Almost a forerunner to Paul Schrader's Witch Hunt, involving some of the characters and settings, Campbell's film - while certainly less polished - ultimately has more charm. There is none of the political edge which Schrader shoe-horned into the later film, with Campbell content to make vague suggestions about codes of honour and conduct. Where Schrader used the milieu to comment on real life Campbell instead delivers pure fantasy, an approach which works better.
The film has a perfunctory plot involving some McGuffin and a save-the-world climax but it is the incidental details which provide the most amusement. The trip to the real-estate development provides some moments of zombie mirth, while Fred Ward's battle with a rubbery-looking gargoyle is great fun. However, there are also some unpleasant scenes: deaths at the railway station and the diner being among them. Overall though, the tone is comic as opposed to horrific, something that is helped by a terrific central performance from Ward and engaging turns from David Warner and Julianne Moore.
The film has a perfunctory plot involving some McGuffin and a save-the-world climax but it is the incidental details which provide the most amusement. The trip to the real-estate development provides some moments of zombie mirth, while Fred Ward's battle with a rubbery-looking gargoyle is great fun. However, there are also some unpleasant scenes: deaths at the railway station and the diner being among them. Overall though, the tone is comic as opposed to horrific, something that is helped by a terrific central performance from Ward and engaging turns from David Warner and Julianne Moore.
Tell Your Friends