Penny Slinger is interesting talking about her photographs, her surrealism, her collage and even her own muse and the people she had met. She had certainly been a lovely girl through the sixties and seventies and through that time I had known of the people she met but for some reason I didn't know of her. I know of Peter Whitehead and his films like Wholly Communion (1966) and Tonite Let's All Make Love in London (1967). I certainly knew of Roland Penrose and his love of Max Ernst and apparently introduced Slinger to him. I also knew of Jane Alden and her famous film, The Other Side of the Underneath (1972) but I didn't realise that Slinger had a part in it. So this film is very interesting and at least now I know of the splendid Penny Slinger.
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