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6/10
Intersting premise and visually striking but marred his naive socio-political message.
7 December 2021
Edgar Wright his a talented even original director and has been having an very interesting career, but this film also shows his limitations. Last Night of Soho in many way has been seen in his career of a kind different film in his output, was promoted wrongly as a art-house movie, that clearly in way was to promoted the film as a serious film but hurt the film commercially.

This film in my opinion starts with a interesting idea, that we shouldn´t never idealize the past and the idea idea of mixing the present age with 1960´s is actually very well done. I also think the film is quite scary and tense (even if becomes tiresome in the last quarter of the movie), and was great to see old pros like Diane Rigg (in her last film), Terence Stamp and Rita Tushingham on screen. I also think the film visually is very striking with very clever ideas. The film is full of film references from Hitchcock, both genre and freecinema british films from the 60´s but the is biggest inspiration was from italian giallo´s from the 60´s and 70´s (Bava, Fulci, Argento). Actually Argento´s Suspiria is all over the place in the movie.

But the films has problems both with the script and and a certain a naivety in his socio-political message, who seems too say the mysogonystic people are really jerks and terrible people and the good guys are almost saints inccapable doing nothing wrong . One the problem I had was with the main character played very well by Thomasin Mckenzie but she´s playing her character who simply too innocent and isn´very believable, like the character played by Michael Ajao who comes from South London but seems coming out from a Disney movie. The other problems was having Eloise seen the ghosts in plain daily life but having us the viewer also seeing the ghosts in the libray scene, wich is ridiculous.

Also find the film a little bit overlong, maybe because of the conclusion of the story or because now every movie has to be at least almost 2 hours long.

In general I thought this film is watchable but a very uneven film.
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France (2021)
10/10
Another Love/Hate effort from Dumont with a great perfomance by Léa Seydoux.
5 December 2021
At the first impression after seeing the movie. This looked to be Bruno Dumont most mainstream movie, this very far from the truth. This another offbeat and indionsycratic effort from Dumont.

The basic story is about TV Superstar/Journalist France Le Meurs (a great perfomance by Léa Seydoux who here is more magnetic and looks more beautiful than never) who has her own TV show that is more entertainment than real journalism, she´s married and has a child but doesn´t seem to stay at home that long because she either too much busy with her war coverage reports in the middle east who are heavely directed and edited by her or busy by the success on the social media she aquires. The character is shallow and unlikable but seems more completely alianeted in her own world. Everything changes when she runs over a young immigrant in car accident, having then an existential crisis and precipitating a series of events.

This film is been seeing as satire or farce to the media especially a kind mainstream media but the film from my point of view is more than that is a fascinating character study with the film mixing comedic/grotesque and melodramatic momen (witheLéa Seydoux playing those scenes brilliantly 9about France not only as character but as symbol of the itself country and also seems to me that Dumont uses the film as sharp critique the french bourgeoise society that the lead character belongs.

Structurally the film seems to be all over the place, but what Dumont wanted was to enhance the artificial and alienation elements of France´s profession and personal life as also the confusing times we all are as society living on the present world.

Dumont said in a recent interview that this film was not to be liked by everyone wich is truth, but i personally thought the film was quite fascinating and very compelling.
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10/10
Critics are wrong about this film.
4 December 2021
This film got is premiere at last Cannes with not very warm reviews from the critics and public alike, many of the critics calling euro-pudding. I suspect many of these critics didn´t read the original novel of Milan Fust that these film is based on and that Ildikó Enyedi was tryng to do for many years.

I thought the film was very well adapted containing many of the philisophical and symbolism of the novel, beautifully shot, excellent perfomances by all (Gijs Naber and Léa Seydoux (her part is probably more difficult to play since she´s mostly an enigma until the very end of the film) are perfectly cast and very well directed.

One advise I who give who wants to see this film, is to read the novel first.
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