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Mirai no Mirai (2018)

Trailer
0:42 | Trailer
A young boy encounters a magical garden which enables him to travel through time and meet his relatives from different eras, with guidance by his younger sister from the future.

Director:

Mamoru Hosoda

Writer:

Mamoru Hosoda
Reviews
Popularity
914 ( 825)

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Nominated for 1 Golden Globe. Another 9 nominations. See more awards »

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Photos

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Cast

Credited cast:
Haru Kuroki ... Mirai-chan (voice)
Moka Kamishiraishi Moka Kamishiraishi ... Kun-chan (voice)
Gen Hoshino ... Otôsan (voice)
Kôji Yakusho ... Jiiji (voice)
Kumiko Asô ... Okâsan (voice)
Mitsuo Yoshihara Mitsuo Yoshihara ... Nazo no otoko (voice)
Yoshiko Miyazaki ... Bâba (voice)
Rest of cast listed alphabetically:
John Cho ... Father (voice)
Crispin Freeman ... Mysterious Man (voice)
Masaharu Fukuyama ... Seinen (voice)
Victoria Grace ... Mirai (voice)
Rebecca Hall ... Mother (voice)
Tasuku Hatanaka Tasuku Hatanaka ... Male High School Student (voice)
Kaede Hondo Kaede Hondo ... Mirai-chan (baby) (voice)
Madigan Kacmar Madigan Kacmar ... Mother (Girl) (voice)
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Storyline

The movie follows a 4-year old boy who is struggling to cope with the arrival of a little sister in the family, until things turn magical. A mysterious garden in the backyard of the boy's home becomes a gateway allowing the child to travel back in time and encounter his mother as a little girl and his great-grandfather as a young man. These fantasy-filled adventures allow the child to change his perspective and help him become the big brother he was meant to be. Written by Variety

Plot Summary | Add Synopsis

Taglines:

"I met the future."


Motion Picture Rating (MPAA)

Rated PG for thematic elements including some scary images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan

Language:

Japanese | English | Russian

Release Date:

20 July 2018 (Japan) See more »

Also Known As:

Mirai no Mirai See more »

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Box Office

Opening Weekend USA:

$63,077, 2 December 2018, Limited Release

Gross USA:

$472,832, 6 December 2018
See more on IMDbPro »

Company Credits

Production Co:

Dentsu,Kadokawa,NTT Docomo See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Makoto Tanijiri designed the family house to have stairs (and different levels) as a key feature: "A child will be able to see the bottom room clearly from the garden, but an adult will only be able to see what's right in front of them. The child's view will change as he grows up." See more »

Connections

References The Spirit of the Beehive (1973) See more »

Soundtracks

Mirai no têma
(Mirai's Theme)
Written by Tatsurô Yamashita
Performed by Tatsurô Yamashita
Produced by Tatsurô Yamashita
© 2018 by Nippon Television Music Corporation & Smile Publishers Inc.
(P) 2018 Tenderberry & Harvest Inc. Under Exclusive License to Warner Music Japan Inc., A Warner Music Group Company.
See more »

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User Reviews

 
Wonderfully enjoyable, but stutters in its early stages
4 November 2018 | by themadmoviemanSee all my reviews

Director Mamoru Hosoda is up there as one of the brightest talents in modern anime, having brought us gems like Summer Wars, Wolf Children and The Girl Who Leapt Through Time. For me, Mirai unfortunately isn't his greatest work, largely due to poor pacing throughout the first two acts, as well as the seeming lack of depth and introspection compared with his other films, which proves extremely frustrating up until the excellent final act, which eventually helps Mirai come good.

Before we get into that, however, I will say that Mirai is a fairly enjoyable film right the way through. Far more family-friendly than Hosoda's previous works, it has the quirky charm of some of the lightest Ghibli movies, and with that effortlessly beautiful animation throughout, it's hard not to find yourself smiling from time to time.

With a young boy as the film's main character, I'm sure that younger viewers will have a wonderful time with Mirai, as a lot of its central themes focus on those that those even as young as four or five years old can relate to, as we see Kun, the young boy, find himself frustrated and jealous as his parents turn their attention to his newborn baby sister.

It's a pleasant story throughout, and unless you're averse to hearing children screaming (because there is quite a lot of that here), it keeps you engaged and entertained right the way through. However, in comparison to Hosoda's previous works, there's nowhere near as much depth of emotion in Mirai, and its central themes come off as a little simplistic, which can be disappointing if you're expecting something a little bit more captivating.

Certainly, we've all been through that feeling of jealousy much like young Kun, but for older viewers, it's a theme that's a little too far back and simplistic to really provide a deep emotional impact. Of course, it's an enjoyable story nonetheless, but over the course of the film's first two acts, I found myself rather underwhelmed that the plot wasn't going anywhere beyond that simple line of focus.

What's more is that those first two acts move at a painfully jittery pace, as we flip between the present, and Kun's various adventures to eras past and future as he visits his relatives through time. In all truth, Mirai doesn't do a good enough job at tying those two parts of the story together, and although there are clear emotional parallels between the past, present and future, the way that the film transitions between those two main parts of the story is rather jagged and abrupt, which proves hugely frustrating as you look for some sort of flow in the film.

Fortunately, while I can't say I was all too impressed by the first two acts, the film's final vignette proves a stunning conclusion, finally bringing about the depth of emotion and sense of wonderment that everything before was so disappointingly lacking in.

For one, seeing a young boy effectively travelling through time should inspire an incredible sense of wonderment and awe, yet the first two acts seem strangely normal in their presentation of this. However, in that final act, we see Kun transported to a world filled with bizarre and dazzling things, and as he becomes more and more aware of his situation, the gravity and emotion of what he's going through finally hits home for you too.

As I said earlier, the film's central theme is a little simplistic compared to what Hosoda has brought in the past, however, come the finale, he finally crafts a scenario that allows the raw emotion and drama of what the story is about, and with an equal improvement in the screenplay's depth, Mirai comes to a stunning and moving conclusion.

Overall, then, I found Mirai a little bit of a mixed bag. Starting off in rather underwhelming fashion with a jittery and underwhelming first two acts, it does eventually come good with an exceptional finale that finally brings about some strong emotion and drama. It is still a pleasant and enjoyable film throughout, and it's undoubtedly more family-friendly than any of Hosoda's other films, so while it's not perfect, it's definitely still worth the watch.


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