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The Co-Op (2021)
Gorgeously shot film
The Co-op is near flawless in the way it looks and pulls off this amazing effect where it looks like a mega-budget film. That being said, none of it works without the actors really leaning into what at first is unexpected turn after unexpected turn. Then almost seamlessly and comically leaning heavily into that premise with almost daring tongue and cheek precision. To then to hit you with one last twist. Josh Matthews especially shines as the frustrated robber. Also there is a great sequence with Cameron's (the filmmaker) father, David. One of the funniest scenes in the short. Cameron S Mitchell is a director that I think will be someone to keep an eye on, he was born to tell stories and does it well. This is a triumph that keeps you engaged, laughing, and just amazed. Awesome that a film like this exists. Even more awesome that Slamdance gravitated toward it (not surprised at all though).
An American Terror (2014)
One of the best in the genre in a long time
An American Terror a throwback to the great films of my youth but it is a plausible story tangled and weaved intricately amongst a tangible, clever message; one that does not get lost. Nor does the entertainment value ever diminish because it is trying to do something with the subject matter.
Graham Emmons , Louis MacDonald, Taylor Hulett, and Joe Abplanalp do incredible jobs as each of their characters gets their moments to show off what they can do. I am especially fond of Abplanalp's performance in this. He really has a nice balance in this movie, knowing when to do all that his character needs to do, and how to use subtle movements and small noticeable expressions to give you the senses you need at critical moments. He has an interesting quirk within his eyes but he never really uses that as a crutch, something that could have easily happened. You see the type of character he plays all the time go way over the top and I like that he was able to stay within the framework but also that he took advantage of his moments.
Of course he is under the guise of a very talented Writer/Director in Haylar Garcia. Haylar is careful and detailed but he really sets a pace to the film that gives you opportunities to absorb when you need to absorb, get anxious when you need to get anxious, and frustrate you to no end. These are the 3 essential elements in my mind that create a successful horror film. Haylar accomplishes the rarity that you find these days in any film, not just horror, he really edits himself well. I am sure there were times where staying in one direction and not getting excited about going the other direction had make him crazy but he really stayed on point throughout. He also has some incredibly bright moments with dialogue. Moments that will catch on as more people see this movie.
Graham Emmons is a great caretaker and leader of that conduit that is Haylar's vision. He knows at some point the audience is going to turn to him and he does all he is supposed with that. In fact the entire cast has incredible chemistry and they all give you the sense that they know they are in something special so they are careful, calculating, and perfect for the screen.
Another great element that adds to this movie's success is the incredible production design. It uses the full potential of live locations and gives it that little bit of special feeling you need when you figure out where everyone is and what is going on. The details are very well covered here. Another common theme you will find with the movies that make my list this year is how the sets and designs are as much a character in the movie as the actors are. An American Terror probably has 2 of my favorite examples of that this year, cop cars and junkyards.
Anton Fresco cinematography moves flawlessly throughout the engaging moments and settles you into the rare moments that Haylar allows you to catch your breath. Along with that, there are some great cutaways and overall aesthetic shots that just keep you right there and in the moment.
As I said earlier this movie actually marries 2 nice genre ideas together and while it is such an awesome homage and throwback to horror genre of my youth, Haylar is good to throw in some of the more recent ideals that have worked from some of the better movies of the last 5 years. I think keeping it current really plays well in this instance but the nostalgia homage makes it unique.
I think having the message this movie does also lends itself to standing out and being different. Make no mistake for me I liked the outright horror elements the best but you can't help but get absorbed to think about what is trying to be said here.
That's what makes this movie a best of year candidate and one of my favorites of 2013. I am happy to hear that after a year and a few months of traveling the world in festival after festival, winning award after award that it is going mainstream for the masses to be able to see.
If you are a fan of Halloween, Friday the 13th, and even something like Cabin in the Woods or Saw you have to see An American Terror.