I rated the first two episodes, in which we were shown fire in space, neutrally and with restraint, but the third series was released, and in this series the creators pile up so much unpretentious nonsense that reflects the creative decline and propaganda surrealism of binary categories and objectifications, typical biopolitics and identity spectra, which are not something to understand, but to contemplate and listen to is disgusting. The boundaries between good and evil, it turns out, do not exist. The Jedi are not so right, and evil is a necessary counterweight, and it's not even that the Jedi can be wrong, but in the very context of the statement, in which you yourself determine what is right and wrong for you, but even here there are no clear boundaries - everything is allowed, if not forbidden.
Let's remember what Master Yoda said in George Lucas's first film: "Fear the dark force. Anger, fear, aggression - the dark side of the force is this. They come easily, give support in battle. Once you enter the dark path, it will determine your fate forever, it will consume you..." But it doesn't matter to the "mouse top managers", they have their own licensed universe, protected by purchased authorship, and they are the masters in it, and they do whatever they want.
The third series is just the apogee of dramatic mediocrity. Religion, shamanism, magic, matriarchal society, the threads of the universe - everything is mixed up, everything is upside down - "what are they carrying" - I would like to ask them such a question.
Space Amazons who call themselves witches, raise twin girls for some kind of mission, wave their hands with a serious face - conjure, recite spells - what is going on here at all?
The Jedi appear and demand that the girls pass the test. And it's kind of voluntary, but forced - what kind of nonsense is this?
A little twin sister, with an impulsive behavior disorder, is doing some kind of "game". Leslie Hadland presents a little sociopathic rebel from her inflamed mind and masks all this nonsense with fantastic decorations, just to justify the development of an absurd conflict. Who came up with all this? What for? For what?
I would like to ask the screenwriters a question: "Have you been checked by a psychiatrist for a long time? Should you go for a checkup?"
In my first review of this series, I was more supportive, and said: "But there are fears that the absurdity of actions will gain momentum - this usually happens after episode 2, but let's hope for the best." My fears have been confirmed, the absurdity is simply off the scale. Now I understand why Kerri-Anne Moss chose a cameo role, and she did the right thing!
And all these plot absurdities of the first two episodes: with fire in space, with frost that does not freeze, with suicide Jedi - this is only the visible part of all this "gibberish" that is in the head of the screenwriter.
The series saves not only on special effects, but also on common sense and artistic creativity. I have not seen such scenic mediocrity and staged stupidity for a long time.
In my opinion, this film show should be closed on the third episode, so that it is simple, banal not to disgrace itself in the eyes of the audience and not discredit the studio.
Let's remember what Master Yoda said in George Lucas's first film: "Fear the dark force. Anger, fear, aggression - the dark side of the force is this. They come easily, give support in battle. Once you enter the dark path, it will determine your fate forever, it will consume you..." But it doesn't matter to the "mouse top managers", they have their own licensed universe, protected by purchased authorship, and they are the masters in it, and they do whatever they want.
The third series is just the apogee of dramatic mediocrity. Religion, shamanism, magic, matriarchal society, the threads of the universe - everything is mixed up, everything is upside down - "what are they carrying" - I would like to ask them such a question.
Space Amazons who call themselves witches, raise twin girls for some kind of mission, wave their hands with a serious face - conjure, recite spells - what is going on here at all?
The Jedi appear and demand that the girls pass the test. And it's kind of voluntary, but forced - what kind of nonsense is this?
A little twin sister, with an impulsive behavior disorder, is doing some kind of "game". Leslie Hadland presents a little sociopathic rebel from her inflamed mind and masks all this nonsense with fantastic decorations, just to justify the development of an absurd conflict. Who came up with all this? What for? For what?
I would like to ask the screenwriters a question: "Have you been checked by a psychiatrist for a long time? Should you go for a checkup?"
In my first review of this series, I was more supportive, and said: "But there are fears that the absurdity of actions will gain momentum - this usually happens after episode 2, but let's hope for the best." My fears have been confirmed, the absurdity is simply off the scale. Now I understand why Kerri-Anne Moss chose a cameo role, and she did the right thing!
And all these plot absurdities of the first two episodes: with fire in space, with frost that does not freeze, with suicide Jedi - this is only the visible part of all this "gibberish" that is in the head of the screenwriter.
The series saves not only on special effects, but also on common sense and artistic creativity. I have not seen such scenic mediocrity and staged stupidity for a long time.
In my opinion, this film show should be closed on the third episode, so that it is simple, banal not to disgrace itself in the eyes of the audience and not discredit the studio.
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