VALUTAZIONE IMDb
6,8/10
7768
LA TUA VALUTAZIONE
Una riflessione sulla vita umana in tutta la sua bellezza e crudeltà, sul suo splendore e banalità.Una riflessione sulla vita umana in tutta la sua bellezza e crudeltà, sul suo splendore e banalità.Una riflessione sulla vita umana in tutta la sua bellezza e crudeltà, sul suo splendore e banalità.
- Premi
- 4 vittorie e 13 candidature
Olivia Hatamian Sjölund
- Young Woman
- (as Olivia H. Sjölund)
Trama
Lo sapevi?
- QuizIn a scene's setup with Hitler's appearance Roy Andersson copied the painting titled "The End" depicting Hitler during his final days in his bunker in Berlin by Kukryniksy.
- BlooperFrom 45:26 and over the next 20 sec. the dead woman blinks her eyes at least four times.
Recensione in evidenza
Liked his other films more: not a fan of voice-over narrators and in general felt less structured throughout the story.
Yes. We know Anderson and his style by heart. Yes, we love him with all our heart!
But... I was a bit de-mystified by the fact that in this (potentially very meta-physical) story-composition there was MANY TIMES a voice over telling us what we just saw on our own. Chances are I truly missed the point of this, but after few minutes I felt truly annoyed by it... "yes I see myself a man with a problem that is xy" I thought many times. Was this the point?
Overall, apart from the seemingly unnecessary narrator, some of the scenes were "too light" for my taste, but I guess taste is just taste. Young people, dancing in sunlight; young people staring at each other. More profanity without the dark, underlying melancholy. Most of his other scenes in older movies feature also way more "mystical" (unexplained/riddled) situations, might they be more absurd, more surreal, more melancholic, more dramatic. Many scenes in this film felt quite "un-dramatic"... but again, maybe this was his point, finally giving us more light, more normal situations, more insight into happiness?
Apart from this point ( that I maybe didn't get): loved the absurdity, some of the actors, most of the sets (splendid as ALWAYS), the groteque, the paintinglike style, the "Andersonesque" techniques to tell a story.
Maybe one of you "unlocked" the solution to this film's mystery?
But... I was a bit de-mystified by the fact that in this (potentially very meta-physical) story-composition there was MANY TIMES a voice over telling us what we just saw on our own. Chances are I truly missed the point of this, but after few minutes I felt truly annoyed by it... "yes I see myself a man with a problem that is xy" I thought many times. Was this the point?
Overall, apart from the seemingly unnecessary narrator, some of the scenes were "too light" for my taste, but I guess taste is just taste. Young people, dancing in sunlight; young people staring at each other. More profanity without the dark, underlying melancholy. Most of his other scenes in older movies feature also way more "mystical" (unexplained/riddled) situations, might they be more absurd, more surreal, more melancholic, more dramatic. Many scenes in this film felt quite "un-dramatic"... but again, maybe this was his point, finally giving us more light, more normal situations, more insight into happiness?
Apart from this point ( that I maybe didn't get): loved the absurdity, some of the actors, most of the sets (splendid as ALWAYS), the groteque, the paintinglike style, the "Andersonesque" techniques to tell a story.
Maybe one of you "unlocked" the solution to this film's mystery?
D’aiuto•227
- thedarkhorizon
- 31 ago 2020
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- How long is About Endlessness?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- About Endlessness
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.558.000 € (previsto)
- Lordo Stati Uniti e Canada
- 51.386 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.809 USD
- 2 mag 2021
- Lordo in tutto il mondo
- 434.977 USD
- Tempo di esecuzione1 ora 18 minuti
- Colore
- Proporzioni
- 1.78 : 1
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