Directed by
| Charlie Paul | ||
Produced by
| Ewan Angus | ... | executive producer |
| Alice Cady | ... | co-producer |
| Alistair Currie | ... | executive producer |
| Lucy Paul | ... | executive producer / producer |
| Mark Thomas | ... | executive producer |
Cinematography by
| Charlie Paul | ||
Editing by
| Joby Gee | ||
Sound Department
| Tom Foster | ... | sound effects editor |
| George Foulgham | ... | re-recording mixer |
| Dan Johnson | ... | dialogue editor |
| Tom Verstappen | ... | foley recordist / mix tech |
Visual Effects by
| Daniel Mark Miller | ... | digital compositor |
| Mark Wellband | ... | visual effects producer |
Camera and Electrical Department
| Tom Aldcroft | ... | helicopter cinematographer |
| James Gillett | ... | Motion Control Operator |
Editorial Department
| Cristina Ballesteros | ... | assistant editor |
| Rafael Bettega | ... | data wrangler |
| Matt James | ... | digital intermediate manager |
| Steve Knight | ... | digital intermediate coordinator |
| Sean McMorris | ... | post-production manager: Molinare |
| Des Murray | ... | on-line editor |
| Matt Roberts | ... | digital intermediate: delivery |
| Asa Shoul | ... | colorist |
| Louise Stewart | ... | post-production manager |
Music Department
| Ed Bailie | ... | music supervisor |
Additional Crew
| Miles A. Fletcher | ... | helicopter camera pilot |
| Gabbie Suffell | ... | researcher |
| Matt Jarman | ... | audio description (uncredited) |
