Reviews

3 Reviews
Sort by:
Filter by Rating:
10/10
Stunning performance of one of the world's great musicals
27 May 2014
Warning: Spoilers
Like most Americans, I first saw the 25th on PBS. I had read the book and seen the road show in Chicago many years before. When it first aired, I was distracted and it barely registered. But the second time, I wandered into the room as Alfie Boe began "Who Am I?" stopped dead in my tracks and didn't move for the next three hours.

Alfie Boe is magnificent, he may be the best Valjean in Les Mis' thirty year history. (That includes the movie too). His voice is angry, vengeful, baffled, pleading, commanding, tender and loving. Boe has a bright tenor voice that snarls or rings out with all the nuance of speech. Les Mis is a tough sing that would tax any tenor, but you never worry if he'll hit a high, only wonder how stunning it will be. The four minute standing ovation (cut down to one minute on the DVD) for "Bring Him Home" was completely deserved. The song is a prayer, and you feel Boe isn't singing a prayer, he's praying on stage.

The other cast members are equally impressive. Norm Lewis' Javert is all menace and malice. He despises this peasant and thief, and will wipe out the one blot on his record. Norm's baritone can be completely chilling, and "The Confrontation" is practically a duel. Another singer might have drowned against Boe, but each meeting is tense and powerful.

Lea Salonga and Samantha Barks as Fantine and Eponine are each heart breaking, doomed by fate and love. They pour themselves into "I Dreamed a Dream" and "On My Own" and bring down the house. Ramin Karimloo is a passionate, charismatic Enjorlas. Matt Lucas and Jennie Galloway seem like comic relief until you see the sinister charm behind them, very well done.

Much has been written about Nick Jonas and Katie Hall. Nick was only 17yo for the 25th, and their voices blend well. Nick can't quite keep up with the older, more powerful singers, but he makes "Empty Chairs, Empty Tables" his own. They are sweet lovers here.

A show this big deserves big encores. They bring on the Queen's Theater cast, the 25th Anniversary Touring cast, and the original 1985 cast. And the crowd goes wild, with good reason. The rewritten "Bring Him Home" for the four Valjeans (and the key change), is almost worth the price of the DVD by itself.

A huge orchestra and choir, a massive stage, spectacular lighting and effects, three screens for a crowd of 17,000, cameras everywhere, costumes, and sensitive editing. Les Miserables as it should be done.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
Jackman and Crowe out of their "comfort zone"
20 January 2013
Warning: Spoilers
"Les Miserables" is a feast for the eyes, but PB&J for the ears. The acting is A+, but the total voices barely C-. This movies looks wonderful, locations, sets, art production, costumes. Lavish and splendid or grungy and threadbare as needed for the characters, and well acted throughout.

But Les Mis is a musical and the voices should count. Jackman and Crowe are the most disappointing. They carry show -- or should. A recent article had Jackman's movie vocal coach boasting that she had helped him extend his range four notes higher than he'd reached before. Trouble is, you can no more expand a person's vocal range than I could go from being 5'4" to 6'. That's why Bring Him Home is so "forceful." Since Hooper seemingly wanted the songs done in their original keys, Jackman has to sing above his range, since he's not a true tenor. That's why his voice cracks, why it's strained and why he can't go from soft to loud and back on the same breath. It's everything he can do to get those higher notes out. As for Russell... other reviewers here have discussed him, so I won't.

Samantha Barks is wonderful, but then she's sung on the West End. Anne Hathaway, Eddie Redmayne and Aaron Tveit have fine voices. Otoh, SBC and HBC's voices are as bad as their characters. For many movie goers, as long as they can SEE the movie, all the problems barely register. The acting and look carry Hugo's wonderful story and the movie along. For many the DVD will be enough, but I don't think the soundtrack will do very well. When people begin to really listen, they might ask why Universal didn't look first for great singers who can act, instead of name actors who sometimes sing.
2 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
About that accent...
13 August 2008
Genuinely loved the movie, and I'll let those who know more about Graeme and cycling comment on those aspects.

Understand that Jonny Lee Miller is well regarded in Scotland for a really good Scots accent. But on the other side of the pond, us 'muricans catch only every third or fourth word. Strongly suggest you turn on the closed captioning right from the beginning and save yourself a lot of frustration and wear on your DVD player. Otherwise you'll be backing up a lot for "what'd he say?"

You can always turn captioning off when you watch the second time. And you will want to see it again. It's that good.
5 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed