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Buddha's Lost Children (2006)
Documentary that definetely succeded expectations
Frankly speaking, at first I was somewhat skeptical about the Dutch film with the word "Buddha" in its title, however, after watching it, my opinion completely changed. It may not be the most precise representation of Buddhist monks' lifestyle, but it certainly gives us a good insight on it. The first thing that attracted my attention was the fact that events of this documentary take place on the border of Thailand, Burma and Laos- the area that is called the "Golden Triangle'. Since this region is infamous for its history of production and trade in opium, I was interested to see to what extent the film would be able to show the reality of situation faced by people living there. Though it was not the primary goal of the movie to cause sympathy, it certainly succeeded to provoke my emotions. Harsh living conditions of villagers were portrayed pretty accurately, but what affected me more were children and, of course, Khru Bah hilmself. As we are shown, some children initially did not want to go to the monastery, I myself even felt sorry for Pan Sean who had to leave his family. However, The Golden Horse monastery is more than a place where monks live and practice religion - it is primarily home for many people. As time passes, we can definitely see how the care children receive in the monastery begins to change them, they even begin to refer to Khru Bah as to their father. Considering the fact that relationships between monks in the monastery have to be neutral, it appeared somewhat controversial at the beginning. But now, after watching the documentary fully, I can say that this film's goal is not to simply represent certain aspect of religion- it is to represent humaneness and love. As Khru Bah said, this type of love is pretty tough, it's not weak. Through discipline he wants to make these children strong, that's why sometimes he has to be firm. That is probably one of the main reasons why his novices practice Thai boxing. This phenomenon also actually seemed quite confusing to me since I did not associate Buddhist monks with such type of sport. However, it indicates that documentary succeeded to once again break the stereotype that Buddhism is pacifist religion. I found the scene of rebuilding of the temple quite imposing, more particularly, I was impressed by Khun Ead. At first glance the fragile nun could efficiently suppress conflict that almost turned into a fight among young volunteers from the village. Even though Khru Bah first noticed the discord, it was Khun Ead who carried out "educational work" most part of the time. Overall, watching Suk, Pan Saen and other boys growing up, gaining experience and socializing was pleasurable and refreshing. At the beginning I had a feeling that this was going to be a very tough film that would show mostly difficulties that children and the monk has to overcome every day in order to survive. Indeed, this suggestion was not fully wrong, however, contrary to my expectations, at the end I found myself in a really good mood. Doubtlessly, people like Khru Bah should be depicted in media to show their good deeds and promote such kind of behavior among others. He and his novices reminded me that we should appreciate what we have and left me with the thought that happiness can be achieved even in such hard and sometimes dangerous conditions.