IMDb-BEWERTUNG
5,5/10
4882
IHRE BEWERTUNG
Nachdem sie ihren Serienmörder-Freund in Brand gesetzt hat, bekommt eine paranoide, wahnhafte Frau einen Job an einer Nachttankstelle.Nachdem sie ihren Serienmörder-Freund in Brand gesetzt hat, bekommt eine paranoide, wahnhafte Frau einen Job an einer Nachttankstelle.Nachdem sie ihren Serienmörder-Freund in Brand gesetzt hat, bekommt eine paranoide, wahnhafte Frau einen Job an einer Nachttankstelle.
- Auszeichnungen
- 1 wins
Glendon Hobgood
- Ed
- (as Glen Hobgood)
Muirenn Brady
- Teenage Girl
- (as Muirenn Eann Sutherland)
Connor Catchpole
- Teenage Boy
- (as Connor Catchple)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe entire gas station was a set specifically built for this film.
- PatzerThe police dispatcher should have sent another officer to check on the one who was shot after he failed to answer his radio.
- Alternative VersionenThere is an alternate ending that shows the main girl leaving the gas station in shambles, passing all the victims and walking away as the movie ends there.
- VerbindungenFeatured in Projector: Open 24 Hours (2020)
- SoundtracksRaindrops
Written and Performed by Dee Clark
Ausgewählte Rezension
Well Made Indie Horror Starting Out Stronger Than It Ends
"Open 24 Hours" is a gory one-location, slasher-like, mystery-in-delusion indie horror, working decreasingly well on those levels in that order. Overall, it proved to be an all-around okay fourth horror feature from Padraig Reynolds, an indie director who seems to love the genre and his role in it.
Mary (Vanessa Grasse) has been through a lot, having escaped from the life together with a serial killer, and is now trying to start anew, still fighting trauma, paranoia and delusions. She lands a well necessary job in a remote gas station as a nightshift clerk, a place where all that can go wrong, will go wrong. The story, written to twist and turn, in the end turns out rather conventional as most of theories that came to mind took a turn to nowhere. The line between Mary's delusion and reality is continuously tried to be blurred, and everything ends in as much conclusion as in ambiguity, but in either case feeling a little underwhelming. In other words, "Open 24 Hours" 'fizzles out' towards the end as the second half gradually favors simpler tropes and actionable filler.
On the other hand, all is well in the horrors taking place in the gas station, for the entire cast provides rather nifty little performances, with the highlight inarguably belonging to Vanessa Grasse. Another satisfying and consistently good aspect of "Open 24 Hours" is its aesthetic coating, built from creative, handsome cinematography and a solid effort by the FX and make-up team. Though perhaps not in excessive amounts, gore hounds will find their desert served extra bloody. On the matters of sound, in my opinion the original score didn't really have an extraordinary touches, as it reminded lot of the musical palette used in a multitude of genre flicks. If musical scores can be described as cliché, this one kind of is.
While the set bar of technical qualities of "Open 24 Hours" never seem to diminish, the substance, or story, on a certain level, does. All in all Padraig Reynold's newest hooray in horror is an entertaining (enough) and effortful indie piece, flaws and some lesser turns included. My rating: 5/10.
Mary (Vanessa Grasse) has been through a lot, having escaped from the life together with a serial killer, and is now trying to start anew, still fighting trauma, paranoia and delusions. She lands a well necessary job in a remote gas station as a nightshift clerk, a place where all that can go wrong, will go wrong. The story, written to twist and turn, in the end turns out rather conventional as most of theories that came to mind took a turn to nowhere. The line between Mary's delusion and reality is continuously tried to be blurred, and everything ends in as much conclusion as in ambiguity, but in either case feeling a little underwhelming. In other words, "Open 24 Hours" 'fizzles out' towards the end as the second half gradually favors simpler tropes and actionable filler.
On the other hand, all is well in the horrors taking place in the gas station, for the entire cast provides rather nifty little performances, with the highlight inarguably belonging to Vanessa Grasse. Another satisfying and consistently good aspect of "Open 24 Hours" is its aesthetic coating, built from creative, handsome cinematography and a solid effort by the FX and make-up team. Though perhaps not in excessive amounts, gore hounds will find their desert served extra bloody. On the matters of sound, in my opinion the original score didn't really have an extraordinary touches, as it reminded lot of the musical palette used in a multitude of genre flicks. If musical scores can be described as cliché, this one kind of is.
While the set bar of technical qualities of "Open 24 Hours" never seem to diminish, the substance, or story, on a certain level, does. All in all Padraig Reynold's newest hooray in horror is an entertaining (enough) and effortful indie piece, flaws and some lesser turns included. My rating: 5/10.
hilfreich•187
- TwistedContent
- 21. Juli 2020
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Отворено 24 сата
- Drehorte
- Belgrad, Serbien(Serbia Film Commission)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 400.000 $ (geschätzt)
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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