As someone with family members who served—and died—on both sides during the Civil War, I regret that this production has done more to make "those people back then" seem even more remote to the modern viewer. Even the layman can tell that there's something hokey about how the soldiers are portrayed, in their actions and equipment. There were thousands upon thousands of photographs taken in studios and in the field from 1861 to 1865. Play a simple game of "one of these things is not like the other" and compare them to this show. One might say " well, the average person doesn't know," and this is a faulty excuse. For one, the purpose of a documentary is to inform. Second, they may not be able to articulate just WHAT is wrong, but there is a subliminal aesthetic on which anyone can pick up. Take a simple uniform cap. During the war, the brims were made of a varnished, stiff leather that can look quite fetching when worn with purpose. You see a photo of a soldier from 155 years ago wearing one, and you can connect with him. You think "this guy had a personality. He was real." Now get a cheap, costume-grade replica that is finished with a soft, pleather brim that looks rather sad and creased like a baseball cap, plopped on the head of an actor. The actor looks weird, because he treats it as a costume, and presumes that "well, this probably looked good to those old-fashioned people." It is all disingenuous because it, itself, is wrong and is being worn with ignorance. This stuff is more important, and detectable, than many realize.
For me, part of making "them" feel less different from "us" is to just represent them as they would have looked and acted, not a contrived farce that seems to presume that history, left as it was, is too "boring" for modern audiences.
Put it this way: you can't expect to create an accurate-looking Civil War scene from scratch by renting costumes and weapons, handing them out, and saying "action." You, literally, need to build an army unit. The background in "Cold Mountain" went through a "camp of instruction" to bring them up to a basic level of proficiency. I'm not saying that reenactors are God's gift to history, but at least there's a core, basic knowledge there. You start with that, and bring in a military coordinator/adviser to smooth out the few individual quirks and "reenactorisms," and go from there.
I've seen viewers who are afraid of this production being "one-sided" (i.e. acknowledging that the North won the war) but I assure you that both sides in this are equally sullied with plastic water bottles and flag poles that look to have been taken from the church auditorium.
For me, part of making "them" feel less different from "us" is to just represent them as they would have looked and acted, not a contrived farce that seems to presume that history, left as it was, is too "boring" for modern audiences.
Put it this way: you can't expect to create an accurate-looking Civil War scene from scratch by renting costumes and weapons, handing them out, and saying "action." You, literally, need to build an army unit. The background in "Cold Mountain" went through a "camp of instruction" to bring them up to a basic level of proficiency. I'm not saying that reenactors are God's gift to history, but at least there's a core, basic knowledge there. You start with that, and bring in a military coordinator/adviser to smooth out the few individual quirks and "reenactorisms," and go from there.
I've seen viewers who are afraid of this production being "one-sided" (i.e. acknowledging that the North won the war) but I assure you that both sides in this are equally sullied with plastic water bottles and flag poles that look to have been taken from the church auditorium.
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