A knockoff Hitchcock in gorgeous sets.
As mentioned by other reviewers, motifs and themes of Rebecca, Suspicion, Spellbound... The room collection and the psychoanalysis dialogue are cringeworthy and sound like a parody.
The set design is very elaborate although eclectic, the variation of everything between art deco and rococo unintentionally stresses the unbalanced state of mind of the architect protagonist I guess.
Both of these factors put this film into an accidental Camp classic territory rather than making it an already formulaic thriller or film noir.
Speaking of the latter, the camera and the lighting are on point as always in Fritz Lang but go for another of his films instead.
As mentioned by other reviewers, motifs and themes of Rebecca, Suspicion, Spellbound... The room collection and the psychoanalysis dialogue are cringeworthy and sound like a parody.
The set design is very elaborate although eclectic, the variation of everything between art deco and rococo unintentionally stresses the unbalanced state of mind of the architect protagonist I guess.
Both of these factors put this film into an accidental Camp classic territory rather than making it an already formulaic thriller or film noir.
Speaking of the latter, the camera and the lighting are on point as always in Fritz Lang but go for another of his films instead.
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