The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
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The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of sisters Gudrun, a sculptress and Ursula Brangwen, a schoolteacher. Rupert marries Ursula, Gerald begins a love affair with Gudrun, and the foursome embarks upon a Swiss honeymoon. But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Rupert and Ursula learn to give themselves to each other; the more withdrawn Gerald cannot, finally, connect with the demanding and challenging Gudrun. Written by
Ursula is seen toasting pre-sliced bread in front of the fire. Pre-sliced bread wasn't invented until 1928, eight years after the action. See more »
It almost breaks my heart. My beloved country. It had something to express, even when it made this chair. Now all we can do is to fish amongst rubbish heaps... for remnants of the old expression. There's no production in us anymore... just sordid and foul mechanicalness.
I hate your past. I'm sick of it.
Not as sick as I am of the accursed present.
Well, I don't want the past to take its place. I don't want old things.
The truth is, we don't want things at all. The thought of a house and ...
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Sometimes lush, sometimes stark, always visually striking.
Ken Russell's film (based on the novel of the same name by D.H. Lawrence) is an interesting piece in that he is able to use his camera to help the audience see one situation from two extremely diverse points-of-view, from that of the loving schoolmarm Ursula (Jennie Linden in a brilliant performance), to the manipulative Gudrun (Glenda Jackson.)
Russell has quite a knack of using his camera to create the emotions he wishes to extract from his audience. Russell's technique of turning his camera sideways as Ursula and Rupert (Alan Bates) run nude through the fields has been dismissed by some, but it is quite effective in creating the unreal state in which their romance seems to find them, one quite different from the hardness and madness that surrounds them. This too is achieved to stunning effect as the two lovers are seen twisted together in the mud in the same position that two deceased lovers had been found only hours before. The colors surrounding these two are always bright and warm, in stark contrast to the way the other pair of lovers, Gudrun and Gerald (Oliver Reed) are photographed.
Gudrun and Gerald's initial sexual encounter is harshly lit and edited, emphasizing the brutality of their situation. Their love is shown to be more of an addiction, rather than true love.
It would take more than 1,000 words to paint an accurate work picture of the films' creative genius and incredible cinematography. One scene in particular, a nude wrestling match between Rupert and Gerald quite defies description, and I urge you to see the film and experience it's mastery yourself.
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