I don't understand why Luc Besson doesn't like French cops so much. I'm beginning to think that he spent a great part of his life behind the bars.
The plot of this film is... There's no plot in this film, there's only good jumping climbings. There's good arabs, afrofrench (I think this will be quite politically correct) and japanese people. And there's a lot of really really bad french people (cops and doctors).
Everything that was funny in Taxi and Taxi 2 looks very boring in Yamakasi. I don't know what the others whink, but I'm already tired of Besson's stupid french and smart arabs. It's very strange that when you show a stupid arab (or other of non-europian people) you're called a rasist, but when you show a stupid french, american or russian, you're a great director.
The plot of this film is... There's no plot in this film, there's only good jumping climbings. There's good arabs, afrofrench (I think this will be quite politically correct) and japanese people. And there's a lot of really really bad french people (cops and doctors).
Everything that was funny in Taxi and Taxi 2 looks very boring in Yamakasi. I don't know what the others whink, but I'm already tired of Besson's stupid french and smart arabs. It's very strange that when you show a stupid arab (or other of non-europian people) you're called a rasist, but when you show a stupid french, american or russian, you're a great director.
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