As we’ve said here in this column before, a single weekend rarely tells the whole story despite those trying to sum up an entire narrative in a headline. Visit Link ➤ https://shorturl.at/QpYkd Films open great and then drop off massively. A musical about P.T. Barnum (The Greatest Showman) starts with just $8.8 million and goes on to gross $174 million.

There’s a lot in between that plays out like clockwork, and occasionally those weekend narratives are dead-on, like a broken clock twice a day.

This week a different one will take hold, as a question mark morphs into an exclamation point for an original screenplay while a seemingly forgotten original action film from nine years ago gets a sequel and adds to a month that will come close to doubling what it did in 2024.

One stat (and you know we love stats here) that has been going around is how Ryan Coogler’s Sinners last weekend had the best opening for an original piece of work since 2019.

Many also said it was the only horror film to receive an A Cinemascore when a little investigation would show that James Cameron’s Aliens also received the grade.

The arguments commenced over that, and some may wonder how “original” is fully defined. So we broke it down, because we are now well beyond just a mere opening weekend and looking ahead to Sinners’ final gross, which looks headed well into profit to knock back that early narrative. 

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