In 1915, estimated 1.5 million Armenians were killed by the Ottoman Turks, during the Armenian Genocide. In 2015, a Turkish woman named Maya discovers that her great grandmother was survivor of the Armenian genocide. Maya embodies the...
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Cast
| Rest of cast listed alphabetically: | |||
| Ali Cesur | ... |
Turkish Soldier
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Michelle Yolyan | ... |
Nuriye
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Directed by
| Nare Mkrtchyan | ||
Written by
| Nare Mkrtchyan | ... | () |
| Amy Rosner | ... | () |
| Amy Katherine Taylor | ... | (writing consultant) (as Amy Taylor) |
Produced by
| Robert N. Fried | ... | producer |
| Iliana Guevara | ... | executive producer |
| Cristina Malavenda | ... | executive producer |
| Nare Mkrtchyan | ... | producer |
| Rebecca G. Stone | ... | line producer (as Rebecca Stone) |
Music by
| Sherri Chung | ||
Cinematography by
| Jeff Dolen | ||
Editing by
| Amy Rosner | ||
Editorial Department
| Lorraine Cardoza | ... | assistant editor |
| Margo Flitcraft | ... | finish editor |
| James Lee Hernandez | ... | vfx |
| Jack Ritten | ... | assistant editor |
| Jaraad Virani | ... | graphics designer |
| Gregory White | ... | colorist |
Costume Design by
| Mikael Sharafyan | ||
Sound Department
| Hovak Alaverdyan | ... | vo recordist |
| Andres de la Torre | ... | sound mixer |
| Yasaman Kazerooni | ... | sound: designer |
Camera and Electrical Department
| Iliana Guevara | ... | camera operator |
Music Department
| Thor Fienberg | ... | score recording assistant |
| Greg Hayes | ... | score engineer and mixer |
Additional Crew
| Jenny Arasi | ... | assistant to director |
| Ani Aslanyan | ... | crew in Armenia |
| Álvar Carretero de la Fuente | ... | awards publicist |
| Chris Commons | ... | crew in Los Angeles |
| David Davidian | ... | crew in London |
| Giancarlo Diaz | ... | production assistant |
| Devrim Erdogan | ... | crew in Turkey |
| Margo Flitcraft | ... | production assistant |
| Fatma Gocek | ... | history consultant |
| Gurgen Hakobyan | ... | crew in Armenia |
| Harutyun Hakobyan | ... | crew in Armenia |
| Garin Hovannisian | ... | writing consultant |
| Richard G. Hovannisian | ... | history consultant |
| Arpine Iskanyan | ... | crew in Turkey |
| Joshua Jason | ... | publicist |
| Peter King | ... | crew in Los Angeles |
| Arayik Manukyan | ... | crew in Armenia |
| Jessica Maroney | ... | production assistant |
| Matt Potter | ... | crew in London |
| Val Singhal | ... | production assistant |
| Büsra Tanriverdi | ... | crew in Turkey |
| Amy Katherine Taylor | ... | crew in Los Angeles (as Amy Taylor) |
| Julian Wakefield | ... | crew in London |
Thanks
| Rouben Adalian | ... | special thanks |
| Fatih Akin | ... | special thanks |
| Jeffrey Allen | ... | special thanks |
| Meline Anumyan | ... | special thanks |
| Amalia Baloyan | ... | special thanks |
| Raffi Bedrosyan | ... | special thanks |
| Kumru Bilici | ... | special thanks |
| Rui Dolen | ... | special thanks |
| Astrik Emin | ... | special thanks |
| Serkan Engin | ... | special thanks |
| Jacob Halajian | ... | special thanks |
| Gayane Markosyan | ... | special thanks |
| Mardik Martin | ... | special thanks |
| Levon Mkrtchyan | ... | special thanks |
| Delaney Moghanian | ... | special thanks |
| Izi Nae | ... | special thanks |
| Blake Neely | ... | special thanks |
| Sibil Pektorosoglu | ... | special thanks |
| Wael Selim | ... | special thanks |
| Pakorn Sukitphaiboon | ... | special thanks |
| Hrachuhi Taturyan | ... | special thanks |
| Nairi Varteressian | ... | special thanks |
| Benjamin Yeranosyan | ... | special thanks |
Production Companies
Distributors
Special Effects
Other Companies
Storyline
| Plot Summary |
In 1915, estimated 1.5 million Armenians were killed by the Ottoman Turks, during the Armenian Genocide. In 2015, a Turkish woman named Maya discovers that her great grandmother was survivor of the Armenian genocide. Maya embodies the conflict as she has two enemies living in her body: one side that suffers and the other side that denies. The documentary follows Maya as she decides to go to Armenia to take part in the 100th commemoration of the genocide and to explore her conflicted identity. This film is a universal story of identity, denial, and how the experience of genocide creates a ripple effect for future generations on both sides. |
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