The battle of the sexes and relationships among the elite of Britain's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ...
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In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. ... See full summary »
The battle of the sexes and relationships among the elite of Britain's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of sisters Gudrun, a sculptress and Ursula Brangwen, a schoolteacher. Rupert marries Ursula, Gerald begins a love affair with Gudrun, and the foursome embarks upon a Swiss honeymoon. But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Rupert and Ursula learn to give themselves to each other; the more withdrawn Gerald cannot, finally, connect with the demanding and challenging Gudrun. Written by
The nude wrestling scene posed problems for UK censor John Trevelyan, and the film was only passed after Ken Russell made some edits to the original print to reduce full-length shots of Rupert and Gerald standing motionless before the wrestling begins and to darken shots of sunlight streaming into the room. The sex scenes between Gerald and Gudrun were also reduced on the censor's request. After the edits were made, the film was granted an 'X' certificate. See more »
Ursula is seen toasting pre-sliced bread in front of the fire. Pre-sliced bread wasn't invented until 1928, eight years after the action. See more »
I do believe in a permanent union between a man and a woman. Chopping about is merely an exhaustive process. But a permanent relationship between a man and a woman isn't the last word. lt certainly isn't.
We have to take down this love-and-marriage ideal from its pedestal. We want something broader. I believe in the additional perfect relationship, between man and man. Additional to marriage.
I don't see how they can be the same.
No, not the same, but equally important... equally ...
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arresting, breathtakingly beautiful. Ten out of Ten.
This film is a masterpiece.
DH Lawrence has provided a wonderful story world for Ken Russell
to explore modern notions of romance, monogamy -- sex and the beast. Only the recent Thai film "Tropical Malady" has managed to grapple with these themes with such playful and erotic sensitivity. The sort of film which confronts the very notion of a moral fabric -- dangerous -- yet vital if audiences are willing to challenge their own notions of fairytale love, expectations for companionship and ultimately happiness.
The mismatched performance style (Glenda J's unusual mix of naturalism and
Brechtian facade -- is delightful when juxtaposed with Oliver Reeds hammy
closetted representational queer). Like "cAT ON A HOT TIN roof" this
performance contrast only serves to strengthen the academic rigour of the film's politics -- and ultimately serves as an emotional beacon to enlighten an
audience with an elusive mind.
Like "The Day of the Locust" -- this film is breathtakingly modern -- and before it's time.
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