Werewolf (2018)
Wilkolak (original title)Reference View | Change View
- 1h 28min
- Drama, Horror
- 29 Mar 2019 (Poland)
- Movie
Children liberated from a Nazi concentration camp have to overcome hunger, thirst and vicious dogs in an abandoned mansion surrounded by the forest.
Director:
Writer:
Awards:
- 12 wins & 15 nominations.
- See more »
Photos and Videos
Cast
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Kamil Polnisiak | ... |
Wladek
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| Nicolas Przygoda | ... |
Hanys
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| Sonia Mietielica | ... |
Hanka
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| Danuta Stenka | ... |
Jadwiga
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| Werner Daehn | ... |
SS Soldier
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Jakub Syska | ... |
'Siwy'
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Helena Mazur | ... |
'Ruda'
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Krzysztof Durski | ... |
'Czarny'
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Maksymilian Balcerowski | ... |
'Chudy'
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Julia Slusarczyk | ... |
'Duza'
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Matylda Ignasiak | ... |
'Mala'
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Oleksandr Shcherbyna | ... |
Lonka
(as Oleh Shcherbyna)
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Eugeniusz Malinowski | ... |
Driver
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| Radoslaw Chrzescianski | ... |
Red Army Soldier
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Wojciech Namiotko | ... |
Krepak
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Barbara Pigon | ... |
Prisoner
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Directed by
| Adrian Panek | ||
Written by
| Adrian Panek | ... | () |
Produced by
| Jan Doense | ... | co-producer |
| Martin Hampel | ... | co-producer |
| Magdalena Kaminska | ... | producer |
| Thanassis Karathanos | ... | co-producer |
| Maciej Muzyczuk | ... | co-producer |
| Magdalena Nowacka | ... | supervising producer |
| Alois Rostek | ... | co-producer |
| Herman Slagter | ... | co-producer |
| Agata Szymanska | ... | producer |
Music by
| Antoni Lazarkiewicz | ||
Cinematography by
| Dominik Danilczyk | ||
Editing by
| Jaroslaw Kaminski | ||
Editorial Department
| Wouter Betting | ... | title design |
| Miga Bär | ... | digital intermediate supervisor |
| Erik Demeris | ... | conform editor |
| Maarten Heijblok | ... | conform editor |
| Martin Klein | ... | colorist |
| Urszula Lipinska | ... | post-production coordinator |
| Remco Mastwijk | ... | managing director |
| Jesper Olyve | ... | digital intermediate producer |
| Gideon Schaaps | ... | dcp mastering |
Casting By
| Zywia Kosinska | ... | (casting by) (as Zywia Kosinska-Wdowiak) |
Production Design by
| Anna Wunderlich | ||
Art Direction by
| Marcin Aziukiewicz | ||
Costume Design by
| Malgorzata Karpiuk | ||
Makeup Department
| Milena Jura | ... | makeup artist |
| Dariusz Krysiak | ... | key makeup artist |
| Monika Mirowska | ... | makeup artist |
Production Management
| Dominik Czepulkowski | ... | set manager |
| Julia Jendrysik | ... | location manager |
| Jolanta Klosinska | ... | administrator |
| Carlo Märzke | ... | assistant production manager (german episode) |
| Joanna Rybus | ... | development manager |
| Bogna Szewczyk | ... | second production manager |
| Malgorzata Wala | ... | production manager |
Second Unit Director or Assistant Director
| Radoslaw Chrzescianski | ... | first assistant director |
| Agnieszka Krawczynska | ... | second assistant director |
| Magdalena Niec | ... | second assistant director - children |
| Jagoda Pieronek | ... | assistant director |
| Aleksandra Wicek | ... | assistant director |
Art Department
| Jacek Czepulkowski | ... | swing gang |
| Radek Margasinski | ... | swing gang |
| Adam Nowakowski | ... | property master |
| Agata Przybyl | ... | set dresser |
| Krzysztof Stanek | ... | props |
| Adam Szkopinski | ... | construction coordinator |
Sound Department
| Mariusz Bielecki | ... | sound |
| Aline Bruijns | ... | foley editor |
| Lukasz Krzeminski | ... | boom operator |
| Grzegorz Kucharski | ... | sound |
| Christian Labib | ... | dialogue editor |
| Tom Nestelaar | ... | foley mixer |
| Ronnie van der Veer | ... | foley artist |
| Wart Wamsteker | ... | sound designer |
| Krzysztof Wisniewski | ... | boom operator |
Visual Effects by
| Praba Anandasundaram | ... | visual effects artist: Filmmore |
| Stefan Beekhuijzen | ... | visual effects supervisor |
| René Berendsen | ... | visual effects artist: Filmmore |
| Joep de Koning | ... | visual effects artist: Filmmore |
| Sander Jansen | ... | visual effects artist: Filmmore |
| Matthijs Slijkhuis | ... | visual effects artist: Filmmore |
| Danny Torrelli | ... | visual effects artist: Filmmore |
| Ruud Vreman | ... | visual effects artist: Filmmore |
| Alrik Wiggers | ... | visual effects artist: Filmmore |
Stunts
| Jaroslaw Golec | ... | stunt coordinator |
| Pawel Jusinski | ... | stunt performer |
| Tomasz Krzemieniecki | ... | stuntcoordinator: pre-viz |
| Kamil Pardo | ... | stunt performer |
Camera and Electrical Department
| Bartosz Babinski | ... | still photographer |
| Lukasz Bak | ... | still photographer |
| Dariusz Bardadyn | ... | focus puller |
| Grzegorz Bartoszek | ... | electrician |
| Maciej Chmielewski | ... | gaffer |
| Marcin Gaj | ... | electrician |
| Adrian Grotynski | ... | 2nd unit |
| Agnieszka Jensz-Stawowczyk | ... | steadicam assistant |
| Robert Majewski | ... | electrician |
| Adam Mendry | ... | steadicam operator |
| Michal Michalski | ... | data wrangler |
| Michal Plocica | ... | electrician |
| Marcin Przywara | ... | steadicam assistant |
| Michael Siudzinski | ... | assistant camera |
| Sebastian Stawowczyk | ... | steadicam |
| Wojciech Szymanski | ... | second assistant camera |
Casting Department
| Zywia Kosinska | ... | casting |
Costume and Wardrobe Department
| Magdalena Adamczyk | ... | costumer |
| Maria Folta | ... | costumer |
Location Management
| Michal Korynek | ... | location scout |
Script and Continuity Department
| Anna Wiecek | ... | continuity |
Additional Crew
| Gergo Benkoczy | ... | dog trainer |
| Krzysztof Czyzewski | ... | legal services |
| Patryk Hardziej | ... | poster designer |
| Zoltan Horkai | ... | head animal trainer |
| Peter Ivanyi | ... | animal department manager |
| Danylo Jaryj | ... | clapper |
| Agata Kordos | ... | animal trainer: rats |
| Aneta Lenska | ... | chaperone |
| Urszula Lipinska | ... | production assistant / unit publicist |
| Konstancja Sawicka | ... | production coordinator |
| Monika Zuczkowska-Kempinska | ... | insurance (as Monika Zuczkowska) |
Thanks
| Christin Meyer | ... | special thanks |
Production Companies
- Balapolis (produced by)
- Telewizja Polska (TVP) (co-production)
- Rosco Polska (co-production)
- Twenty Twenty Vision Filmproduktion GmbH (co-production)
- House of Netherhorror (co-production)
- Polski Instytut Sztuki Filmowej (co-financed by)
- Polsko-Niemiecki Fundusz Filmowy (co-financed by)
- Nederlands Filmfonds (co-financed by)
- Netherlands Film Production Incentive (co-financed by)
Distributors
- Media Move (2018) (World-wide)
- Cinemaran Spain (2019) (Spain) (theatrical)
- Contact Film (2019) (Netherlands) (theatrical)
- Velvet Spoon (2019) (Poland) (theatrical)
- Beijing Hualu New Media (2020) (China)
- Eureka Entertainment (2018) (United Kingdom)
- Indiecan Entertainment (2020) (Canada)
- Indiecan Entertainment (2020) (United States)
- Trade Media (2019) (France) (tv)
- With Lion Pictures (2019) (Korea)
Special Effects
Other Companies
- Arrow Media Services (Digital asset servicing: Localization services)
- Filmmore (post-production facilities)
Storyline
| Plot Summary |
Summer of 1945. A temporary orphanage is established in an abandoned palace surrounded by forests for the eight children liberated from the Gross-Rosen camp. Hanka, also a former inmate, becomes their guardian. After the atrocities of the camp, the protagonists slowly begin to regain what is left of their childhood but the horror returns quickly. Camp Alsatians roam the forests around. Released by the SS earlier on, they have gone feral and are starving. Looking for food they besiege the palace. The children are terrified and their camp survival instinct is triggered. Written by AnonymusB |
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| Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
| Trivia | Regarding Gross-Rosen, as mentioned in this film: KZ [Concentration camp] Gross-Rosen [now modern day Rogoznica, Lower Silesian Voivodeship, Poland] concentration camp was functional by the summer of 1940 until 14th February 1945, with an estimated 40,000 captives losing their lives there. KZ Gross-Rosen [German name: Konzentrationslager Groß-Rosen], too, had the slogan "Arbeit Macht Frei" ["Work sets you free" or "Work makes one free"] at its entrance. See more » |
| Movie Connections | Referenced in Review/commentary of Werewolf - Wilkolak (2018) (2020). See more » |