Doctor Knock is a former thug who has become a doctor and arrives in the small village of Saint-Maurice to make his fortune according to a particular method. It will make the villagers ...
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The rise and fall of the famous clown Chocolat, the first black circus performer who revolutionised the stagnant circus acts and conquered Paris of the Belle Époque with his exuberance and originality.
From his village in northern Senegal, Yao is a 13-year-old boy ready to do anything to meet his hero: Seydou Tall, a famous French actor. Invited to Dakar to promote his new book, the ... See full summary »
Lionel Louis Basse,
Senegalese Samba has worked 10 years in France. He's arrested and befriends the woman helping him with legal matters as volunteer after a burnout at work. He's released after being told to leave France. Chemistry?
Saint-Maurice, an ordinary peaceful village, lived healthily so much so that the local doctor's practice was scant. But that was before Dr. Parpalaid retired and was replaced by a charlatan... See full summary »
Doctor Knock is a former thug who has become a doctor and arrives in the small village of Saint-Maurice to make his fortune according to a particular method. It will make the villagers believe that they are not as healthy as they might think. It is thus that he will find in each one an imaginary symptom, or not, and thus will be able to exercise his profession lucratively. Under his seductive looks and after gaining the confidence of the village, Knock is on the verge of achieving his ends. But his past catches up with him and an old acquaintance disrupts the doctor's plans.
While I understand movies adapted from books can take some liberties, there is something fundamentaly wrong in this film : the message is nothing but the opposite.
Where Jules Romans finely depicted the excesses of medicine and modern sales technics, the scriptwriter of this mill turns the affair into a glorification of medicine. Where Jules Romain presents an unscrupulous crook, our scriptwriter presents a humanist almost honest, philanthropic.
Incidentally, the scriptwriter slips into history with heavy insistence a continual mockery of the priest of the village totally absent from Jules Romain's novel.
Finally, it remains a modern comedy, without finesse, very unappetizing, adapted to the decrepit masses who, in any case, will never have the idea to read the original. And whose only quality is the relatively correct game of Omar Sy. Three stars for the acting game ; otherwise would be one star.
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