In the midst of Stalinist tyranny, six-year-old Leelo's mother is sent to a prison camp. Haunted by her mother's last words telling her to be a good kid, Leelo vows to be on her best ... See full summary »
Director:
Moonika Siimets
Stars:
Tambet Tuisk,
Helena Maria Reisner,
Yuliya Aug
A customs officer who can smell fear develops an unusual attraction to a strange traveler while aiding a police investigation which will call into question her entire existence.
Director:
Ali Abbasi
Stars:
Eva Melander,
Eero Milonoff,
Jörgen Thorsson
Christian begins to work as a shelf stacker at a supermarket and finds himself in a new, unknown world: the long aisles, the bustle at the checkouts, the forklifts.
Halla, a woman in her forties, declares war on the local aluminum industry to prevent it from disfiguring her country. She risks all she has to protect the highlands of Iceland-but the ... See full summary »
Director:
Benedikt Erlingsson
Stars:
Halldóra Geirharðsdóttir,
Jóhann Sigurðarson,
Juan Camillo Roman Estrada
This film is very comparable with COLETTE. Both are biopics of major women authors who came along just before the great 20th Century advances in the status of women. In both, the repression and intolerance that still prevailed not so long ago are stunning. Both make up for their inability to incorporate very much of the literary contributions of their subjects with excellent production value and period look.
Where COLETTE succeeds readily as a star vehicle, this film surprises by transporting the viewer so thoroughly into 1920s provincial Sweden. The lead actress, Alba August, is in nearly every shot and never disappoints. She reminds me of Lena Stolze or Julia Jentsch. If I had it to do over, I would read up a bit on each subject before seeing the respective movie.
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This film is very comparable with COLETTE. Both are biopics of major women authors who came along just before the great 20th Century advances in the status of women. In both, the repression and intolerance that still prevailed not so long ago are stunning. Both make up for their inability to incorporate very much of the literary contributions of their subjects with excellent production value and period look. Where COLETTE succeeds readily as a star vehicle, this film surprises by transporting the viewer so thoroughly into 1920s provincial Sweden. The lead actress, Alba August, is in nearly every shot and never disappoints. She reminds me of Lena Stolze or Julia Jentsch. If I had it to do over, I would read up a bit on each subject before seeing the respective movie.