- A man stares a dead girl. He doesn't know what happen. Patricia has a visit: a woman warns her about a girl who's in danger. With the help of an old man, the killer recalls the events of the murder while Patricia begins to dream nightmares.
- A mysterious man is sat on the couch in a living room he doesn't know, and he's staring a dead young girl lying on the floor, which is covered by blood; her wrists and heels are cut, even her throat, and a long knife and a golden necklace are beside her body. But there's a big problem: the man who is looking at her, the supposed killer, doesn't know when, how or why that "incident" has happened, so he feels confused and disturbed, and the necklace doesn't help him to understand what the hell happens...'cause he's a schizo with memory lapses. Suddenly, the reality collapses with the "other side", represented in the shape of a big, dark and blue-red lighted theater; an old man comes in the stage from behind the curtains, sits down in a chair, puts two keys and the girl's golden necklace down and disappears from the place. But another boy appears quickly in the empty chair and takes the keys and the necklace, possible clues for the murder.
Back in time, Fátima is preparing to go out from her house, not even say "good morning" to her mother; this is because they have a very bad relationship for unknown reasons. She rides in her bicycle to the baker's shop to buy something for breakfast, but she doesn't know inside the place there's someone who watches her over, and who follows her when she leaves the shop. In the same morning, Patricia wakes up and prepares her breakfast. Suddenly, a strange woman knocks at her door and she warns Patricia about something: a girl is in danger...and she knows her. The woman vanishes and she feels really frightened, but something worse happens, her paintbrush turns into a syringe. The reality collapses and we go to another room, hidden between the darkness. A young drug dealer is preparing a syringe with heroin and a girl is lying on the floor, we can't see them, we only listen their voices. The boy puts the syringe down next to the girl; suddenly we can see her: she's the same coming-dead girl of the beginning. When she injects herself the drug she goes to the "other side"; there, a pianist is playing "Pledging my Love".
Back to the real world, Fátima is pursued and stabbed for the same man who was looking at her in the baker's shop. Later that night, he moves the body to his secret garage and hides it. After, he goes to a pub, where Patricia works as a barmaid; she talks with the owner of the house where the young drug dealer lives. While the killer is washing his hands, the owner is grumbling' 'bout the lack of responsibility of his tenant; the man approaches to the bar and ask for a glass of water, then he heeds the conversation. The owner tells Patricia about the house and its address, things which the killer knows, curiously. The next morning, he finds the house that man talked about at the bar. The reality collapses again: the old man of the theater appears suddenly in front of the killer, who's turn into another man, the same who was watching the body of the dead girl in the living room. The old man gives him two keys and goes, vanishing in the air; the killer uses the keys to come inside the house. He recognizes the place; that's the same house where the girl will be murdered, but nothing has happened yet.
The reality twines again. Now we see another boy, waking up in his house and making his breakfast. After, he leaves his house, but he stops in the stairs; he's watching the mother of Patricia knocking the door of one of his neighbors. After the woman comes in the apartment he stays in front of the door, heeding the conversation for a while; suddenly the door opens and he quickly goes out to the street. He comes inside his car and starts it and he drives first to the baker's shop; when he pays for a biscuit, he leaves a little piece of paper in the hands of the waitress, then he goes again and drives to the gas station. At the same time, the coming-dead girl of the beginning is ready to go out of her house. Overnight, Patricia dreams a very strange and dreadful nightmare; she is in the theater and discovers a red-black wool blanket on the stage which appears out of the blue. She wakes up bluffly and try to calm herself down; she goes to the living room but there are the old man and the woman who warns her about the girl. They tell her about the girl and the gift she has: she can see the "other side" of the reality and contact with the spirits; a paranormal power completely ignored by her. Now she knows the identity of the killer and find out the dead girl is her sister.
Now we return to the future, to the scenery of the beginning. We discover the man who was staring the girl is the boy who woke up that morning and listened the conversation through his neighbor's door. He takes the dead girl by her feet and he drags her along the living room, through the corridor to the bathroom; he puts the body inside the tube and wash it up, then he carries it to one of the bedrooms. The drug dealer is dead in another room. When the killer lays the body on the bed he lays down beside it and says "Tell me who killed you". The girl open the eyes slowly and answer "I'm gonna tell you". The next day Patricia goes to the baker's shop and ask to the waitress if she has seen her sister, showing her an old picture of the girl. Then, Patricia sits down at a table and asks for a tea; in the table she is trying to remember the strange dream she had.
On the other hand, the waitress takes her mobile phone and calls...the person who answers the call is the killer.
Contribute to this page
Suggest an edit or add missing content