Cast overview, first billed only: | |||
Logan Marshall-Green | ... | Grey Trace | |
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Melanie Vallejo | ... | Asha Trace |
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Steve Danielsen | ... | Jeff Handley |
Abby Craden | ... | Kara (voice) | |
Harrison Gilbertson | ... | Eron Keen | |
Benedict Hardie | ... | Fisk | |
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Richard Cawthorne | ... | Serk |
Christopher Kirby | ... | Tolan | |
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Richard Anastasios | ... | Wen |
Kenny Low | ... | Police Driver | |
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Linda Cropper | ... | Pamela |
Betty Gabriel | ... | Detective Cortez | |
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Emily Havea | ... | Nurse Henderson |
Ming-Zhu Hii | ... | Dr Diana Gordon | |
Simon Maiden | ... | Stem (voice) |
Grey's a stay-at-home mechanic, whose wife is Asha. One day, Grey asks Asha to help him return a car to his client. Whilst Grey and Asha's self-driving car malfunctions, it crashes. Grey watches helplessly as Asha bleeds to death next to him. Grey returns home - a widowed quadriplegic, under the care of his mother. His wife''s death and the inability of police to identify their attackers cause him to sink into a depression. After a suicide attempt, he's offered to have high tech chip implanted - enabling him to walk. Though initially hesitant, he's persuaded to have the surgery..
I went into this with fairly low expectations. The trailer looked good, and the cinematography looked exciting. But the premise seemed tired and worn.
*in a deep, movie-voice over voice* some guys kill his wife, and now he's seeking revenge".
But this film surpassed my expectations, and was a well-worth experience. Not only was I correct about the cinematography being exciting and engaging, but the plot actually strung together compelling way. This film came out of nowhere for me, and now, it's a memorable film that accomplishes the most important goal of any great film: gets the audience to keep wondering about it.
Since I don't want to go into spoilers, I'll say one last thing: pay attention to the Foley artist's work. The sound design is poignant and additive to the experience. It reminds me of the clever usage of music from Baby Driver. Nothing is wasted and is always enriching of the world building. With Baby Driver, the music was giving us Baby's personal experience. Here, the sound effects give us Grey's point of view. Didn't experiences, but both are elevated through sound, masterfully.
I genuinely want to see it again. If the trailer interested you at all, go see it. It's worth your while.