Directed by
| Matty Rich | ||
Writing Credits (in alphabetical order)
| Matty Rich | ||
Cast
Produced by
| Claude Alexander | ... | executive producer (as Bishop Claude Alexander) |
| Gwen Field | ... | producer |
| Lucia Gervino | ... | producer |
| Matty Rich | ... | executive producer |
Cinematography by
| Michael Goi | ... | director of photography |
Editing by
| Joe Homokay | ||
Casting By
| Kara Sullivan | ||
Makeup Department
| Miho Suzuki | ... | special makeup effects artist |
Production Management
| Tricia Meola | ... | location manager |
| Sade Sellers | ... | key set production assistant |
Sound Department
| Leonardo Nasca | ... | sound mixer |
| Mike Roberts | ... | boom operator |
Visual Effects by
| T.J. Burke | ... | visual effects supervisor |
| Francisco Ramos | ... | visual effects supervisor |
Camera and Electrical Department
| Joe Baltazar | ... | best boy grip |
| Ronnie Bourdeau II | ... | b cam second ac |
| Quaid Cde Baca | ... | steadicam and b camera operator: day player |
| David Charry | ... | swing |
| William Christensen | ... | b cam operator |
| Bryan DeLorenzo | ... | assistant camera |
| Ric Griffith | ... | a - camera / steadicam operator |
| John Hafner | ... | key grip |
| Harry Heng | ... | b cam first ac |
| Rasa Partin | ... | swing |
| Vong Pham | ... | still photographer |
| Vance Trussell | ... | gaffer |
| Toby White | ... | a cam second ac |
| Yvgeniy Zhuk | ... | swing |
Editorial Department
| Paul Allia | ... | digital colorist |
Script and Continuity Department
| Diya Allison Hettler | ... | script supervisor |
Additional Crew
| Lindsay Jackson | ... | production assistant |
| J.A. Johnson | ... | production assistant |
| Stella Pacific | ... | studio teacher |
| Elena Saluk | ... | production assistant |
| Jim Whitworth | ... | honeywagons |
