When teenager Alan and his younger brother find a bag of gold coins in a dead man's island home, they try to hide it from their friends, but one of them, suspicious and violently unpredictable, is willing to do anything to get the money.
Director:
Writer:
Awards:
- 2 nominations.
- See more »
Photos and Videos
Cast
| Jaeden Martell | ... |
Peter
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| Keean Johnson | ... |
Alan
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| Shea Whigham | ... |
Sergeant Kent
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| Alex Neustaedter | ... |
Red
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| Daniel Zolghadri | ... |
Smitty
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| Kristine Froseth | ... |
Mary
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| Mike Hodge | ... |
Don
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Michael David Baldwin | ... |
Officer Pete
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| Nicholas Barasch | ... |
Polo Shirt
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Danny Bolero | ... |
Javier
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| Khail Bryant | ... |
Elizabeth
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| Teddy Coluca | ... |
Harbor Boss
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| Al Dooby | ... |
Migrant Worker
(as Albert Dubinsky)
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| Sunny Edelman | ... |
Mary's Mother
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| Ariel Eliaz | ... |
Officer McHugh
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Dave Lach | ... |
Home Owner #1
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April Mauger | ... |
Lifeguard
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| John Mondin | ... |
Car salesman
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Devon Moyd | ... |
Goth Attendant
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| James Paxton | ... |
Nate
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| Camila Perez | ... |
Sophia
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| Carmen Salta | ... |
Girl in red shirt
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| Alina Seddon | ... |
Drive-In Customer
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Jean Tucker | ... |
Diane - Homeowner
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| Gregory Vlachakis | ... |
Migrant Worker
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Elisa de La Roche | ... |
Smitty's Grandma
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Directed by
| Kevin McMullin | ||
Written by
| Kevin McMullin | ... | () |
Produced by
| Rian Cahill | ... | producer |
| Phil Hunt | ... | executive producer |
| Brian Kavanaugh-Jones | ... | producer |
| Brendan McHugh | ... | producer |
| Kevin McMullin | ... | executive producer |
| Richard Peete | ... | producer |
| Compton Ross | ... | executive producer |
| Kevin Rowe | ... | producer |
| Naomi Wells | ... | line producer |
Music by
| Brooke Blair | ||
| Will Blair | ||
Cinematography by
| Andrew Ellmaker | ||
Editing by
| Ed Yonaitis | ||
Editorial Department
| Nicholas Figueroa | ... | color assistant |
| Jaime O'Bradovich | ... | colorist |
Casting By
| Lois Drabkin | ||
| Susan Shopmaker | ||
Production Design by
| Chris Potter | ||
Art Direction by
| Kevin Kearns | ||
Costume Design by
| Jessica Ray Harrison | ||
Makeup Department
| Brianna Farfel | ... | makeup department head |
| Ralph Lambiase | ... | Special effects makeup artist: Toby Sells Creature Makeup FX Shop |
| Toby Sells | ... | special makeup effects designer: Toby Sells Creature Makeup FX Shop |
| Bri Trischitta | ... | assistant makeup artist |
Production Management
| Adam Peryer | ... | production manager |
| Perri Silver | ... | post production executive: A24 |
Second Unit Director or Assistant Director
| Amrita Kundu | ... | second assistant director |
| Susan Therancy | ... | second assistant director |
| Alexis Vail | ... | second second assistant director |
Art Department
| Austin Ashamole | ... | set dresser |
| Nathan Dickersin-Prokopp | ... | assistant property master |
| Rebecca Spiro | ... | property master |
Sound Department
| Colin Alexander | ... | re-recording mixer / sound designer / sound mixer |
| Chris Cirino | ... | adr mixer |
| Alistair Farrant | ... | additional sound |
| Rustam Gimadiyev | ... | foley mixer |
| Claude La Haye | ... | adr mixer |
| Karina Rezhevska | ... | foley mixer |
| Jeffrey Roy | ... | adr mixer |
| Nataliia Syeryakova | ... | foley artist |
| Lana T. Yang | ... | boom operator |
| Igor Yashin | ... | foley editor |
| Bogdan Zavarzin | ... | foley artist |
Stunts
| Riley Barnes | ... | stunt performer |
| Josiah Nolan | ... | stunts: covering coordinator |
| Noah Schultz | ... | stunt double: Daniel Zolghadri |
| Robbie P Smith | ... | stunt coordinator |
| Michael Viola | ... | stunt driver |
Camera and Electrical Department
| Andrew Crighton | ... | gaffer |
| Jon Graham | ... | drone pilot |
| Andrew Peister | ... | drone technician |
| Matt Stover | ... | camera operator: drone |
| Eric Townsend | ... | photographer |
Casting Department
| Weist-Barron Ryan | ... | local casting: Atlantic City |
| Stefanie Ryan-Manhim | ... | local casting: Atlantic City (as Stefanie Ryan-Showell) |
| Quinn Showell | ... | local casting: Atlantic City |
Location Management
| Arthur Douglas | ... | location manager |
Music Department
| Simon Astall | ... | music supervisor |
| Irma de Wind | ... | music coordinator |
| Stefan Karrer | ... | executive album producer |
| Vince Tampio | ... | musician: mellophone,trumpet / orchestrator |
Script and Continuity Department
| Brett Hamann | ... | script supervisor |
Additional Crew
| Lisa Callif | ... | production legal |
| Natalie Coleman | ... | For Head Gear Films |
| Stephanie Faucher | ... | production assistant |
| Marisa Kapust | ... | production legal |
| Dean Lenoir | ... | production assistant |
| Sheila Fraser Milne | ... | production monitoring services |
| Erez Rosenberg | ... | production legal |
| Maria Vlahos | ... | production accountant |
Thanks
| Zach Kaplan | ... | special thanks |
| Naomi Odenkirk | ... | special thanks |
Production Companies
- Automatik Entertainment
- Boy & Star (In association with)
- Head Gear Films (In association with)
- Metrol Technology (In association with)
- Neighborhood Watch
Distributors
- A24 (2019) (United States) (theatrical)
Special Effects
Other Companies
- APM Music (music)
- Aerobo (drone cinematography)
- Alba Blue Music Services (music)
- Earworm Music (music clearances)
- Earworm Music (music supervisor)
- Endcrawl.com (end titles created with)
- Milan Records (soundtrack)
- Paterson James (production monitoring services)
- Visual Data Media Services (quality assurance)
Storyline
| Plot Summary |
Alan, Red, and Smitty spend high summer on the Jersey Shore roving the boardwalk and getting into trouble. But the discovery of good old fashioned treasure sets the friends on an escalating course of suspicion and violence in this atmospheric thriller. |
| Plot Keywords | |
| Taglines | Treasure never stays buried for long. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
| Also Known As |
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Did You Know?
| Trivia | When the police officer is talking to Red, he tells him to be careful, "Slippery when wet ." A reference to New Jersey native Jon Bon Jovi See more » |
| Goofs | Although the movie is intended to be happening in the mid 80's there are multiple times where there are out of date cars and technology visible. When Mary meets Alan at the police station she is clearly leaning on a late model Range Rover. See more » |
| Soundtracks | She's Gone Hollywood See more » |