NOTE IMDb
7,5/10
62 k
MA NOTE
Une histoire d'amour passionnée entre deux personnes d'horizons et de tempéraments différents, qui sont fatalement incompatibles, dans le contexte de la guerre froide des années 1950 en Polo... Tout lireUne histoire d'amour passionnée entre deux personnes d'horizons et de tempéraments différents, qui sont fatalement incompatibles, dans le contexte de la guerre froide des années 1950 en Pologne, à Berlin, en Yougoslavie et à Paris.Une histoire d'amour passionnée entre deux personnes d'horizons et de tempéraments différents, qui sont fatalement incompatibles, dans le contexte de la guerre froide des années 1950 en Pologne, à Berlin, en Yougoslavie et à Paris.
- Nommé pour 3 Oscars
- 50 victoires et 123 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe turbulent relationship between the main characters was inspired by the director Pawel Pawlikowski's real-life parents, who did break up and get together a couple of times, who moved from one country to another, and according to Pawlekowski, died together.
- GaffesWhen Wiktor crosses the border to West-Berlin in 1952, we can see on the horizon a high-rise with a rotating Mercedes-Benz star on the top. This is supposed to be the famous Europa-Center, but that was built in 1963 and only completed in 1965. It's probably poetic license to visually distinguish the capitalist West from the communist East.
- ConnexionsFeatured in Premios Goya 33 edición (2019)
- Bandes originalesPukolem wololem
Performed by Tomasz Kicinski & Michal Mocek
Commentaire à la une
Completely engrossing and stunningly beautiful. An arthouse masterpiece.
The first thing to state about this beautiful movie is that it's monochrome. So stunningly so that at times you feel you are in a photographic gallery rather than a cinema. The quality of the cinematography is quite extraordinary thanks to Lucas Zal.
It's also in 4:3 format. Not the square format of Instagram, but close.
We don't see 4:3 very often these days but Wes Anderson used it to immense effect in Grand Budapest Hotel and so did Lazslo Melis in Son of Saul.
It's an engaging format that draws you in. It suggests a time before cinemascope (16:9 etc) and only really works in period cinema of a time.
This time.
But it also lends itself to incredible framing, such as when our female protagonist floats down a river gradually disappearing out of shot, and later in the movie when the chief protagonists leave a bus and walk out of frame in a composition that Henri Cartier Breson would be proud of.
It's one of the most beautiful movies I've seen in many years.
In truth that's probably its biggest strength.
It is, but it isn't really, narrative driven. More episodic than story driven but it does tell a tale about director Pawel Pawlikowski's parents' love affair set against the Cold War backdrop in his native Poland.
It's fairly sordid in a way (his mother was abused by her father as a child) but without anything shocking to see.
Imagine, yes.
The two leads ( Joanna Kulig and Tomasz Kot) are magnificent. Brooding, beautiful (although unconventionally so) and real.
Lucas Zal has a great time dwelling on three particular things. Crowd shots. Amazing, Dance sequences. Amazing. Joanna Kulig (the lead). Amazing.
In particular, Joanna Kulig has a stand out performance. She's not one to show her enjoyment in life. Sullen most would say. But it is an immense performance.
It's a love story, set against the challenges that Cold War Poland put in front of people of artistic belief where communist doctrine made creativity very difficult.
What Pawel Pawlikowski achieves is a mood piece of exemplary, peerless really, detail.
And it's a musical.
I was constantly drawn to comparing it to La La Land, yet it is so NOT La La Land. Partly it's down to Kulig who shares the unorthodox looks (beauty) of Emma Stone. Partly it's the framing of Zal.
And the music fuses from Polish country folk to French basement jazz (which La La Land would have been so comfortable with).
This is an Oscar nomination shoe in. It's absolutely brilliant.
And, at 88 minutes, certainly does not outstay its welcome.
Bravo!
A Straight 10 from me.
It's also in 4:3 format. Not the square format of Instagram, but close.
We don't see 4:3 very often these days but Wes Anderson used it to immense effect in Grand Budapest Hotel and so did Lazslo Melis in Son of Saul.
It's an engaging format that draws you in. It suggests a time before cinemascope (16:9 etc) and only really works in period cinema of a time.
This time.
But it also lends itself to incredible framing, such as when our female protagonist floats down a river gradually disappearing out of shot, and later in the movie when the chief protagonists leave a bus and walk out of frame in a composition that Henri Cartier Breson would be proud of.
It's one of the most beautiful movies I've seen in many years.
In truth that's probably its biggest strength.
It is, but it isn't really, narrative driven. More episodic than story driven but it does tell a tale about director Pawel Pawlikowski's parents' love affair set against the Cold War backdrop in his native Poland.
It's fairly sordid in a way (his mother was abused by her father as a child) but without anything shocking to see.
Imagine, yes.
The two leads ( Joanna Kulig and Tomasz Kot) are magnificent. Brooding, beautiful (although unconventionally so) and real.
Lucas Zal has a great time dwelling on three particular things. Crowd shots. Amazing, Dance sequences. Amazing. Joanna Kulig (the lead). Amazing.
In particular, Joanna Kulig has a stand out performance. She's not one to show her enjoyment in life. Sullen most would say. But it is an immense performance.
It's a love story, set against the challenges that Cold War Poland put in front of people of artistic belief where communist doctrine made creativity very difficult.
What Pawel Pawlikowski achieves is a mood piece of exemplary, peerless really, detail.
And it's a musical.
I was constantly drawn to comparing it to La La Land, yet it is so NOT La La Land. Partly it's down to Kulig who shares the unorthodox looks (beauty) of Emma Stone. Partly it's the framing of Zal.
And the music fuses from Polish country folk to French basement jazz (which La La Land would have been so comfortable with).
This is an Oscar nomination shoe in. It's absolutely brilliant.
And, at 88 minutes, certainly does not outstay its welcome.
Bravo!
A Straight 10 from me.
utile•13864
- markgorman
- 4 sept. 2018
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- How long is Cold War?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Chiến Tranh Lạnh
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 300 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 4 580 048 $US
- Week-end de sortie aux États-Unis et au Canada
- 54 353 $US
- 23 déc. 2018
- Montant brut mondial
- 20 346 993 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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