I measure all stories and movies by their EQ - - Emotional Quotient. "Royally Wrapped for Christmas" has one of the highest EQs in the movie world. This is evidenced by the constant and uninterrupted heart radiance of the main actress, like the sun shining on a clear day. It is further evidenced by the high level of baseline consciousness exemplified by the prince. Beyond that, there is no villain in the move. The idea that every story has to have a villain or some kind of conflict is a tired worn-out old idea from the dark ages. The worst moment in the entire movie is when the contender from Ireland takes credit for one of Lindsey's good ideas. That's it. It only lasts for about a minute. And later, circumstances gently move him to return the credit to her. Other than that, every character in the movie is honest, kind, respectful, generous, and harmonious with each other. That shows a high level of maturity of the heart. And the idea that Lindsey had could actually make the world a better place. It is fantastic. I won't spoil it, but you'll see when you watch it. This production uses the vehicle of a supposedly fiction movie to display ideas of giving and generosity that could inspire the whole world to be better, just as Lindsey hopes. The ideas are gracefully shown with beauty in the story. The complete absence of negative characters, combined with the brilliant radiance of the main characters, makes this what I call an empyreal level production, endowed with sovereignty consciousness. How rare is it to find a movie anywhere where nearly every actor in it has risen to the dignity of heart maturity? Even the queen mother shows it. Rather than acting egoistic and disapproving of her son's love for a "commoner", she showed the great wisdom to support it and to get the parliament to change its rules about what qualifies the prince to become king. Most of the other movies about royalty have that tired old script about the parents disapproving, but this one is different. It is overflowing with refreshing new ascensions into more advanced stages of human evolution. One could only wish that the rest of the movie-making world could rise to that same plane of advancement.
Reviews
2 Reviews
The Italian Key
(2011)
The future of spiritual entertainment
20 February 2019
This movie will not appeal to those who are spiritually asleep, and who are numbed and insensitive to feelings and require bombastic pain and negativity to feel anything. They will call this film boring. But those who are more highly evolved in the capacity of the heart and of consciousness will recognize a magnificent masterpiece of high-frequency subtlety in this work.
I was amazed at the superior maturity of emotional frequency of the movie. The beautiful music, the magnificent northern Italian Alpine scenery, the slow and quiet pace, the intermittent scenes of India (because one of the characters is from India), and most of all, the complete absence of any conflict or harsh words between the actors, all combine to create a magical experience that transports sensitive and spiritual viewers into a heavenly world.
It qualifies for at least the low end of what we call Third Phase of World History entertainment . . . that level which has transcended duality and negativity, and is now exploring the infinite wonders of beauty, knowledge, and creation. The drama of the script involves lost relatives searching and finding each other . . . which creates just enough intrigue to hold the attention and create anticipation . . . but like the lotus, it consistently remains completely above the mud of negative words, actions, feelings, or events that usually characterize most stories. The worst emotion in the movie is a kind of prevailing sadness in the early part of the movie, but even that is done beautifully, and it gradually gives way to miracles and greater and greater brightness towards the end.
This is the future of entertainment because mankind is destined to wake up and mature out of the morass of thousands of years of destructive feelings, and rise into the beauty of exalted feelings . . . and this movie displays this masterfully. Very well done.
I was amazed at the superior maturity of emotional frequency of the movie. The beautiful music, the magnificent northern Italian Alpine scenery, the slow and quiet pace, the intermittent scenes of India (because one of the characters is from India), and most of all, the complete absence of any conflict or harsh words between the actors, all combine to create a magical experience that transports sensitive and spiritual viewers into a heavenly world.
It qualifies for at least the low end of what we call Third Phase of World History entertainment . . . that level which has transcended duality and negativity, and is now exploring the infinite wonders of beauty, knowledge, and creation. The drama of the script involves lost relatives searching and finding each other . . . which creates just enough intrigue to hold the attention and create anticipation . . . but like the lotus, it consistently remains completely above the mud of negative words, actions, feelings, or events that usually characterize most stories. The worst emotion in the movie is a kind of prevailing sadness in the early part of the movie, but even that is done beautifully, and it gradually gives way to miracles and greater and greater brightness towards the end.
This is the future of entertainment because mankind is destined to wake up and mature out of the morass of thousands of years of destructive feelings, and rise into the beauty of exalted feelings . . . and this movie displays this masterfully. Very well done.
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