Mandy est un film situé dans la nature primitive de 1983 où Red Miller, un homme brisé et tourmenté, chasse une secte religieuse détraquée qui a abattu l'amour de sa vie.Mandy est un film situé dans la nature primitive de 1983 où Red Miller, un homme brisé et tourmenté, chasse une secte religieuse détraquée qui a abattu l'amour de sa vie.Mandy est un film situé dans la nature primitive de 1983 où Red Miller, un homme brisé et tourmenté, chasse une secte religieuse détraquée qui a abattu l'amour de sa vie.
- Récompenses
- 13 victoires et 43 nominations
Paul Painter
- Announcer
- (voix)
- …
Histoire
Le saviez-vous
- AnecdotesIn a 2018 UK Guardian interview, Nicolas Cage described his performance's inspiration: only just before shooting started, his 14 year marriage to Alice Kim Cage came to 'a sudden end', which was "A shocker for me... didn't see it coming, and those feelings had to go somewhere, so they went into my performance."
- GaffesWhen Nic Cage's character turns to his forge to construct his revenge weapon the metal he pours is aluminium yet when he puts it on the anvil it's miraculously turned to steel.
- Citations
Red Miller: You are a vicious snowflake.
- Crédits fousThe opening text "When I die, bury me deep, lay two speakers at my feet, put some headphones on my head and rock and roll me when I'm dead." appears to come from the final words of Douglas Roberts, a man convicted of kidnapping, robbery and murder in Texas and executed on April 20, 2005. This isn't directly credited or verified by the film.
- ConnexionsFeatured in Half in the Bag: Mandy and The Predator (2018)
- Bandes originalesAmulet of the Weeping Maze
Produced, Recorded, & Mixed by Randall Dunn
Composed by Dan Boeckner, Milky Burgess, Panos Cosmatos, Randall Dunn
Engineered by Ben Greenberg
Music by Milky Burgess
Lead Vocals by Linus Roache
Back-up Vocals by Faith Coloccia, Monika Khot
Flute by Hans Teuber
Lead Vocals Recorded at Figure Eight Studios
Lead Vocals Recorded by Phillip Weinrobe (as Phil Wienrobe)
Commentaire à la une
Revenge, blood, synthetic rock, and neon lights. Oh and of course Nic Cage.
If you watched the trailer then you have essentially seen the movie. It's a basic revenge premise that I thought would be wrapped up in complexities, given this is an art-house film. Not the case. The most important thing the director seems to care about is lighting, not telling a story.
Mandy takes it's time building up to the crux of the film. Once it gets there the last hour moves pretty quick. Nic Cage is a 'chaotic good' character out to extinguish the evil that wronged him. He does shine in a few scenes, and he makes you laugh in some others. The cult serves its purpose but there is nothing unique about them. The demon biker gang was very underwhelming. It was a big part of my interest in the film and they do nothing.
Overall there is not much nuance here. There is some blood splatter, light trickery, and a lot of fade to black transitions. It's a good time but the only memorable thing is the music.
Mandy takes it's time building up to the crux of the film. Once it gets there the last hour moves pretty quick. Nic Cage is a 'chaotic good' character out to extinguish the evil that wronged him. He does shine in a few scenes, and he makes you laugh in some others. The cult serves its purpose but there is nothing unique about them. The demon biker gang was very underwhelming. It was a big part of my interest in the film and they do nothing.
Overall there is not much nuance here. There is some blood splatter, light trickery, and a lot of fade to black transitions. It's a good time but the only memorable thing is the music.
utile•60
- Oh_Capital
- 27 janv. 2022
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Détails
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 233 694 $US
- Week-end de sortie aux États-Unis et au Canada
- 225 723 $US
- 16 sept. 2018
- Montant brut mondial
- 1 654 419 $US
- Durée2 heures 1 minute
- Couleur
- Rapport de forme
- 2.35 : 1
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