So.
For someone, like me, who is unfamiliar with the goings-on between the IRA and England in the 1970s, first 40' are difficult to follow. I often had to stop and try to see and understand.scenes and informations.
I think that, from my POV, the script of the film was too hasty and deserved more details.
The second part of the film is GREAT.
It flows fast and doesn't let you breathe. The two protagonists - in an almost dichotomous way - brutally offer us the vision of how the life of those times changed, transformed people. Neither Michael nor Tempest, however, completely lose their humanity, choked with guns, bombs yet still so damned alive in the finale.
ColinMorgan manages - once again wonderfully- with the.incredible expressions of his face to communicate pain and sadness so much that even in the madness of revenge his Michael seems to shout his need for forgiveness to the public.
For someone, like me, who is unfamiliar with the goings-on between the IRA and England in the 1970s, first 40' are difficult to follow. I often had to stop and try to see and understand.scenes and informations.
I think that, from my POV, the script of the film was too hasty and deserved more details.
The second part of the film is GREAT.
It flows fast and doesn't let you breathe. The two protagonists - in an almost dichotomous way - brutally offer us the vision of how the life of those times changed, transformed people. Neither Michael nor Tempest, however, completely lose their humanity, choked with guns, bombs yet still so damned alive in the finale.
ColinMorgan manages - once again wonderfully- with the.incredible expressions of his face to communicate pain and sadness so much that even in the madness of revenge his Michael seems to shout his need for forgiveness to the public.
Tell Your Friends