Plot

When the harmony in a village is threatened by outside elements, two sisters must fight to save their people and restore the glory of a mermaid goddess to the land.

In Iyi village, villagers worship the mermaid deity Mami Wata and turn to their healer Mama Efe, the intermediary between them and Mami Wata, as well as Mama Efe's daughter Zinwe and her protegee Prisca. When their children begin to die and disappear, local resident Jabi casts doubt on the population, while Zinwe flees, driven by her own anguish. Soon, the arrival of rebellious warlord Jasper tips the scales in Jabi's favor. With the village under new control, Prisca and Zinwe must plot to save their people and restore Mami Wata's glory to Iyi.—Fiery Film

In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe's devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi. C. J. "Fiery" Obasi's (JUJU STORIES) potent modern fable deploys vivid black-and-white cinematography, rich sound design and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. MAMI WATA transports viewers to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.—Sundance Film Festival