A ROSE IN WINTER recounts the extraordinary life of Edith Stein. Born Jewish, she demonstrated uncompromising courage as an outspoken advocate for equity in the Women' Rights Movement at the onset of National Socialism in Germany, and...
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Director:
Writer:
Awards:
- 3 wins & 3 nominations.
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Photos and Videos
Cast
Zana Marjanovic | ... |
Edith Stein
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Christian Cooke | ... |
Michael Praeger
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Ken Duken | ... |
Hans Lipps
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Anja Kruse | ... |
Erna Stein
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Karl Markovics | ... |
Eugene Breitling
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Alice Krige | ... |
Anna Reinach
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Ági Szirtes | ... |
Auguste Stein
(as Agnes Szirtes)
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Hannelore Elsner | ... |
Francis Claire
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Olivia Silhavy | ... |
Prof. Herbstrith
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Péter Telihaly | ... |
Siegfried Stein
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Patrik Nagy | ... |
Patricio
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Rest of cast listed alphabetically: | |||
Wayne Brett | ... |
First Scholar
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Zoltán Hargitai | ... |
Arno Stein
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Máté Haumann | ... |
Adi Reinach
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Ákos Inotay | ... |
Birnleitner
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Mia Jexen | ... |
Rosa Stein
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Scott Kigyossy | ... |
Young Michael
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Antal Leisen | ... |
Walzer
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Peter Linka | ... |
Priest
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Franco Nero | ... |
Rainer Praeger
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Sergej Onopko | ... |
Alex Warren
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Izabella Rea | ... |
Erna Stein (young girl)
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Peter Schueller | ... |
Paul Lipps
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Laura Szabo | ... |
Edith Stein
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Sylvia Szabo | ... |
Erna Stein
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Franciska Töröcsik | ... |
Michael's Mother
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Kristóf Ódor | ... |
First medic
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Balázs Veres | ... |
Women's Rights Sympathizer (uncredited)
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Directed by
Joshua Sinclair |
Written by
Joshua Sinclair | ... | () |
Produced by
Silke Börner | ... | co-producer |
Judith Csernai | ... | line producer |
György Czutor | ... | producer |
Ruggero de Virgiliis | ... | executive producer |
Krisztina Endrényi | ... | executive producer |
Attila Faragó | ... | producer |
Astrid Seifert | ... | executive producer |
Joshua Sinclair | ... | executive producer / producer |
Music by
Franco Piersanti |
Cinematography by
Vittorio Storaro |
Editing by
Roberto Perpignani |
Editorial Department
Barbara De Mori | ... | assistant editor |
Francesco Fabbri | ... | assistant editor |
Irma Misantoni | ... | post-production coordinator / post-production supervisor |
Nazzareno Neri | ... | digital intermediate colorist |
Vladimir Vasiljevic | ... | workflow supervisor |
Casting By
Mária Boross | ||
Marvin Paige | ... | supervising casting director |
Production Design by
Judit Varga |
Art Direction by
Sonja Nenadic |
Set Decoration by
Eszter Keserû |
Costume Design by
Norbert Barna | ... | assistant costume designer |
János Breckl | ||
Barbara Demuth |
Makeup Department
Magdolna Czégér | ... | hair stylist |
László Horváth | ... | key hair stylist |
Ildikó Makk | ... | hair stylist: daily |
Magdolna Márta | ... | head of makeup and hair |
Gabriella Németh | ... | hair stylist: Daily |
Diána Szilágyi | ... | makeup artist |
Alexandra Uri-Kovács | ... | makeup artist: additional |
Production Management
Szandra Barbara Pozsár | ... | production manager: prep |
Second Unit Director or Assistant Director
Júlia Bársony | ... | third assistant director |
Mihály Hajagos | ... | assistant director |
Emese Matuz | ... | first assistant director |
Viktor Mitev | ... | third assistant director |
Erzsébet Szloboda | ... | Set production assistent |
Hajnalka Vajay | ... | key second assistant director |
Art Department
Júlia Cristesscu Bodó | ... | assistant art director |
Sándor Daróczi | ... | standby art director |
Réka Hársfalvi | ... | assistant set decorator |
Márton Nagy | ... | set decoration buyer |
Márton Nedjalkov | ... | set dresser |
Nedda Nemeth | ... | buyer (as Neddanemeth) |
Tamás Orosz | ... | set dresser |
Patrik Zölei | ... | props |
Sound Department
Francesco Albertelli | ... | sound effects editor |
Paolo Amici | ... | sound effects editor |
Federico Amodio | ... | sound effects editor |
Péter Balogh | ... | location sound assistant |
Ferenc Bukovszky | ... | sound mixer |
Dario Calvari | ... | sound editor |
Italo Cameracanna | ... | foley artist |
Marco Coppolecchia | ... | re-recording mixer |
Mauro Eusepi | ... | foley artist |
András Horváth | ... | boom operator |
Gergely Nagy | ... | boom operator |
Béla Novák | ... | sound mixer |
David Quadroli | ... | sound effects editor |
Fabrizio Quadroli | ... | sound effects editor |
Ervin Stark | ... | boom operator |
Máté Varga | ... | boom operator |
Csaba Zubonyai | ... | boom operator |
Special Effects by
Csaba Bagossy | ... | special effects technician |
Béla Buzgó | ... | special effects technician |
Attila Góczán | ... | special effects technician |
Gábor Kiszelly | ... | special effects supervisor (as Gabor Kiszelly) |
Attila Vásári | ... | special effects technician |
Daniele Quadroli | ... | sfx (uncredited) |
Visual Effects by
Fabio Luongo | ... | lead compositor |
Stefano Marinoni | ... | visual effects |
Fabrizio Storaro | ... | visual effects supervisor |
Stunts
József Kovalik Jr. | ... | stunt performer |
József Kovalik Sr. | ... | stunt performer (as József Kovalik) |
Bori Osi | ... | stunt double: Zana Marjanovic |
Ákos Szalai | ... | stunts |
András Vékes | ... | stunts (as Vékes András) |
Camera and Electrical Department
Attila Barczay | ... | video assistant operator |
Zsolt Berecz | ... | video assist operator |
Ádám Buruncz | ... | Best boy |
Bence Czeh | ... | techno crane operator / technocrane technician |
Simone D'Arcangelo | ... | digital imaging technician |
Márton F. Tóth | ... | electrician |
Danilo Grazzani | ... | First assistant camera: "a" camera |
Bertalan Heller | ... | Dimmer Board Operator (as Heller Bertalan) / electrician (as Heller Bertalan) |
János Horváth | ... | key grip |
Stefano Lombardo | ... | a camera operator |
Max Pawlikowski | ... | lighting technician / second assistant camera |
Zoltán Schrammel | ... | technocrane operator |
Tamás Simon | ... | second assistant camera (as Tamas Simon) |
Balázs Simonics | ... | flight head technician (as Simonics Balázs) |
Beatrix Szilveszter | ... | assistant camera |
Gabor Szucs | ... | flight head technician |
Krzysztof Zawieja | ... | focus puller: b camera |
Casting Department
Tamás Kertész | ... | extras casting |
Balázs Pethõ | ... | casting assistant |
Mónika Ács | ... | extras casting |
Costume and Wardrobe Department
Villö Steiner | ... | costumer |
Location Management
Tamás Ferenci | ... | location manager: pre-production |
István Király | ... | location manager |
Attila Nikléczy | ... | location manager: pre-production |
Andras Viz | ... | location manager: pre-production |
Music Department
Giuseppe Corradino | ... | studio assistant engineer |
Goffredo Gibellini | ... | score and mix engineer |
Transportation Department
Miklós Horvát | ... | picture car coordinator (as Horvát Miklós) |
Additional Crew
Csilla Bedi | ... | miscellanious crew |
Penny Dyer | ... | dialect coach |
András Hornek | ... | set production assistant: daily |
György Márkus | ... | unit technician |
Flora Ocsag | ... | assistant production coordinator |
Bori Osi | ... | stand-in: Zana Marjanovic |
Bettina Poór | ... | set production assistant |
Dóra Rapi | ... | production coordinator: prep (as Dora Rapi) |
András Reszeli-Soós | ... | set production assistant (as Reszeli-Soós András) |
Anikó Rimóczi | ... | set production assistant |
Dániel Rozgonyi | ... | dialect coach (as Daniel Rozgonyi) |
Production Companies
- A Rose in Winter (Joshua Sinclair, Via Catania 64, 00161, Rome)
Distributors
Special Effects
Other Companies
- Coevolutions (tax incentive consulting services)
- Digital Records Roma (recording studio/mix facility)
- Freeway CAM B.V. (collection account management)
- Wildcat (digital dailies)
- Wildcat (on-set DIT services)
Storyline
Plot Summary |
A ROSE IN WINTER recounts the extraordinary life of Edith Stein. Born Jewish, she demonstrated uncompromising courage as an outspoken advocate for equity in the Women' Rights Movement at the onset of National Socialism in Germany, and though her actions, as a Carmelite Nun, challenging the very foundation of the Holy See to stand up against the Holocaust: a path which would lead to her martyrdom in Auschwitz. |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
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Did You Know?
Trivia | The film was ready to be shot with Zana Marjanovic as the protagonist when she realized she was pregnant with her first son, Alec. Though Zana herself and others insisted that the film be shot with another actor in the role of Edith, Joshua Sinclair, the film's Producer and Director decided to wait until the birth of her child. What's the use of making a movie about empathy and compassion, one in which the birth of a child signals the saving of a life, of a future, if the filmmakers are not willing to respect the family of the lady who was born to play this role. See more » |