundred thousand people at the track who felt no thrill at the running of the fifth race. He was totally disinterested in horse racing and held a lifelong contempt for gambling. Nevertheless, he had a $5 win bet on every horse in the fifth race. He knew, of course, that this rather unique system of betting would more than likely result in a loss, but he didn't...
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Crackling heist story that will have you glued to your seat
There's little to fault in Stanley Kubrick's classic robbery tale. The acting is first-rate with Marie Windsor, as Mrs. Peaty, a sarcastic stand-out. The story just pops off the screen - and at less than 90 minutes, there's literally no filler. I love the winding time line ("earlier that day" etc.), which has been liberally utilized by Quentin Tarantino (Jackie Brown, Pulp Fiction, Reservoir Dogs). This film was made right before Kubrick's WWI marvel, Paths of Glory, and his genius is apparent in both. No wasted words or actions. Love that last line!
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