So David Mitchell's novel was filmable after all – but will you want to see it twice?
Dai Congrong's bestselling Chinese translation of James Joyce's Finnegans Wake and the film version of David Mitchell's 2004 Booker shortlisted novel, Cloud Atlas, both complex fictions about the cyclical nature of life, should warn us against calling anything unfilmable or untranslatable. They are not necessarily proof, however, that they're worth filming or translating.
In a charming introduction to the new paperback edition of his novel, Mitchell expresses his good fortune that it fell into such "capable hands" as Lana and Andy Wachowski and Tom Tykwer, the film's co-directors and adaptors. The Wachowskis love intricate narratives and the world of ideas; their Matrix trilogy has, I believe, been used in introductory philosophy courses at American colleges. Tykwer's Run Lola Run, a German action movie telling the same story thrice, with events taking different courses,...
Dai Congrong's bestselling Chinese translation of James Joyce's Finnegans Wake and the film version of David Mitchell's 2004 Booker shortlisted novel, Cloud Atlas, both complex fictions about the cyclical nature of life, should warn us against calling anything unfilmable or untranslatable. They are not necessarily proof, however, that they're worth filming or translating.
In a charming introduction to the new paperback edition of his novel, Mitchell expresses his good fortune that it fell into such "capable hands" as Lana and Andy Wachowski and Tom Tykwer, the film's co-directors and adaptors. The Wachowskis love intricate narratives and the world of ideas; their Matrix trilogy has, I believe, been used in introductory philosophy courses at American colleges. Tykwer's Run Lola Run, a German action movie telling the same story thrice, with events taking different courses,...
- 2/24/2013
- by Philip French
- The Guardian - Film News
The Bradford boyhood of Frederick Delius had a profound impact on the music he wrote until the end of his life
The untold story of the Bradford youth of one of Britain's greatest composers is to be investigated on film for the first time. Frederick Delius is sometimes claimed as a German composer, due to his parentage, and sometimes as a cosmopolitan European who finished his life in France.
In fact, the composer of On Hearing the first Cuckoo in Spring and La Calinda, was born in Bradford and spent his early working life employed at his father's wool business.
BBC4 has commissioned the
award-winning film-maker John Bridcut to produce a 90-minute profile that will reclaim his status as a Yorkshire talent. Delius not only had a Yorkshire accent but loved cricket and played as a young man, Bridcut has discovered.
"There is no recording of his voice, but according to the writer Neville Cardus,...
The untold story of the Bradford youth of one of Britain's greatest composers is to be investigated on film for the first time. Frederick Delius is sometimes claimed as a German composer, due to his parentage, and sometimes as a cosmopolitan European who finished his life in France.
In fact, the composer of On Hearing the first Cuckoo in Spring and La Calinda, was born in Bradford and spent his early working life employed at his father's wool business.
BBC4 has commissioned the
award-winning film-maker John Bridcut to produce a 90-minute profile that will reclaim his status as a Yorkshire talent. Delius not only had a Yorkshire accent but loved cricket and played as a young man, Bridcut has discovered.
"There is no recording of his voice, but according to the writer Neville Cardus,...
- 1/15/2012
- by Vanessa Thorpe
- The Guardian - Film News
His life was as romantic and colourful as his exquisite music, yet his works are rarely performed today. Delius deserves better, writes Julian Lloyd Webber
No other composer polarises opinion like Delius. You either love or loathe his music. And it is rare to find someone who has grown to like it. Although this coming year – the 150th anniversary of his birth – will bring opportunities to reassess his work, that central fact will never change.
I feel as if I have known Delius's music forever. My father was a devotee and I must have heard all of his most famous works (On Hearing the First Cuckoo in Spring, The Walk to the Paradise Garden, La Calinda, et al) well before I started playing his cello music. I always felt instinctively attuned to Delius's unique musical language, which seemed akin to watching a painting that is slowly changing in a constantly moving canvas of sound.
No other composer polarises opinion like Delius. You either love or loathe his music. And it is rare to find someone who has grown to like it. Although this coming year – the 150th anniversary of his birth – will bring opportunities to reassess his work, that central fact will never change.
I feel as if I have known Delius's music forever. My father was a devotee and I must have heard all of his most famous works (On Hearing the First Cuckoo in Spring, The Walk to the Paradise Garden, La Calinda, et al) well before I started playing his cello music. I always felt instinctively attuned to Delius's unique musical language, which seemed akin to watching a painting that is slowly changing in a constantly moving canvas of sound.
- 1/6/2012
- The Guardian - Film News
Following a series of strokes, British film director Ken Russell died on Sunday at the age of 84. Russell was famed for being experimental and flamboyant with his films which had heavily sexual overtones and often rebelled against the otherwise rigid and subdued tone used by other famed British filmmakers. It earned him the nickname 'The Fellini of the North'.
Russell first came to notice with 1967's "Billion Dollar Brain", the third film in the Michael Caine-led Harry Palmer spy drama series based on Len Deighton's books. Two years later he directed his signature film - an adaptation of Dh Lawrence's "Women In Love".
'Women' scored numerous Oscar nominations and featured the now infamous nude wrestling scene between Oliver Reed and Alan Bates that broke the taboo of full frontal male nudity on camera in a mainstream film.
That lead to numerous films in the 1970's that have since become infamous.
Russell first came to notice with 1967's "Billion Dollar Brain", the third film in the Michael Caine-led Harry Palmer spy drama series based on Len Deighton's books. Two years later he directed his signature film - an adaptation of Dh Lawrence's "Women In Love".
'Women' scored numerous Oscar nominations and featured the now infamous nude wrestling scene between Oliver Reed and Alan Bates that broke the taboo of full frontal male nudity on camera in a mainstream film.
That lead to numerous films in the 1970's that have since become infamous.
- 11/28/2011
- by Garth Franklin
- Dark Horizons
Ken Russell, who has died aged 84, was so often called rude names – the wild man of British cinema, the apostle of excess, the oldest angry young man in the business – that he gave up denying it all quite early in his career. Indeed, he often seemed to court the very publicity that emphasised only the crudest assessment of his work. He gave the impression that he cared not a damn. Those who knew him better, however, knew that he did. Underneath all the showbiz bluster, he was an old softie. Or, perhaps as accurately, a talented boy who never quite grew up.
It has, of course, to be said that he was capable of almost any enormity in the careless rapture he brought to making his films. He could be dreadfully cruel to his undoubted talent,...
It has, of course, to be said that he was capable of almost any enormity in the careless rapture he brought to making his films. He could be dreadfully cruel to his undoubted talent,...
- 11/28/2011
- by Derek Malcolm
- The Guardian - Film News
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