ASOKA is a simple tale of sibling rivalry at its most heinous in a battle for the throne, filial duty, plus boy-meets-girl/boy-loses-girl etc, and how a conqueror realizes he has gained nothing by his brutality, and thereafter embarks on a journey of self-realisation and redemption through peace and Buddhism.A simple tale, but made complex by mind-boggling logistics (600 horses, 50 elephants, 6,000 extras together on the battlefield), thought-provoking themes and lyrical cinematography loaded with symbolism and mystique. Moments of levity (`that's not a weapon.THIS is a weapon!' reminding me of `Crocodile Dundee') together with aweinspiring locations and captivating romance, provide a gentle contrast to the gruesome spectacle of war.
One of the highlights for me was the music. In spite of owning the CD and seeing video clips on MTV, I was unprepared for the lush, sumptuous sounds enveloping me like an embrace, combined with alluring picturization. I would have loved to have seen more of the underwater scene in ROSHNI SE - innovative and full of grace and playfulness.
The Baadshah (King) of Bollywood, SHAH RUKH KHAN, demonstrates his personal aura of majesty and magnetism- classy, gutsy, seductive and intense, he IS Asoka incarnate: imperious, vengeful or romantic, .every move and emotion delivering a message of Grace, Truth and Sincerity straight to the viewer's heart.
More famously known for his exuberant dancing, irrepressible energy and audacity, Shah Rukh's flawless portrayal is so internalized and contained, with moments of chilling stillness, that it's difficult to remember any of his previous persona. Shah Rukh in his prime is a formidable, unforgettable vision.
Another highlight was Shah Rukh's graceful Kallaripayattu (martial art) and one-on-one combat scenes (especially with the enthralling snake sword) almost balletic in execution (no pun intended) - giving added dimension to the phrase `Poetry In Motion'.
Shah Rukh's intensity reminds me of Martin Sheen who was 35 in Francis Ford Coppola's `Apocalypse Now', a highlight of Hollywood history in its time, the same age as Shah Rukh in Asoka.
The entire cast lends excellent support, with many outstanding scenes, and no disappointments. Karriena is bewitching, young Suraj beguiling, and Rahul Dev fiercely protective, to help flesh out Santosh Sivan's magnificent movie. Ajith Kumar impresses more every time I see this movie, and successfully evokes sympathy from an unsympathetic role.
Costume and set design forsake the typical lavish `royal' trimmings, giving a clean, timeless look of elegant simplicity to haunting visuals in soft muted colours (except for the rich, rich, red and stunning peacock blue fabrics) in subtle harmony with the luxurious foliage. God bless Santosh Sivan, a visionary in an industry of mediocrity! (I wonder if he's met Francis Ford Coppola?)
History of Asoka? .not necessarily!
History of Cinema? .but definitely!
The ending left me panting to know what happened next, much like young `Arya' wanting `Pavan' to continue his story-telling ~ is this a clever way to make us beg for a sequel: ASOKA Part II? Mr Sivan, Sir, are you listening?
FINAL NOTE: The exquisite Book on The Making of Asoka (Mushtaq Shiekh, writer, HarperCollins Publishers) completes and further enriches the magical, mythical experience of ASOKA.
*SANDI* SRK's AUSSIE FAN #1
One of the highlights for me was the music. In spite of owning the CD and seeing video clips on MTV, I was unprepared for the lush, sumptuous sounds enveloping me like an embrace, combined with alluring picturization. I would have loved to have seen more of the underwater scene in ROSHNI SE - innovative and full of grace and playfulness.
The Baadshah (King) of Bollywood, SHAH RUKH KHAN, demonstrates his personal aura of majesty and magnetism- classy, gutsy, seductive and intense, he IS Asoka incarnate: imperious, vengeful or romantic, .every move and emotion delivering a message of Grace, Truth and Sincerity straight to the viewer's heart.
More famously known for his exuberant dancing, irrepressible energy and audacity, Shah Rukh's flawless portrayal is so internalized and contained, with moments of chilling stillness, that it's difficult to remember any of his previous persona. Shah Rukh in his prime is a formidable, unforgettable vision.
Another highlight was Shah Rukh's graceful Kallaripayattu (martial art) and one-on-one combat scenes (especially with the enthralling snake sword) almost balletic in execution (no pun intended) - giving added dimension to the phrase `Poetry In Motion'.
Shah Rukh's intensity reminds me of Martin Sheen who was 35 in Francis Ford Coppola's `Apocalypse Now', a highlight of Hollywood history in its time, the same age as Shah Rukh in Asoka.
The entire cast lends excellent support, with many outstanding scenes, and no disappointments. Karriena is bewitching, young Suraj beguiling, and Rahul Dev fiercely protective, to help flesh out Santosh Sivan's magnificent movie. Ajith Kumar impresses more every time I see this movie, and successfully evokes sympathy from an unsympathetic role.
Costume and set design forsake the typical lavish `royal' trimmings, giving a clean, timeless look of elegant simplicity to haunting visuals in soft muted colours (except for the rich, rich, red and stunning peacock blue fabrics) in subtle harmony with the luxurious foliage. God bless Santosh Sivan, a visionary in an industry of mediocrity! (I wonder if he's met Francis Ford Coppola?)
History of Asoka? .not necessarily!
History of Cinema? .but definitely!
The ending left me panting to know what happened next, much like young `Arya' wanting `Pavan' to continue his story-telling ~ is this a clever way to make us beg for a sequel: ASOKA Part II? Mr Sivan, Sir, are you listening?
FINAL NOTE: The exquisite Book on The Making of Asoka (Mushtaq Shiekh, writer, HarperCollins Publishers) completes and further enriches the magical, mythical experience of ASOKA.
*SANDI* SRK's AUSSIE FAN #1
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