A mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.A mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.A mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.
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If you watch a disaster movie made by Roland Emmerich you get what you expect: big explosions, fine work by the special departments and a rather simple story with forgettable characters. Moonfall is no exception - get your coke and pop-corn, lay back and enjoy the show. But in the case you don't like that kind of big screen disaster movies, don't bother.
Emmerich - who you gonna hire when it comes to a movie of this kind and calibre? I mean one is almost tempted to say that he is doing one thing in different forms/movies. There are elements from so many other movies here. Be it in the characters or the themes of the movie. The important question though is: can you suspend your disbelief? And I don't mean just a little! I am talking about all the way here.
And if you've done that, all the cliches come out and they will make you cringe. The characters feel like they have a story put upon them. You'll either find certain things gullible or plain offensive to your taste buds. The special effects are top notch, the dialog not so much. Many moments that feel ... lame quite frankly. The whole patriotism thing is to be expected - but that doesn't make it any better either. Michael Pena feels underused - I don't hate him - which may be just enough I reckon (pun intended).
Patrick Wilson and Halle Berry are the ones that save the day (no pun intended). John Bradley may be the wild card - but he also is hit and miss. His character that is, he is trying his best I'd say. Just never critisize the conspiracy guy from Godzilla versus Kong ever again, if you actually love this character right here.
Nothing more to say here other than it is quite rich, that Emmerich critisizes Star Wars and the MCU when he is unable to make a coherent Blockbuster of his own, that at times make Fast and Furious look like it's legit and realistic ... I know, right? But as you can see in my rating, I didn't mind too much ... or rather I'm being "kind" again - something I have been accused of a lot anyway.
And if you've done that, all the cliches come out and they will make you cringe. The characters feel like they have a story put upon them. You'll either find certain things gullible or plain offensive to your taste buds. The special effects are top notch, the dialog not so much. Many moments that feel ... lame quite frankly. The whole patriotism thing is to be expected - but that doesn't make it any better either. Michael Pena feels underused - I don't hate him - which may be just enough I reckon (pun intended).
Patrick Wilson and Halle Berry are the ones that save the day (no pun intended). John Bradley may be the wild card - but he also is hit and miss. His character that is, he is trying his best I'd say. Just never critisize the conspiracy guy from Godzilla versus Kong ever again, if you actually love this character right here.
Nothing more to say here other than it is quite rich, that Emmerich critisizes Star Wars and the MCU when he is unable to make a coherent Blockbuster of his own, that at times make Fast and Furious look like it's legit and realistic ... I know, right? But as you can see in my rating, I didn't mind too much ... or rather I'm being "kind" again - something I have been accused of a lot anyway.
6/10 - with the visuals of a true space blockbuster, this B movie features nonsensical dialogue, many many characters that serve absolutely no purpose, and an absolutely insane third act...but nonetheless, it's fun.
This movie will bust the counter at Cinemasins by violating all laws of physics and common sense while adopting every single cliché possible.
If you want science, watch a scientific program with real scientists.
This is a popcorn movie where nothing makes sense and you just enjoy the ride.
If you want science, watch a scientific program with real scientists.
This is a popcorn movie where nothing makes sense and you just enjoy the ride.
It's been quite some time since I've seen a cast full of talented, well-regarded actors all give performances that are this terrible. To be fair, given this dialogue, I don't think any actor could have pulled off a good performance.
This screenplay was written by guys who have never talked to another human being before. Every line of dialogue is contrived and laughably on the nose, with exposition delivered in a way that sometimes makes Marvel's Eternals feel like a masterclass of writing.
The story has enough logical holes to fit the moon through. Convenience piles on top of convenience to make catastrophe possible, and then to help the characters survive the catastrophe. It's a script that can't withstand even the slightest amount of logical thought.
Moonfall makes just as little sense as 2012, and the characters are just as dull. But, in a way, this film is the more disappointing one because of how much better it could have been.
The character introductions and the setup for the emotional conflicts that these characters are experiencing with each other are actually compelling and somewhat competent. But the writers do NOTHING with these conflicts once they're established. Nobody learns anything; nobody actually overcomes anything or changes at all.
Not that a movie like this really needs masterful character development, but it at least needs something, ANYTHING to make us care and want these characters to succeed. But there's nothing.
Not even the visual effects are particularly good; they're certainly not bad, but no improvements have been made since the 2009 release of 2012, which looked groundbreaking at the time.
Still, I didn't hate watching this. I found myself mesmerised at how the filmmakers were literally dropping the ball every step of the way. If that sort of thing gives you enjoyment, then see this on the biggest screen that you can!
This screenplay was written by guys who have never talked to another human being before. Every line of dialogue is contrived and laughably on the nose, with exposition delivered in a way that sometimes makes Marvel's Eternals feel like a masterclass of writing.
The story has enough logical holes to fit the moon through. Convenience piles on top of convenience to make catastrophe possible, and then to help the characters survive the catastrophe. It's a script that can't withstand even the slightest amount of logical thought.
Moonfall makes just as little sense as 2012, and the characters are just as dull. But, in a way, this film is the more disappointing one because of how much better it could have been.
The character introductions and the setup for the emotional conflicts that these characters are experiencing with each other are actually compelling and somewhat competent. But the writers do NOTHING with these conflicts once they're established. Nobody learns anything; nobody actually overcomes anything or changes at all.
Not that a movie like this really needs masterful character development, but it at least needs something, ANYTHING to make us care and want these characters to succeed. But there's nothing.
Not even the visual effects are particularly good; they're certainly not bad, but no improvements have been made since the 2009 release of 2012, which looked groundbreaking at the time.
Still, I didn't hate watching this. I found myself mesmerised at how the filmmakers were literally dropping the ball every step of the way. If that sort of thing gives you enjoyment, then see this on the biggest screen that you can!
Storyline
Did you know
- TriviaA real astronaut was on set during production as an advisor. Whenever he approached Roland Emmerich and said "That's not really possible," they told him to roll with it because "it's just a movie."
- GoofsThe effect of the Moon is inconsistent throughout the film. People and cars are getting lifted by the gravitational pull while at the same time, debris of mountains hit by incoming Moon rocks fall down at full speed.
- Quotes
Sonny Child: I don't wanna move. I hate New Jersey.
- Crazy creditsThe Lionsgate, Huayi Brothers and Centropolis Entertainment logos are interspersed with footage of the Apollo 11 mission, and are all together in black and white with TV static.
- SoundtracksAfrica
Performed by TOTO
Written by David Paich and Jeff Porcaro (as Jeffrey Porcaro)
Published by Hudman Publishing Co. Inc. and Rising Storm Music (ASCAP)
Administered by Spirit Four Music (GMR)
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Trăng Rơi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $19,060,660
- Opening weekend US & Canada
- $9,868,997
- Feb 6, 2022
- Gross worldwide
- $67,319,703
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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