In the Middle Ages, a young servant fleeing from his master takes refuge at a convent full of emotionally unstable nuns. Introduced as a deaf mute man, he must fight to hold his cover as the nuns try to resist temptation.
On the run from the battle-seasoned Lord Bruno for sleeping with his wife, the handsome and willing servant, Massetto, flees to the safety of the woods during the warm and peaceful summer of 1347. There, after a chance encounter with the always boozy but merciful Father Tommasso, the young charmer will find refuge into his convent's sanctuary, on one condition: to pretend he is a deaf-mute. However, Massetto's tempting presence will unavoidably upset the already frail balance of things within the sexually-repressed female realm, as nun after nun desperately seeks an escape from their tedious way of life and an extra reason to molest the charming handyman. In the end, will those cloistered Sisters finally find out what they had been missing out on all these years?Written by
[Warning. Potential Spoilers Ahead]
Here are my sins. I have slept with another man's wife. He's a nobleman, and he is my master.
Well, that's adultery.
It's a very serious sin.
Sometimes... she would place her mouth around my sex.
Well, that's sodomy. It's also a serious sin.
Is it also considered sodomy if... if I placed my mouth on her sex while... she simultaneously had... had her mouth around mine?
Why would you do that?
Because, she... she liked it.
Oh. Well, yes, that's also sodomy.
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Lo Signore Ringracando
Performed by La Reverdie
Courtesy of Arcana Records See more »
The nuns are cute as hell.
My extensive experience with nuns in grammar school taught me that their sexual repression as it affected us was a life-long gift leaving us to search for the goodness of sex and the secrets of females. Jeff Baena's The Little hours confirms what we always suspected: The younger nuns and postulants actually had firm breasts and world-class hormones.
Handyman Masseto (Dave Franco) hides in a convent in 1347 medieval Italy as a deaf mute (no doubt the way some women consider men anyway). Malaspina Castle would remind you of the iconic castle in Monty Python and The Holy Grail, and their English vernacular evokes the abandon of Mel Brooks' several satires. While the young nuns explore their interest in the forbidden, especially sex of several kinds, the jokes are weak by comparison with Python, Brooks, and even Boccaccio's Decameron, on which this film is loosely based.
Not just the randy nuns and handyman violate the Church's dictates against freewheeling sex, the venerable overseer, Father Tomasso (John C. Reilly), is carrying on with an older nun while listening to the salacious details of the younger nuns' sins in confession. Reilly is always competent displaying a simple man's wonder at the underbelly of the world.
In grammar school a nun shouted me out for holding a girl's hand, calling me a "dirty thing." I had more laughs over that kerfuffle than during The Little Hours, where laughs are in limited supply while the parody of sanctimonious medieval religiosity is mildly rich. But not rich enough to eclipse the wit of Python and Brooks.
"I did 12 years with nuns, you know. So I came out of it going, like, 'I think Jesus is all right.' The rest of it I think stinks to the high heavens." Denis Leary
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