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On a routine call to a missing person report, a young constable is thrust into a terrifying encounter with a re-animated corpse. Injured, he faces an agonizing wait to discover whether or not he will share the victim's fate.

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Cast

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Rest of cast listed alphabetically:
...
Claire
...
PHO Callaghan
...
Jamie (as Toby Cable)
Chris Lines ...
Sir Michael
...
Pat
Mark Simkins ...
Evan
...
Daffy
Bow Anthony ...
PH Officer 1
Benjamin Hunt ...
Ben
Danny Pond ...
PH Officer 2
Mark Revel ...
Henry
Leeanne Donovan ...
Laura
...
Mr. Barrow

Directed by

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Alasdair McWilliams

Written by

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Andrew Cant ... (co-writer)
 
Alasdair McWilliams ... (writer)

Produced by

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Andrew Cant ... producer

Music by

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Christos Andreou

Cinematography by

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Andrew Cant

Editing by

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Alasdair McWilliams

Casting By

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Andrew Cant

Makeup Department

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Christine Nicklin-Rivett ... key makeup artist

Sound Department

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Lee Viesnik ... sound recordist

Camera and Electrical Department

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Adam Fountain ... key grip
Josh Gungum ... lighting technician
Sam Taylor ... still photographer

Additional Crew

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Lucy Gallard ... production assistant
Paige Stevens ... production assistant

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

Jamie is an ambitious young police officer, working hard to move into CID. Asked to check out a missing person report on his way back to the station, he finds himself thrust into a terrifying encounter with the re-animated corpse of a ZNP victim. Injured in the struggle, he faces an agonizing wait for his blood test results to discover whether or not he has contracted the virus, and will share the fate of the previous victim. Unable to bring himself to confide in his wife, and plagued by horrific nightmares, he endures the night alone, waiting for the fateful call from his doctor. Written by Alasdair McWilliams

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Additional Details

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Runtime
  • 19 min
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Box Office

Budget GBP2,000 (estimated)

Did You Know?

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Trivia The production still image that was used as the poster image, features a light streak coming through the window. The production couldn't afford high-powered lights to generate this effect so they timed the day's shoot to allow for the perfect sunlight position to create this shot naturally. A 5-minute time window where the daylight shone between two buildings across the courtyard and in through the window was discovered on a location planning trip the week before and the production day was scheduled around that event. They were just lucky that a partially-cloudy day gave them clear skies for that one shot. The production team had enough time for two takes and then the moment passed. See more »

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