The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Wealthy Brice Wayne enters West Point and, though he does well on the football field, angers fellow cadets with his arrogance. Disciplined by the coach he yells "To hell with the Corps!" ... See full summary »
Joel and Priscilla have been in love since they were children. Mark announces his engagement to her without obtaining her permission. While Joel and Mark are at sea Mark is abandoned in ... See full summary »
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
Peg and her father live a simple life in an Irish fishing village. One day Sir Gerald arrives at the village to tell Pat that Peg is heir to estate of her grandfather, who hated Pat. The ... See full summary »
J. Farrell MacDonald
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of sisters Gudrun, a sculptress and Ursula Brangwen, a schoolteacher. Rupert marries Ursula, Gerald begins a love affair with Gudrun, and the foursome embarks upon a Swiss honeymoon. But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Rupert and Ursula learn to give themselves to each other; the more withdrawn Gerald cannot, finally, connect with the demanding and challenging Gudrun. Written by
Was banned in Turkey because the nude wrestling scene was considered as a graphic gay sex scene. See more »
You know, I always believe in love, in true love. But where do you find it nowadays?
I don't know. Life has all kinds of things. There isn't only one road.
I don't care how it is with me... as long as I feel... that I've lived. I don't care how it is, as long as I feel that.
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By it's mere cinemagraphic style and on screen personalities, this film introduced me to the idea of the avant-garde, existential and 'esoteric ritual' perspective of ordinary events. Their true mystery. For me, the style of the film went far beyond its content or dialogue. This film taught me the idea of an intelligent stylishness, and how erotic Glenda Jackson's character could be sheerly by virtue of her brilliant and cunning personal style. Pretty surprising, but then, seducing his audience in great new ways has been one of Russell's great talents. His films always seemed at the cutting edge, and I was seeing them 12 years later!
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