Although more expensive than seeing films in the cinema, the National Theatre Live series is very much accessible in terms of location and actually also price. And at least one production of anything part of the series, whether Shakespeare, Arthur Miller, Tennessee Williams, Harold Pinter etc, should be given a go. In my mind, it's well worth doing and is mostly very rewarding unless there is the odd disappointing production.
'I'm Not Running' was a new discovery for me when watching the 2019 simulcast part of the series. Watched for not just being a regular National Theatre Live viewer, but also because David Hare has shown himself frequently to be an immensely talented playwright and screenwriter. 'I'm Not Running' is not the first Hare-penned National Theatre Live production, there is also an outstanding 2014 performance of 'Skylight' that is to me one of the series' high points in one full of treasures.
While not blowing me away, 'I'm Not Running' was an interesting play given a generally very well executed performance. The production's good things are many and they are more than good things, they are great things.
Did feel though that the supporting cast were given little to do and don't really register all that much. That is partly the fault of the play as well, which focuses on the meaty lead characters and their blistering sparring but somewhat neglects the supporting characters so they come over as underwritten.
The sparely populated and simple set however in the production is effective, without looking simplistic or cheap. Allowing the dialogue and leads to shine, and shine they do. The productions runs fluently in pace, without ever being dull but allowing the drama to breathe, and the dialogue has bite and plenty of emotional power. The drama bursts with passion and both the hard-boiled political elements and the intense and poignant personal relationships are balanced adeptly.
From start to finish, the chemistry between the leads blisters, to fever-pitch in its best and most passionate moments. Sian Brooke and Alex Hassell are both outstanding, their performances searing in intensity.
Summarising, well executed and well worth running to. 8/10
'I'm Not Running' was a new discovery for me when watching the 2019 simulcast part of the series. Watched for not just being a regular National Theatre Live viewer, but also because David Hare has shown himself frequently to be an immensely talented playwright and screenwriter. 'I'm Not Running' is not the first Hare-penned National Theatre Live production, there is also an outstanding 2014 performance of 'Skylight' that is to me one of the series' high points in one full of treasures.
While not blowing me away, 'I'm Not Running' was an interesting play given a generally very well executed performance. The production's good things are many and they are more than good things, they are great things.
Did feel though that the supporting cast were given little to do and don't really register all that much. That is partly the fault of the play as well, which focuses on the meaty lead characters and their blistering sparring but somewhat neglects the supporting characters so they come over as underwritten.
The sparely populated and simple set however in the production is effective, without looking simplistic or cheap. Allowing the dialogue and leads to shine, and shine they do. The productions runs fluently in pace, without ever being dull but allowing the drama to breathe, and the dialogue has bite and plenty of emotional power. The drama bursts with passion and both the hard-boiled political elements and the intense and poignant personal relationships are balanced adeptly.
From start to finish, the chemistry between the leads blisters, to fever-pitch in its best and most passionate moments. Sian Brooke and Alex Hassell are both outstanding, their performances searing in intensity.
Summarising, well executed and well worth running to. 8/10
