An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Set in a near-future, militarized world marked by closed borders, virtual labor and a global digital network that joins minds and experiences, three strangers risk their lives to connect ... See full summary »
Luis Fernando Peña,
The Prometheus has dropped out of orbit. Communications and life support systems are down. Situation Critical: Status of Crew and Prisoner unknown. With orders to catch their Alien Prisoner... See full summary »
Isaac C. Singleton Jr.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity's escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
Everything is connected: an 1849 diary of an ocean voyage across the Pacific; letters from a composer to his lover; a thriller about a murder at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Hawaii, far in the future. Written by
Vyvyan Ayrs's mansion in the 1936 plot-line shows up again as Aurora House where Timothy Cavendish becomes imprisoned in the 2012 plot-line. Jim Broadbent plays Vyvyan in 1936 and also Timothy Cavendish in 2012. See more »
In the Luisa Rey Mystery, an "orange hand" DON'T WALK sign can be seen. These did not exist in 1973. See more »
[in a trance]
Bridge'a'broken, hide below, Hands'a'bleedin', can't let go, enemy sleepin', don't slit that throat.
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When a montage is shown of all the characters the actors are playing, the font of the names changes with each time period. See more »
I didn't find it to be a mess at all, and it was certainly the best thing the Wachowskis have ever done. I'm not sure how the directing duties were distributed, so I'll uniformly praise Tom Tykwer as well.
I haven't read the book, so I can't make any comparisons there, but I don't often leave a film adaptation wanting to read the novel afterwards, as I did after seeing this.
Visually stunning, epic in scope, a strong score; the sort of film that you're constantly amazed was ever made and happy it was. Equal parts comedy, romance, thriller, and dystopian speculative fiction, it really is an astounding mix of disparate elements.
The biggest overall failure was definitely some of the make-up effects
trying to turn Doona Bae into a believable red-headed Caucasian woman
was simply distracting - but the overall art & sound design was incredible.
If I could turn channels while watching TV and switch between stories and narratives as seamlessly and as deftly as the editing in Cloud Atlas, it would honestly be hard to go back to simply watching one show at a time.
Truly a marvel of multitasking on so many levels. Great stuff.
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