A woman opts for a cloning procedure after she receives a terminal diagnosis but when she recovers her attempts to have her clone decommissioned fail, leading to a court-mandated duel to the... Read allA woman opts for a cloning procedure after she receives a terminal diagnosis but when she recovers her attempts to have her clone decommissioned fail, leading to a court-mandated duel to the death.A woman opts for a cloning procedure after she receives a terminal diagnosis but when she recovers her attempts to have her clone decommissioned fail, leading to a court-mandated duel to the death.
- Awards
- 2 wins & 5 nominations total
Kristofer Gummerus
- Tom
- (as Kristofer Gummerrus)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is NOT a mainstream movie by any stretch. It is brought to us by a young writer-director whose specialty is unusual, quirky stories. I was anxious to see it because it stars Karen Gillan, I am a big fan, I could watch and listen to her read a phone book and be entertained.
So the premise here is in a alternate universe a technology has been invented to clone people. And a fantastic thing about it is, you spit in a cup and an hour later you meet your clone, the same size and same apparent age as you. Of course you have to teach it about yourself, family, likes and dislikes, things like that. And guard your boyfriend.
Why would you want to? You get a disgnosis that you have a terminal illness, you don't want to deprive your family and friends your presence so you make a clone to replace you.
So for most of the movie Gillan is playing two characters with subtle differences, she does it well, often with just the slight expressions on her face, and with some different voicings. What happens if, against the odds, she doesn't die? There is a law, within a year the two of them will battle until only one remains.
Set on the US west coast but filmed in Finland, it is not a sci-fi movie as much as it examines human nature and the things that motivate us, either for good or for evil. Pretty good viewing.
My wife and I watched it at home on DVD from our public library. I enjoyed it more than she did. We were slightly puzzled at the end but the DVD "extra" featuring the director's commentary cleared up any doubts.
So the premise here is in a alternate universe a technology has been invented to clone people. And a fantastic thing about it is, you spit in a cup and an hour later you meet your clone, the same size and same apparent age as you. Of course you have to teach it about yourself, family, likes and dislikes, things like that. And guard your boyfriend.
Why would you want to? You get a disgnosis that you have a terminal illness, you don't want to deprive your family and friends your presence so you make a clone to replace you.
So for most of the movie Gillan is playing two characters with subtle differences, she does it well, often with just the slight expressions on her face, and with some different voicings. What happens if, against the odds, she doesn't die? There is a law, within a year the two of them will battle until only one remains.
Set on the US west coast but filmed in Finland, it is not a sci-fi movie as much as it examines human nature and the things that motivate us, either for good or for evil. Pretty good viewing.
My wife and I watched it at home on DVD from our public library. I enjoyed it more than she did. We were slightly puzzled at the end but the DVD "extra" featuring the director's commentary cleared up any doubts.
Dual has an intriguing (albeit not entirely original) concept with a lot of comic and dramatic potential.
But the film is stuck in tonal limbo, being neither really funny nor especially poignant.
Dual's setting is its greatest strength. Its world always feels a little off-kilter and subtly dystopian.
But the storytelling is simply not engaging.
The writing feels bland and lazy.
The actors look mostly bored.
Riley Stearns is an interesting filmmaker. His first (and best) film Faults struck the right balance between absurdity and realism.
Since then he's gone on to adopt a more Lanthimos-ish tone, which seems overly self-conscious and gimmicky.
While that may have worked in his previous film, The Art of Self Defense, it doesn't in Dual.
I hope he returns to his earlier style for the next one.
But the film is stuck in tonal limbo, being neither really funny nor especially poignant.
Dual's setting is its greatest strength. Its world always feels a little off-kilter and subtly dystopian.
But the storytelling is simply not engaging.
The writing feels bland and lazy.
The actors look mostly bored.
Riley Stearns is an interesting filmmaker. His first (and best) film Faults struck the right balance between absurdity and realism.
Since then he's gone on to adopt a more Lanthimos-ish tone, which seems overly self-conscious and gimmicky.
While that may have worked in his previous film, The Art of Self Defense, it doesn't in Dual.
I hope he returns to his earlier style for the next one.
It's not for everyone, I'd admit.
If you enjoyed "the art of self defense", I think you would like this movie.
I think the title is clever, having a dual meaning.
If you enjoyed "the art of self defense", I think you would like this movie.
I think the title is clever, having a dual meaning.
This bone-dry black comedy feels very much like Yorgos Lanthimos lite, with to-the-point dialogue its no-frills delivery being its most obvious feature. Having said that, taking inspiration from someone isn't a crime and it's not as if the movie is a rip-off. 'Dual (2022)' tells an oddball story about a terminally ill woman who has herself cloned in preparation for her guaranteed death in an effort to prevent those she loves from having to grieve her demise. Unfortunately for her, her boyfriend and mother seem to prefer her double, who soon becomes a person in her own right. Worse still, our hero doesn't die; in fact, she completely recovers. There can't very well be two of her, though, so she and her double are forced to undergo a duel to the death. The piece is quirky and uncomfortable, built upon some seriously dark satire that has the ability to both make you laugh and (far less literally) cry. It's uncompromising in its vision, yet it also knows how silly it is and slyly alludes to that. On the surface, it's totally serious, but its absurdity is purposeful and provokes a chuckle every now and again. It's also fairly subversive, even considering its inherently off-kilter nature. I can see how some people would struggle to connect to it; after all, the characters are purposefully icy and the dialogue is extremely on-the-nose by design. Though isn't as refined as it could be, it generally has a good grasp on its narrative and tone. If you can get on its wavelength, though, it's a fairly entertaining experience from beginning to end.
Great Sci-Fi that relies on the story and not unnecessary over-the-top special effects. I felt like this movie could be telling about what we have in store in the future. Every character is somewhat robotic, and without feeling or personality...much like a society where indoctrination has voided all critical thought and reason. That's my take anyway.
Beautifully shot, score was well done, and acting really portrayed the uncaring nature of society. Great film!
Beautifully shot, score was well done, and acting really portrayed the uncaring nature of society. Great film!
Storyline
Did you know
- TriviaFilmed during the COVID-19 pandemic. Tampere, Finland was chosen as the filming location because of the Finnish government's successful effort to curb corona cases.
- GoofsAt the start of the film when Robert Michaels is trying to kill his double, his double can be seen sticking his arm out from behind the table, but then a split second later the arrow misses his arm and hits him just above his heart. Given the double's body position and the fact that he's turning away from the arrow when it is being fired, it would be physically impossible for the arrow to strike him where it did.
- Crazy creditsIn the end credits, the credit for "Police Officers with Dog" lists the dog, Taika, first, and the trainer, Katja Kontu, last.
- SoundtracksGrand March - Aida
Written by Giuseppe Verdi (uncredited)
Arranged by Cornelius Oberhauser and Ferdinand Oberhauser
Courtesy of APM Music
- How long is Dual?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Двійник
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €4,500,000 (estimated)
- Gross US & Canada
- $185,212
- Opening weekend US & Canada
- $118,254
- Apr 17, 2022
- Gross worldwide
- $425,909
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1
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