This film was much too convoluted for its own good. Bruce Willis is fine in his ultra-cliché role of the "damaged cop," as are most of the other actors, and the movie does begin with a few promising scenes. But then it quickly (VERY quickly, I might add) devolves into a silly mess. I would echo the sentiments of other users who pointed out that much of what occurs seems completely unnecessary. For instance, why didn't the "big" bad guys (let's call them "the guys who wanted the DVD," for lack of a better term) simply infiltrate the house themselves? Why enlist Talley when what he could or could not do was unavoidably going to be dictated (at least to some extent) by the young hostage-takers in the house (i.e., the "punks")? The "DVD bad guys" tell Talley, "don't let anyone get in or out of the house..." Fine, but isn't that asking a whole heck of a lot from just one guy? Why take such a risk? Do criminals - especially these organized-crime types - generally take such unnecessary gambles? Wouldn't it have been much easier - and the end result much more certain - if they simply repelled into the house without getting anyone else involved? Not to mention the fact that they wouldn't have had to go through the trouble of kidnapping Talley's wife and daughter, further subjecting themselves to exposure! The conclusion was equally convoluted, although I suppose I should not have expected this mess to be wrapped up in a neat package. Maybe I missed something - but did we ever even discover who the head "DVD bad guy" was? Was I to assume that he was in the cabin and got a bullet in the skull? And why did Kevin Pollack's character act like he was the one calling the shots? For a moment I thought HE was supposed to be the guy in charge after all, but then that theory fell apart when Talley simply left him behind. Why wasn't he arrested?
The real shame here is that if this entire "DVD bad guy" subplot is done away with, this may have been an entertaining film. We would be left with the three punks and a hostage situation that's harrowing because one of the three is an unpredictable psychopath. The social underpinnings are interesting, because the punks' motivations (Dennis' at least) seem to relate to the sharp divide between the haves and have nots. The director is then free to exercise his stylistic choices within the confines of a simple, but entertaining, set up. Unfortunately, such is not the case and we are ultimately left with this nonsensical slop.
7 out of 14 found this helpful.
Was this review helpful? Sign in to vote.
Permalink
Tell Your Friends