O comandante de Auschwitz, Rudolf Höss, e sua esposa Hedwig, se esforçam para construir a vida dos sonhos para sua família em uma casa com jardim ao lado do campo.O comandante de Auschwitz, Rudolf Höss, e sua esposa Hedwig, se esforçam para construir a vida dos sonhos para sua família em uma casa com jardim ao lado do campo.O comandante de Auschwitz, Rudolf Höss, e sua esposa Hedwig, se esforçam para construir a vida dos sonhos para sua família em uma casa com jardim ao lado do campo.
- Ganhou 2 Oscars
- 57 vitórias e 155 indicações no total
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Você sabia?
- CuriosidadesMrs. Höss describes to her friends getting a coat from "Canada" while mocking another woman who thought she meant the sovereign country; Kanada was in fact the name given in Auschwitz to the vast storehouse of goods confiscated from the prisoners.
- Erros de gravaçãoWhen the camera shows Rudolf Höß standing at his office window in Oranienburg, you can see that the window is not from the period, but modern (modern double-glazing and hinges).
- Citações
Rudolf Höss: I wasn't really paying attention... I was too busy thinking how I would gas everyone in the room.
- ConexõesFeatured in 2024 EE BAFTA Film Awards (2024)
- Trilhas sonorasChinesische Straßenserenade
Written by Ludwig Seide
Performed by students from the University of Michigan School of Music, Theatre & Dance
Conducted by Oriol Sans
Arranged by Members of the Auschwitz I Men's Orchestra
Licensed with kind permission of Richard Birnbach GmbH & Co. KG & University of Michigan School of Music, Theatre & Dance
Avaliação em destaque
Impactful but drawn out
The Zone of Interest takes a unique angle in approaching the Holocaust. Certainly an angle I haven't seen before in a film. This different approach gives the film a really sinister quality that frames the evils of the Holocaust in a new and terrifying way.
It achieves this approach through stark juxtaposition. It compares the relatively banal, matter-of-fact homemaking of the Hoss family against the utterly horrendous tragedy being perpetrated just over their garden wall. By doing this, it is not an overly graphic or in your face film. Instead, the violence and evil is primarily heard and not seen, as the horrifying sounds of the camp constantly bleed into the Hoss family home. It is in this way that the film makes its mark. To have such tragedy and horror ignored by this family and their guests. To normalise the mass murder over the garden wall. The glib and matter of fact way it is treated by them all. That is where the horror lies.
Whilst this is all a very effective way of framing the horrors of the Holocaust, I do think this film lacks any storytelling merit. There is no real plot to speak of, so once the point the film is making has been made it is easy to want it to be over so as not to sit with these evil characters and horrendous events for too long.
Then again it is a tricky point because I think this is definitely a story worth telling. Looking at the Holocaust from this angle to understand how normalised it became to certain people is vital to reflect on, but I'm not sure if a feature film was necessary to convey this.
So overall, I thoroughly appreciate what this film was doing and the angle it took. The direction is class in creating this juxtaposition and drilling this point home, but beyond it's core message there is nothing in this film to get stuck into. No real plot. No characters you want to understand or connect with. As a result it feels like it overextended itself as a film, but delivers it's message nonetheless.
It achieves this approach through stark juxtaposition. It compares the relatively banal, matter-of-fact homemaking of the Hoss family against the utterly horrendous tragedy being perpetrated just over their garden wall. By doing this, it is not an overly graphic or in your face film. Instead, the violence and evil is primarily heard and not seen, as the horrifying sounds of the camp constantly bleed into the Hoss family home. It is in this way that the film makes its mark. To have such tragedy and horror ignored by this family and their guests. To normalise the mass murder over the garden wall. The glib and matter of fact way it is treated by them all. That is where the horror lies.
Whilst this is all a very effective way of framing the horrors of the Holocaust, I do think this film lacks any storytelling merit. There is no real plot to speak of, so once the point the film is making has been made it is easy to want it to be over so as not to sit with these evil characters and horrendous events for too long.
Then again it is a tricky point because I think this is definitely a story worth telling. Looking at the Holocaust from this angle to understand how normalised it became to certain people is vital to reflect on, but I'm not sure if a feature film was necessary to convey this.
So overall, I thoroughly appreciate what this film was doing and the angle it took. The direction is class in creating this juxtaposition and drilling this point home, but beyond it's core message there is nothing in this film to get stuck into. No real plot. No characters you want to understand or connect with. As a result it feels like it overextended itself as a film, but delivers it's message nonetheless.
útil•670104
- ethanbresnett
- 29 de jan. de 2024
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- How long is The Zone of Interest?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- Também conhecido como
- The Zone of Interest
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 8.659.464
- Faturamento bruto mundial
- US$ 48.582.214
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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What was the official certification given to Zona de Interesse (2023) in India?
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