The Paris Opera is the film set of the relationship between the movie director and his actress. In a mysterious ballet of the imagination beyond fear and nude desire about who inspires whom, the looking glass of the camera reflects the...
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Director:
Writers:
Stars:
Review:
Photos and Videos
Cast
| Yvan Attal | ... |
Le metteur en scène
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| Lara Stone | ... |
La femme
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| Arthur Igual | ... |
L'assistant
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Mathilde Bisson | ... |
La comédienne
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Jérémie Belingard | ... |
L'amant
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| Akaji Maro | ... |
L'homme de service
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Nassim Amaouche | ... |
Le chauffeur
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| Rest of cast listed alphabetically: | |||
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Charlotte Arrou | ... |
Casting Girl
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Géraldine Baroni | ... |
Casting Girl
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Aliénor Bouvier | ... |
Casting Girl
(as Aliénor Seydoux)
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Calypso Buijtenhuijs | ... |
Casting Girl
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Félixe De Becker | ... |
Casting Girl
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Anaëlle Echalier | ... |
Casting Girl
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Eulalie Elsker | ... |
Casting Girl
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Lucie Gallo | ... |
Casting Girl
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Julie Anna George | ... |
Casting Girl
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| Alexia Giordano | ... |
Casting Girl
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| Laura Giudice | ... |
Casting Girl
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Marie Guglielmetti | ... |
Casting Girl
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| Daphné Huynh | ... |
Casting Girl
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Maya Kawatake-Pinon | ... |
Casting Girl
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Pauline Lacombe | ... |
Casting Girl
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Annabelle Moaty | ... |
Casting Girl
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Sabrina Mortier | ... |
Casting Girl
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Maxime Ménard | ... |
Casting Girl
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Cindy Pappalardo-Roy | ... |
Casting Girl
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| Anaïs Parello | ... |
Casting Girl
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Marik Renner | ... |
Casting Girl
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Claudia Revidat | ... |
Casting Girl
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Gabrielle Rul | ... |
Casting Girl
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Cecilia Sare | ... |
Casting Girl
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Alexia Saurat | ... |
Casting Girl
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Joanne Tang | ... |
Casting Girl
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Edwina Zajdermann | ... |
Casting Girl
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Directed by
| Laetitia Casta | ||
Written by
| Laetitia Casta | ... | () & |
| Maud Ameline | ... | () |
Produced by
| Laetitia Casta | ... | producer |
| Lionel Massol | ... | co-producer |
| Pauline Seigland | ... | co-producer |
Music by
| Koudlam | ||
Cinematography by
| Benoît Delhomme | ||
Editing by
| Fabrice Rouaud | ||
Editorial Department
| Rémy De Vlieger | ... | colorist |
| Élisa Zurfluh | ... | assistant editor |
Casting By
| Stéphanie Doncker | ||
Production Design by
| Pauline Reichenbach | ||
Costume Design by
| Anaïs Guglielmetti | ||
Production Management
| Stéphane Avenard | ... | unit production manager |
| Emilie Laravine | ... | assistant unit manager |
Second Unit Director or Assistant Director
| Jean-Paul Allegre | ... | first assistant director |
| Olivier Bizet | ... | second assistant director |
Sound Department
| Régis Boussin | ... | boom operator |
| Maxence Dussère | ... | sound |
| Antoine Gervais | ... | sound mix technician |
| Jean-Pierre Laforce | ... | sound |
| Guillaume Le Braz | ... | sound (as Guillaume Le Bras) |
| Nicolas Moreau | ... | sound |
| Florian Penot | ... | foley artist |
Camera and Electrical Department
| Serge Bastien | ... | electrician |
| Olivier Benoist | ... | gaffer |
| Arnaud Diaz | ... | electrician |
| Christophe Hustache-Marmon | ... | digital imaging technicien |
| Ludovic Jacques | ... | data manager |
| Fabienne Octobre | ... | a camera focus puller |
Costume and Wardrobe Department
| Clara René | ... | assistant costume designer (as Clara Rene) |
Production Companies
- Allarosa Production
- Films Grand Huit (co-production)
Distributors
Special Effects
Other Companies
- Puce A l'Oreille, La (post-production sound services)
Storyline
| Plot Summary |
The Paris Opera is the film set of the relationship between the movie director and his actress. In a mysterious ballet of the imagination beyond fear and nude desire about who inspires whom, the looking glass of the camera reflects the intimate perception of the other, what is in me. |
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| Parents Guide | View content advisory » |
Additional Details
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Did You Know?
| Trivia | Laetitia Casta revealed how she chose the girls for the nude haka scene. "I didn't want models, nor actresses in particular - there are only two or three who are starting out in the profession. So I did a wild casting and asked these women to walk in front of me. Women in the street have always fascinated me. For a long time, less now, I think I envied them enormously for this lack of awareness of what they are, of their very strong animal power. I taught them to walk with their heads held high but not with the idea of a fashion show or a body reduced to a tool. No, it's something much more powerful: a creative force that truly constitutes the essence of women. Also because they say their real name and their age. Here again, the refusal of fantasy and projection... But it wasn't so easy to convince them that I needed to film them naked, that they shouldn't be ashamed of what they are." Casta doesn't film them exactly naked, only the lower part of the body is. "By filming these sexes, it's as if the little girl inside me was discovering my mother's sex, or another woman's. I find that women are ten thousand times more beautiful to look at than men." See more » |