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Cloud Atlas (2012)

R  |   |  Drama, Sci-Fi  |  26 October 2012 (USA)
7.5
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Ratings: 7.5/10 from 254,441 users   Metascore: 55/100
Reviews: 783 user | 488 critic | 45 from Metacritic.com

An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

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(novel), (written for the screen by), 2 more credits »
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Title: Cloud Atlas (2012)

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Nominated for 1 Golden Globe. Another 17 wins & 60 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Dr. Henry Goose / Hotel Manager / Isaac Sachs / Dermot Hoggins / Cavendish Look-a-Like Actor / Zachry
...
Native Woman / Jocasta Ayrs / Luisa Rey / Indian Party Guest / Ovid / Meronym
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Captain Molyneux / Vyvyan Ayrs / Timothy Cavendish / Korean Musician / Prescient 2
...
...
Adam Ewing / Poor Hotel Guest / Megan's Dad / Highlander / Hae-Joo Chang / Adam (Zachry's Brother-in-Law)
...
Tilda / Megan's Mom / Mexican Woman / Sonmi-451 / Sonmi-351 / Sonmi Prostitute
...
Cabin Boy / Robert Frobisher / Store Clerk / Georgette / Tribesman
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Kupaka / Joe Napier / An-kor Apis / Prescient
...
...
Talbot / Yoona-939 / Rose
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Autua / Lester Rey / Duophysite
...
Madame Horrox / Older Ursula / Yusouf Suleiman / Abbess
...
Robert Fyfe ...
Old Salty Dog / Mr. Meeks / Prescient 1
...
Mr. Boerhaave / Guard / Leary the Healer
Edit

Storyline

Everything is connected: an 1849 diary of an ocean voyage across the Pacific; letters from a composer to his lover; a thriller about a murder at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Hawaii, far in the future. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Everything Is Connected

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for violence, language, sexuality/nudity and some drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

| | |

Language:

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Release Date:

26 October 2012 (USA)  »

Also Known As:

Cloud Atlas  »

Box Office

Budget:

$102,000,000 (estimated)

Opening Weekend:

$9,612,247 (USA) (26 October 2012)

Gross:

$27,098,580 (USA) (18 January 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Vyvyan Ayrs's mansion in the 1936 plot-line shows up again as Aurora House where Timothy Cavendish becomes imprisoned in the 2012 plot-line. Jim Broadbent plays Vyvyan in 1936 and also Timothy Cavendish in 2012. See more »

Goofs

In the credits, Luisa Rey's stunt double is misspelled as Louisa. See more »

Quotes

[first lines]
Zachry: [shivering beside the fire] Oh, lonesome night. And babbits bawling, the wind biting the bone. Wind like this... full of voices. Ancestry howling at you, yibbering stories, all voices tied up into one. One voice differing. One voice, whispering out there, spying from the dark. The fangy devil, Old Georgie hisself. Mm. Now your ear up close, and I'll yarn you about the first time we met, eye to eye.
See more »

Crazy Credits

When a montage is shown of all the characters the actors are playing, the font of the names changes with each time period. See more »

Connections

References Soylent Green (1973) See more »

Soundtracks

Looking For Freedom
Music by Jack White
Lyrics by Gary Cowtan
Performed by David Hasselhoff
© by Radiomusic - International (50% for Germany/Austria/Switzerland) / Young Music Publishing (Remaining World)
Courtesy of Universal Music Publishing Group (Germany)
Mit Freundlicher Genehmigung von Sony Music Entertainment Germany GmbH
Courtesy of Sony Music Entertainment Germany GmbH
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Quite an achievement
26 October 2012 | by (United States) – See all my reviews

"Cloud Atlas" is nearly three hours in length, but I wasn't bored for a minute. The film alternates between six very different stories quite seamlessly, creating an exhilarating experience. It's part sci-fi, part historical drama, part love story, part comedy. Any number of things could have gone wrong with the film. All the different genres it brings together might have failed to coherently mesh. But they did, and it's something to see.

The film takes us on shipboard in the 1800s, where a young man forms an unlikely bond with a stowaway, a runaway slave. It tells the sensitive, melancholy story of a promising young composer in the 1930s – separated by prejudice and misfortune from his lover, a man named Sixsmith. It also brings us to 1973, where an intrepid reporter finds herself caught up in a web of murder and intrigue. In the present day, the film offers up the comedic tale of a publisher on the run from a gang of thugs. Plunging into the future, it shows a dystopian vision of Seoul, South Korea that is comparable to "Blade Runner" and a primitive post-apocalyptic Hawaii.

Linking these stories together are the simple thematic elements of love, compassion, and a love for liberty. The correspondence between the composer Robert Frobisher and Sixsmith depicts the plain beauty of love as well as any film I have seen, as do tender moments between the central characters of the portion of the film set in the futuristic New Seoul. Even in the blatantly comic segment with Jim Broadbent as the publisher, a deep passion for freedom and human dignity shines through.

All the actors do a great job in their multiple roles. You can care for Tom Hanks one moment as a villager in a future Hawaii, and then revile him in the next scene where he plays a truly despicable doctor. The best performances are given, however, by Doona Bae and Jim Broadbent. I think they surpass all the rest. Bae plays a "fabricant", a kind of clone designed to serve humanity. Her gradual awakening to her own self-worth, to the subjugation of herself and of her people, is beautifully and movingly conveyed. She is heartbreaking in this role. Broadbent is equally excellent as the publisher Cavendish. His expressive face and popping eyes are ideal for comedy – and he's hilarious. But he's more than that. Broadbent infuses the character with a sense of sorrow and weariness at key moments. Cavendish has depth, a history, regrets from his past. Broadbent brings all this out brilliantly without losing his comic touch.

Everything in "Cloud Atlas" comes together to create a film I found thought-provoking and highly entertaining. I don't hesitate to recommend it.


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