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5/10
Unbalanced but mostly enjoyable
28 December 2012
Warning: Spoilers
The Hobbit: One of the oddest films I've seen. To start with it couldn't settle on a tone between dark fantasy epic, and annoyingly broad slapstick comedy with two musical numbers in the first hour. It was irritating to me.

The way it's filmed is unusual. While it's clear it has a massive budget, it oftentimes looked like a fantasy TV show at best, and an FMV scene from a mid-90s PC game at worst. It somehow looked cheap - and not just because the High Frame Rate shone a harsh spotlight on the CGI as I'd heard. I thought the CGI held up mostly fine. Something about the framing and acting seemed TV soap-opera-ish. This, coupled with slow pacing at the start meant I found the first hour and a half quite difficult to sit through. However, all of these things seemed to improve as the film went on.

The 3D and high frame rate is very immersive and worth the extra dollar I'd say. It sometimes felt like watching live actors - particularly when they appeared about life-sized on screen. Maybe this is why I think it looked cheap.

That said, I really appreciate that this looks and feels different to any other film I've seen. It had sections that looked gorgeous and breath-taking, and I suspect its style will be aped and that this film will, in years to come, have shaped film-making forever.

I don't remember the book well enough, but this film does not have much by way of character development, even for Bilbo. There are too many characters in it to become attached to any of them on any real level, and far too many handy coincidences and obvious set ups. For example, Thorin doesn't accept Bilbo until that same Bilbo that has complained about not being ready for this journey, the same Bilbo that has never handled a sword, somehow becomes a mighty warrior just when it would be handy. That's not well-written drama, it's lazy writing. Whether it's on Tolkien's part or the film-makers', I don't know. Also, the sense of peril wears off as the film goes on, and several of the main characters have taken falls and beatings and cookings and squashings with narry a scratch. As the film goes on, these characters seem more and more immortal and that just means that as the film goes on, each next moment of suspense or peril loses more of its edge. As the characters fall down a ravine, you know that no matter how many rocks they bounce off on the way down, they'll just dust themselves off at the bottom. The film felt over-stuffed. Bits are added in from Tolkien's other works and to me they felt added in and superfluous. They didn't gel in with the main story and felt like so much padding. I couldn't decide whether they felt a bit too smug in a "Look how much of Middle-Earth we can fit in!" way, or greedy in a "Look how many films we can squeeze out of making a film ostensibly based on one popular book!" sort of way.

Overall, I think I liked it, though not as much or as immediately as The Fellowship of the Ring. I enjoyed it for the visual spectacle but I think the character development, plotting, pacing, and dialogue could do with some work.
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Steamboy (2004)
6/10
Where this film's heart should have been, there's just cogs and steam.
17 July 2009
I haven't marked this as a spoiler, but I do mention a couple of things that occur in the film. I don't think they'll spoil it though...

I wanted to like this film SO much. I love the Steampunk genre and knowing how good the animation on Akira was I thought this would be a lush Steampunk adventure akin to Ghibli's Castle in the Sky.

However, where that film had heart, this one had cogs and steam. Yes, it was beautifully animate and had some lovely ideas in it. The central concept of a power source that never was, and yet is so powerful it corrupts all manner of men and turns family upon itself is fascinating. It's something that I would expect to see in a futuristic sci-fi with some kind of newly discovered power. Setting it in a steam age where the power source is a new way of harnessing steam is, for me, the single best thing about this film. It's a nice twist. My main problem with it is bland characters with nothing to make you feel the ties between them. The film tries to get us to sympathise with James' plight when he makes revelations about both his father and grandfather, without EVER having shown us any kind of previous relationship between himself and them. We are asked to assume that there is an emotional tie between a boy and a father and grandfather who have been absent for an undivulged amount of time. The film asks us to feel betrayal from both the father and the grandfather towards the other, without ever having shown us that they ever did anything but hate each other. It is hard to empathise with this betrayal from two people who we have only seen mistrust each other from the outset. The film asks us to feel James' angst when Scarlett is in peril, without ever having shown us he has any kind of emotional tie to her (and quite rightly so in my opinion for she is rude, abrasive and irritating throughout the whole movie. Why the film then expects us to want James to save her is beyond me!)

This film is actually quite cold and mean-spirited. Rarely do we see any character in it act out of anything other than their own interests. Rarely does anyone help anyone else. The characters are selfish and single-minded. I'm normally not so cynical, but maybe this is truer to life than most films. Maybe in such extraordinary circumstances, people would be so selfish. But as a piece of cinematic entertainment, it leaves me cold.

What I DID enjoy was that the film didn't clearly outline who was "good" and who was "evil". There was a point, round about where James first meets his grandfather in the castle and stops trying to hinder him, that I almost kicked myself. It was about there that I had a revelation that the film wasn't going to tell me who to root for and I was disappointed in myself for being annoyed with the film up to that point for not making it clear who were the "goodies". Such is how used to being force fed emotion and morals by films. At that point, I was pleased that the film left it up to both James, and the viewer to decide who was "right". Yes, James makes his choice, and as the viewer we are then more likely to side with him, but at the point I described in the film it was very much up in the air and I liked that.

Unfortunately I watched the dubbed version. Though, being set in England with English characters, maybe, for one, this was more authentic. I bought my DVD, put it in the player, went to find the language options only to discover it was an English only DVD. Yes - some of the accents were ropey to say the least, but not to the point of distraction. I'm a Midlander but I know what a broad Mancunian accent sounds like. With Patrick Stewart being from Huddersfield, not far from Manchester, I though he might've gotten the accent closest, but he seemed a little too generic northern pushing towards Lancaster. Though that is a minor quibble. And hey - maybe the granddad moved to Manchester from Yorkshire?

Lastly - my final major quibble with the film is that by the end of it, I was left with a "so what?" feeling. Has this experience changed James in any way? Or the balance of international power? From the closing credits, I think James went on to develop a super steam train and maybe become a superhero who fought in something like WWI, brought forward maybe due to the steamball? I don't know. The film didn't focus at all on how this monumental experience of being kidnapped and, whilst aboard a pioneering and potentially world-altering piece of technology being actively and aerially embroiled in an explosive international battle for power on which two of his close family members are very active on opposite sides has affected young Master Steam and as such, I find the film again rings hollow.

I don't just come on IMDb just to knock films. I come on to comment when something about a film is notable enough to me to comment on, good or bad. And the hype surrounding this film coupled with a certain amount of disappointment was one thing. Also, it is rare that whilst watching a film, I notice a lack of emotional connection at the time of watching. If that lack is there, it's normally afterwards that I notice so I thought this was notable.

Technically, a very proficient film. Emotionally, lacking.

Where this film's heart should have been, there's just cogs and steam.
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8/10
The best of the best!!!
16 April 2007
A great film. Sure it's a 70's kung fu film, but this one seems somehow to rise above many of its ilk. It starts quickly and from there, it feels like there's never 10 minutes go by without a cracking fight scene. And that's just the thing - ALL the fight scenes are cracking... even the ones you would expect to be minor throw-away scuffles are awesomely executed, filmed and edited! As a 70s Hong Kong Kung Fu film, it still has some fairly broad humour, but it feels more hit than miss. The pantomime style farcical elements here don't seem as forced or as protracted as in many movies of this type. It has some genuinely moving moments and the plot, although straightforward and formulaic, is also refreshing in that it doesn't deviate too much with irrelevances. Nor does it get too tied up in itself. However, there is enough plot there to keep interest in the brief bits between fights.

And this film IS about the fights. There is some awesome kung fu with just the right mix of reality-grounded martial arts, and odd touches wire-assisted flair. Sammo, as with many of the main players, is clearly at his peak, and with his input, the fights can be pretty brutal at times. They are fast, lengthy, hard, and fast and are just starting to move away from the stilted nature of the 70s films. Yuen Biao gets a great showcase fight too - one that shows his martial arts ability more than his acrobatic prowess. This is a film about the martial arts - there are some impressive acrobatics but they are kind of the run of the mill stuff of these films, rather than the jaw-dropping acrobatics of say Wheels on Meals or Dragons Forever. Sammo pulls out some impressive flips though. As does Beggar So's character.

This is my new favourite 70s kung-fuer... and I found it more enjoyable, even, than... dare I say it... Drunken Master!!! Yes - it's that good!
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