When her husband, Lee, is murdered, Sarah Manning comes to realize that she knows nothing about his past. Sarah begins to question who Lee actually was and what he did in his work for a ...
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When her husband, Lee, is murdered, Sarah Manning comes to realize that she knows nothing about his past. Sarah begins to question who Lee actually was and what he did in his work for a powerful global organization. And why did Lee, a salesman, need to carry a gun?
I kept going back to see if there would be a break in this blight of a thriller/drama. The plot is messy and generic, not to mention the fact that there are almost zero costume changes over what must be a matter of days. That's a huge clue that the production values are constrained by budget concerns and a condensed shooting schedule - or that the whole show has ambitions it was never going to deliver. The lead actor annoys. She feigns exasperation and indignation to such a high level that it makes the rest of her interactions with the cast grating at best. Oh - next time you include some Canadian context maybe you can throw in a Mountie and a beaver, such was the hacked out representation of the Montreal connection. This is tepid stuff. Don't bother unless you are snowed in or lost in Borneo with nothing else to watch.
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