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8/10
Come the revolution
23 November 2020
This show has my heart honestly. It's a deep, dark and intrinsically layered show that really requires your full attention. From the gothic influenced soundtrack to the bright colour palate and the uniquely hand-drawn style, this show is just sonic and visual candy. The plot is painfully ambiguous in my opinion but still intriguing nonetheless. And of course there are the feminist and queer themes that has bestowed upon this show its iconic legacy. To think that such revolutionary (all pun intended) ideals and themes and subject matters were depicted in this show nearly 2 decades ago and has served as the inspiration to many other queer and feminist story is truly a testament to this show's legacy. I am quite honestly dying to know what happened after the end but I'm glad it was not a tragic one. The bond between Utena and Anthy was truly something that warmed my heart, the sanctity of their bond seemed to transcend just friendship and even romance. It was, in essence, just two girls who wanted to save each other no matter what. Though I was sad we never got to see them kiss, i think their attraction to one another was blatantly obvious in the subtext.

One of my few only complaint really is just the repetitive nature of the sword fights. Though it does add a great deal of spice and action into the story, I feel most of the drama is nullified knowing that Utena will always prevail in the end. And the sequence of her climbing up the endlessly spiralling staircase, whilst it is a great visual delight at first, does get old quite fast. I felt the black rose saga was quite pointless and characters got introduced at times only to not appear or serve any relevance to the plot later on.

Overall, Utena is an amazing show; far ahead of its time, that blends mind numbingly surrealist imagery with complex layered characters, an amazing artstyle and a killer soundtrack
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