In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the DDR-regime.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Jong-su bumps into a girl who used to live in the same neighborhood, who asks him to look after her cat while she's on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
Daniel experiences a spiritual transformation in a detention center. Although his criminal record prevents him from applying to the seminary, he has no intention of giving up his dream and decides to minister a small-town parish.
Director:
Jan Komasa
Stars:
Bartosz Bielenia,
Aleksandra Konieczna,
Eliza Rycembel
A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times.
This is another case of style over content. The look of this film is stunning , deliberately reminiscent of the European films of the 50'sand 60's however there is no substance to the story. The script jumps years and places so many times that we never care enough about the main characters and their love story which is the main focus of the film (some would say only focus) as the major political changes that took place during this period are kept so far in the background that they seem insignificant and ultimately irrelevant.The jazz sequences in a Paris cafe only seem to be included to show some great smoky black and white photography rather than to move the plot forward. I appreciate that this is a very personal story for the director but in the transition to the screen he has lost the tragedy and emotion that he wanted to convey to audiences... and what could have been a great film is only 'quite good'.
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This is another case of style over content. The look of this film is stunning , deliberately reminiscent of the European films of the 50'sand 60's however there is no substance to the story. The script jumps years and places so many times that we never care enough about the main characters and their love story which is the main focus of the film (some would say only focus) as the major political changes that took place during this period are kept so far in the background that they seem insignificant and ultimately irrelevant.The jazz sequences in a Paris cafe only seem to be included to show some great smoky black and white photography rather than to move the plot forward. I appreciate that this is a very personal story for the director but in the transition to the screen he has lost the tragedy and emotion that he wanted to convey to audiences... and what could have been a great film is only 'quite good'.