Reviews

2 Reviews
Sort by:
Filter by Rating:
The Tale of Beatrix Potter (1983 TV Movie)
10/10
Great biography of a great woman/WHY NO DVD?
11 December 2007
It is to the BBC's shame that they have buried or lost this excellent film, and have NEVER released it to home video. It is a masterful treatment of the life of an extraordinary woman, anchored by a great performance from Penelope Wilton.

This film is far superior to the quaint (that is the nicest word I can use) work which stars Renee Zellweger. I am too big a fan of Beatrix Potter to completely trash that film, but I take umbrage with the ridiculous way they made her look, and how they glossed over her parents behavior, which was in fact strict even by Victorian standards.

Beatrix Potter was not a flibbertigibbet who baby-talked to her drawings, she was a SCIENTIST, for God's sake, a mycologist who developed a theory regarding lichen that was decades ahead of its time!

THIS film, with the wonderful and under-appreciated Penelope Wilton, makes clear Potter's sufferings and restrictions, and her great talents and achievements: a great watercolorist, artist, scientist, naturalist, writer, creator of a secret code that was unbroken until the 1950s, land developer and preservationist, environmentalist...I can't even go on writing this list because I get all weepy-peepy thinking of what a great, generous spirit she was. Not only did she help save the Lake District from becoming a car park or a strip mall, but her "little books" have touched the hearts and minds of millions, perhaps billions of children and adults ALL OVER THE WORLD, for generations. She changed the world, quite literally, with her actions. You understand that from seeing this film; you do not from seeing the lackluster presentation starring Ms. Zellweger.

WHAT'S WRONG WITH YOU, BBC?! DIG THIS OUT AND PUT IT ON DVD! YOU'LL MAKE MONEY!

THE TALE OF BEATRIX POTTER is based on the book by Margaret Lane, a very good, straightforward biography, which has here been well dramatized by John Hawkesworth, who brought us UPSTAIRS, DOWNSTAIRS, and THE DUCHESS OF DUKE STREET (shows he was familiar with the era!). He became infatuated with Potter because of her marvelous watercolor technique, being himself a watercolorist and student of Picasso. He knows the details here, for set dressing and costume, language and manners; when young Beatrix mentions that her father takes photos for Mr. Millais, it is John Everett Millais, the Pre-Raphaelite painter; Canon Rawnsley, the enthusiastic Victorian country preservationist is fleshed out in limited screen time.

Next to Wilton, perhaps the most important actor in the film is the narrator, the late, great, Sir Michael Hordern, whose voice is the perfect framing device for this "Tale." He is well known to fans of British film, from such works as A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, SCROOGE (A Christmas CAROL), Zeffirelli's TAMING OF THE SHREW, LOVEJOY, and as the narrator in Stanley Kubrick's BARRY LYNDON. After watching THE TALE OF BEATRIX POTTER, I sometimes like to watch my copy of Hordern as King Lear, from the the BBC Shakespeare Plays produced in the 80s, to see Penelope Wilton as Regan opposite his Lear. They are so good!

In conclusion, if you know anyone who owns a copy of this film beg them to watch it with you or loan it to you, or if you're ambitious try writing the BBC and DEMANDING that they release a pack of lawyers to hunt down and issue this lost treasure on DVD, so that more people can see this wonderful rendering of the life of a great modern artist and benefactress of the people of Britain and lovers of the natural world.
11 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
The Taming of the Shrew (1980 TV Movie)
This is the best "Shrew" I've ever seen.
26 September 1999
This production does for The Shrew what Zeffirelli's "Romeo and Juliet" did for that play: it makes clear the central meaning of the piece. By stripping away the usual thigh-thwacking, twinkle-in-the-eye, campy, vaudevillian action usually associated with this work, wherein the headstrong Katherine is brought into submission by the charming rogue Petruchio, we are able to see clearly what Petruchio's approach is: he shows Katherine her own behavior in reflection. Petruchio is holding up the mirror for her, showing her that she is the prisoner of her own negative emotions. And who would take the time, make the effort to do such work, if they did not care for the person in question? This Katherine and Petruchio are not combatants, they are soul-mates defining their understanding of each other. At their first meeting it is clear that Kate has never had a man of such wit and character endure her raging, out of desire for her; and in the end we see that Katherine is not broken (the famous last speech), but that at last she has stopped thinking only of herself, and gained insight and compassion for others. I've seen a lot of versions of this play (including Burton & Taylor, Julia & Streep, & Singer & Olster), and this is the most adult, the most understanding, the most human. And the funniest.
28 out of 32 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed